Reheated (127)
For those craving “queer theory,” some items from the archives:
I suffered, so now you must.
While you marvel at the naff, strained metaphor – teeth-brushing as an expression of “Whiteness,” an allegedly pathological state – and the irrelevant, space-filling anecdotal rambling, and the unearned, predetermined conclusion, and the invocation of Judith Butler – this Judith Butler – do spare a thought for your gracious host. As I poke at the smouldering wreckage of academia.
They Call it “Queering” History.
Tudor history, as seen through the welding goggles of wokeness.
Exactly why such “queering” is underway – what its relevance might be – is not, however, made clear. An explanation for this bolting-on of irrelevant, flimsy tat – in the name of “queer theory” – was not, it seems, deemed necessary. Nor is it entirely obvious how such “queering” of museum contents benefits those who wish to know more about Henry VIII’s favourite warship.
Regarding the mysterious purpose of all this “queering” of sixteenth-century objects, Rafi adds, drily, “It justifies the employment of lecturers in ‘Queer Theory’…” Indeed. That does seem to be the primary objective. That, and the modish tactic of identifying a thing that people find interesting and then inserting one’s own rather narrow and tedious politics, and by extension oneself.
Looking through the catalogue notes, no other obvious benefit, for visitors, springs to mind. Unless we include the exercising of eyebrows by moving them up and down. And the effect, the incongruity – the sheer cack-handedness of it – is quite bizarre. It reminded me of the ‘adverts’ in The Truman Show, in which Truman’s wife and neighbours suddenly, rather desperately, and often mid-sentence, draw attention to some cleaning product or chicken dinner.
Welcome to the world of queered history. It’s like actual history, but less so.
Our Betters Stroke Their Pets.
The hounds of love.
Only Doing It For The Betterment Of Us All.
On kiddie-diddling fantasies and dumb academia.
Further, annotated and fairly graphic, details of Mr Andersson’s paedophilic self-pleasuring project – sorry, “ethnographic fieldwork” – can be perused via the link above. Should that be your thang.
As to the “embodied understanding” mentioned above, it remains unclear what exactly was achieved – beyond the obvious, I mean. Mr Andersson tells us that during three months of, er, research, and 30 notebook entries, his mind often wandered to thoughts of other gentlemen doing much the same thing with the same publications, including the copies he’d acquired second-hand.
This is described as a “feeling of intimacy.” Dozing off afterwards is described as “self-care,” which is apparently important. And we’re informed that the Cellophane wrappers of his pornography collection “signalled luxury and investment in myself.” It’s Earth-rumbling stuff.
For those craving more, this is a pretty good place to start.
Consider this an open thread. Share ye links and bicker.
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I’m exercising my eyebrows.
Re-reading the thing this morning, I’d forgotten how mad it is, how laughably cack-handed. It really is a textbook illustration of The Desperate Segue.
And so we go from acknowledging the rarity and expense of mirrors in the sixteenth century to suddenly being lectured on the psychological crises of cross-dressing men. As if this were an obvious trajectory for catalogue notes in a museum about Tudor England.
“I know you’ve spent a lot of time and trouble coming here to learn about sixteenth-century artefacts from Tudor England, but let’s talk instead about subversion, cross-dressing, and how queer people’s hair is a central pillar of their identity.”
I paraphrase, of course. But just barely.