Yesterday’s post mentioned in passing an Arts Council project that typifies the standards we’ve come to expect from publicly funded art. Jarvis Cocker, the country’s foremost socialist pop musician, was sent to the Arctic for “inspiration” and to raise planetary consciousness, along with another two dozen artistic luminaries:

The ecological insights gleaned by Mr Cocker?

Here’s the contribution by Beatboxer Shlomo, who “dedicates his beats to the cause.”

Mr Shlomo’s deep, deep insights into climatology and life can be read here. They include,

And,

The expedition organisers explain the artistic riches to be tapped and why the creative excursion is so worth your money:

Such was the level of inspiration, some of the assembled artists began to work their creative magic immediately.

We must heal the planet with drawings, people. It’s a matter of urgency. For readers of a technical inclination, these ‘automated’ drawings involved suspending a felt-tip pen from the underside of a chair, resulting in random scribble on numerous sheets of paper positioned underneath. This feat was “REALLY exciting” as it “explored movement, time, place and permanence.” The radical innovation also freed the artist to leave the dangling pen and do something more interesting. According to her two brief blog entries, the sum total of her commentary, Ms Rowledge spent much of this liberated time struggling with Greenlandic place names and making sure her fellow passengers knew how “overwhelmed” she was.

From the Telegraph:

Faith groups are to be given a central role in shaping government policies, a senior minister has vowed. John Denham, the communities secretary revealed that a new panel of religious experts has been set up to advise the Government on making public policy decisions. Mr Denham argued that Christians and Muslims can contribute significant insights on key issues, such as the economy, parenting and tackling climate change.

Oh happy day. Islam and Gaia, together at last.

The minister said that the Government needed to be educated by faith groups on “how to inform the rest of society about these issues.”

Perhaps someone could explain why it is we even have a “communities secretary,” and why this one is so eager to defer to “experts” whose, um, expertise lies not in parenting, economics or climatology, but in affairs of an altogether more elevated nature. Sadly, Mr Denham doesn’t reveal which particular “significant insights” will be brought to bear by the aforementioned “faith groups”. Nor is it terribly obvious how being Muslim or Christian might bestow a parental or economic wisdom unavailable to less pious human beings.

Which leads us to another item featuring one of those “experts” – Dr Rowan Williams, the Archbishop of Canterbury – self-described “hairy lefty,” palace-dweller, figure of ridicule, apologist for terrorism and chief executive of a failing religious enterprise. Dr Williams’ latest musings on mortal affairs are also aired in the Telegraph, where we learn “higher taxes would be good for society”:

Dr Rowan Williams said that taxation should not be seen as a way of stifling business or redistributing wealth but helping to make the world a better place in which to live.

You may want those sunglasses. It’s dazzling stuff.

He called for new levies to be introduced on financial transactions and carbon emissions, and an end to the idea that unlimited economic growth is desirable… “Taxation builds a habitat – already, quite properly, through state welfare provision, but potentially in other less familiar ways.”

Whatever Dr Williams chooses to believe, higher taxation and “new levies” are a very good way of stifling business, and base commerce is ultimately how we pay for all of those good deeds the Most Revered One likes to bang on about. And if the implied individual belt-tightening is so “good for society” – that’s you, dear reader – why isn’t it good for government too? Or should the state become larger and more righteously engorged, “making the world a better place” with publicly funded diversity policy officers, tobacco control officers, undercover waste bin spies and other consciousness-raising efforts? As, for instance, when the Arts Council saw fit to spend £150,000 of your taxes on sending Jarvis Cocker to the Arctic for “inspiration,” along with Marcus Brigstocke, Kathy Barber, Julian Stair and Beatboxer Shlomo:

The ambition of the expedition was to inspire the creative team to respond to climate change… It was an amazing journey; 10 days of artistic inspiration, debate, discussion and exploration.

I’m sure it was a hoot. And when it comes to “artistic responses to climate change” you just need to include a third-rate leftwing comedian, a “billboard hijacker” and a maker of ceramics.

