Meanwhile, in the world of deep thoughts and scholarly devotion:

A new video has surfaced of students this past week at Evergreen State College yelling and ranting about everything from “racist white teachers” and “white-ass administrators” to “black power!” during a so-called “meeting” with President George Bridges and other college administrators. Apparently, the activists are not pleased that this recording made its way to the internet at large. One of the demands listed by Evergreen students… is that something be done to resolve the “theft” of the video: “We demand that the video created for Day of Absence and Day of Presence that was stolen by white supremacists and edited to expose and ridicule the students and staff be taken down by the administration by this Friday.”

That’s this video here.

Lifted from the comments because… well, just watch:

The video begins with [filmmaker, Ami] Horowitz interviewing a number of white people at a so-called “White Privilege Conference” in Kansas City, Missouri, and asking them if they believe that every white person is a beneficiary of “white privilege.” The white leftists say yes, with one lady saying that she feels “super guilty all the time.” In fact, a number of the white leftists Horowitz interviewed claimed that all whites in America are racist. Then Horowitz asked the same people if it was “wrong to judge people collectively.” They all answered yes, seemingly unaware of the obvious contradiction.

Mr Horowitz then visits a Harlem housing project to ask black residents their thoughts on the subject.

Video here.

Via Jen.

I’m not entirely sure how one might go about interacting with someone – say, a police officer, a supposed authority figure – whose identity is apparently so unstable that on any given day they could turn up for work, or to court, as a man or a woman, complete with different names. At some point, “diversity” becomes a Two Ronnies comedy sketch.

Via I Sneeze In Threes.

“As a queer artist I seek to create a temporal historical rupture,” says Texas-based performance artist Sarah Hill, while describing her – sorry, their – 2014 opus They Wonder. “During the performance,” we’re told, “I repeatedly spin around and around in circles.” The reason being that, as an artist and worker of profundity, Ms Hill is “interested in the continuous action of spinning and getting no-where, falling down and getting back up.”

Inevitably, Ms Hill tells us that she – sorry, they – disdains “the pressures of commodification,” and rejects “the populist template of art as a form of leisure or entertainment.” Yes, I know, a fearless and terribly radical decision, the effects of which may become apparent in the following video, recorded at the Waterloo Centre for the Arts, Iowa.

See, now you realise you were all starved of art and its enrichments. And indeed still are.

Glenn Reynolds on when crime doesn’t count: 

Black Lives Matter might more accurately be named White Killers Matter, because it only seems to care about black lives that are ended by white people. And that, of course, is because Black Lives Matter isn’t about justice, but about racial agitation.

Heather Mac Donald on the conceits and inversions of modern academia: 

If ever there were a narrative worthy of being subjected to “stubborn scepticism,” in [Yale president, Peter] Salovey’s words, the claim [by Salovey] that Yale was the home of “hatred and discrimination” is it… Yale has been obsessed with what the academy calls “diversity,” trying to admit and hire as many “underrepresented minorities” as it possibly can without totally eviscerating academic standards. There has never been a more tolerant social environment in human history than Yale (and every other American college) — at least if you don’t challenge the reigning political orthodoxies.

And utterly unrelated to anything above: 

Harvard senior submits rap album as thesis, gets an A.

It would appear that Harvard’s English department is now intersecting with the even loftier department of hip-hop racial caricatures. The thrillingly original opus in question – which can be savoured here – is “a dark and moody take on what it means to be black in America… tackling topics ranging from police violence to slavery.” But of course.

As usual, feel free to share your own links and snippets, on any subject, in the comments.