Struggling with unfamiliar pronunciation is a “racist practice,” apparently.

Please update your files and lifestyles accordingly.

Listening to the broadcast, the dogmatic vanities are hard to miss, and the ladies appear oblivious to how they might seem. At least beyond the circle of the severely educated.

It’s also interesting how the grievances of the recreationally indignant – these self-regarding young women who wear victimhood like jewellery and complain about the emotional travails of ordering coffee – so often read as an assertion of class status. As if a modestly-paid coffee-shop worker, with whom they interact for a few seconds, and whose own name they don’t share, or presumably recall, should somehow automatically divine the unobvious pronunciation of an unfamiliar name, and then remember it, forever, despite interacting with hundreds of people every day, and having a life and priorities of their own.

We’ve been here before, of course.

Update, via the comments: 

While invoking Alex Haley’s slavery novel Roots as a guide to their own suffering, the ladies insist that, if you aren’t instantly sure how to pronounce Ms Ali’s Somalian first name, or Ms Roy’s Indian first name, then you’re a “vehicle of racism” and are “damaging” their “self-worth and sense of confidence,” and should, one assumes, prostrate yourself at the nearest Temple of Woke Sorrows. Given this kabuki of the implausibly downtrodden, it occurs to me that the charming lady who runs the local Chinese takeaway, and for whom English is at best a second language, has struggled to pronounce my surname for close to two decades. Presumably, I should storm in there one evening and publicly berate her for oppressing me and invalidating my personhood. Delicate flower that I am.

In the comments, Daniel Ream notes,

Teenagers gonna teenage, but for some reason we’ve decided to grant ignorant adolescents whose brains haven’t fully formed yet bizarrely elevated status and moral authority.

Readers may wish to ponder why it is that modern leftism dovetails so neatly with the psychological shortcomings of adolescents.

I don’t recall school plays being quite like this.

Also, open thread.

Serendipity. (h/t, Holborn) || Forbidden love. || “The latest frontier in denim.” (h/t, Julia) || A guide to public transport seat cover design. || Calling Dr Strange. (h/t, Obnoxio) || Scenes. || Clouds. || Beating organ. || He does this better than you do. || Things “we need to talk about,” #204. || Urine wheels and other pee-related wonders. || The pebble palace and other art gardens. || Evergreen. (h/t, Dicentra) || It’s called making an entrance, darling. || Piety displayed, then sudden difficulties. || Rotational drama. || Slo-mo Taekwondo. || “Weighed only slightly more than a pack of butter.” || Word-pile detected. || At last, competitive slapping. || And finally, I bring you some next-level performance art.

Thanks to the towering talents of Mr Claude Boudeau, whose performance piece Cascade is featured below.

As you’ve doubtless already discerned, Mr Boudeau’s “main questioning is about the states of insurrection that exist in people and can be revealed through performance art.”

“Images of men rushing into burning buildings does little to encourage gender equality.”

Also, open thread.