A reader has complained that this site doesn’t feature enough sculpture. Conceptual art, yes, and music, quite a bit, but the sculpted arts have been shamefully neglected – apart from the odd appearance by some slightly indecent balloons. Keen as I am to please, and such is the richness of the sculptural world, I feel obliged to share with you the latest work by Chen Wenling. It’s over six metres tall, is made of fibreglass and paint, and, naturally, it’s a deep and devastating critique of global capitalism. The piece is called What You See Might Not Be Real, though some prefer a less cryptic title: The Big Golden Farting Bull.

The arts, they ennoble.

[Margaret Thatcher] was the closest thing Britain has ever had to Stalin and Pol Pot.

And,

It is not at all dumb to suggest that Thatcher was the closest thing we have had to Stalin and Pol Pot. That does not imply she was genocidal – merely that of British Prime Ministers it is difficult to think of another who pursued class war and year zero policies as enthusiastically as she did.

Written by Graham, in a heated and bizarre discussion over at Harry’s Place. In the same thread, also by Graham:

Flimsy Bush-Hitler comparisons always look ridiculous.

In the following BBC clip, lifted from today’s ephemera, the sculptor and artistic luminary Antony Gormley shares his wisdom on matters ecological. “Dispense with your socks,” says he. “This is a time of global warming. Through our feet we can begin to feel it.” This is no doubt because “our feet connect with our brains” and “engage with time.” And what’s more, “through our feet we can begin to be one people, standing through gravity on one Earth.” Yes, standing through gravity, united in our socklessness. Go barefoot for Gaia, people. It’s “an act of solidarity.”

Careful, dear readers. That’s the white heat of insight. It burns mortal flesh.

(h/t, Simen Thoresen.)

The stridulating bird sings with its wings. // Panoramic dentistry. // EyeWriter. // Boneworms. // Beef magazine. “Für Männer mit Geschmack.” // Do not mix beer with oncoming trains. // People on public transport. // Eavesdropping on Apollo 11. // The Spaghetti Western Database. // Barcodes of note. // German TV test patterns. (h/t, Coudal) // Home movie reconstructions, 1974-2004. (h/t, Things) // Hand of the desert. // Stonehenge is rather dull. // What water drops do. // Arachnids. // Antony Gormley is such an arse. (h/t, Simen) // People with fish. // Fruit bats are “enthusiastic fellators.” // Frogs, not so much.

This is rather marvellous. A wearable papercraft self-portrait by Eric Testroete. Do click to embiggen.

Assembly instructions are included so you could always build your own. And then go shopping. See also: Bert Simons.

Heather Mac Donald on racial quotas in school discipline. 

Schools that suspend or expel Hispanic and black students at higher rates than white students will now get a visit from a district “Equity Team” and will be expected to remedy those disparities by reducing their minority discipline rates. […] Tucson’s administrators explain their disciplinary quota pressure on the ground that students removed from class lose valuable learning time, exacerbating the already great ethnic academic achievement gap. Such thinking ignores the students who are not disrupting class or threatening teachers and who also lose valuable learning time when unruly or violent students remain in the classroom. Surely those students have a greater claim to “equity” in school resources than gang members do.

Clayton E Cramer on guns, flies and garbage.

Does anyone seriously believe that buying a gun attracts criminal attackers? Or do people buy guns because they perceive that they are in danger of being attacked? […] Many years ago, I was quite amused by one of the few really clever and thoughtful bumper stickers that I have ever seen. It managed to teach this problem of the direction of causality in a simple phrase: “Guns cause crime the way flies cause garbage.” The presence of garbage attracts flies; high crime rates cause decent people to buy guns. Prohibiting guns will no more prevent crime than spraying for flies will make your garbage disappear.

And on the subject of guns, here’s something to think about. 

Readers may recall Phil Wolstenholme’s ongoing digital photography project Wide Area Network, in which Sheffield’s surrounding countryside is writ large in a series of enormous, eerily detailed prints. Aesthetes among you may be interested in Wolstenholme’s first book of photographic work, Networks, published by Heavy Everywhere. 92 colour plates in a deluxe hardcover volume.   

Here’s a thing. John Fink’s Glottal Opera, featuring the tones and interiors of the ladies from Kaya, an Australian a cappella group.

(h/t, Anna.)