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Anthropology Dating Decisions Free-For-All Pronouns Or Else

A Failure To Affirm

April 7, 2024 96 Comments

From the Reddit forum r/mypartneristrans, a tale of romantic complication:

Today, my partner of a year just came out to me as a trans woman, and I’m ashamed to say I don’t think I reacted very well. 

The feeling of being, shall we say, misled can do that, I suppose.

It was done over text, and basically consisted of me trying to convince them that their life will be so much harder if they come out as trans, much less a trans woman… I just don’t know what to do. I found them attractive before, what if I don’t now? 

Twist incoming.

I’ve been out as trans man for close to a year and a half now… I’m trans, I’m supposed to be gung-ho about all of this, right? 

Oh my, a spotlight shared. Awkward. Or, “Woman who wants to pretend she’s a gay man is thwarted by male partner now wanting to pretend he’s a woman, resulting in something not unlike straightness, albeit with extra steps.”

As I said, complications.

Readers are welcome to speculate as to whose feelings are more, er, valid in the scenario above.

And before you ask, the outlook isn’t great:

It just seems a lot easier to leave right now because things are already rocky, and this is just a rather large cherry on top. 

Update, via the comments:

Regarding this,

me trying to convince them that their life will be so much harder if they come out as trans, much less a trans woman…

Mags adds,

He she didn’t use her his pronouns. 

Indeed. A notable omission. One that results in finger-wagging from fellow forum regulars:

You do have to respect that SHE is the expert on her own gender, not you, 

It’s a bold claim. And despite which, the person being scolded, a woman who expects to be taken seriously as a man, can’t bring herself to take seriously as a woman her own male partner. There’s no she or her, just a grudging them. Which does rather cast some doubt on the broader enterprise.

Readers who poke through the subsequent replies will note how almost any kind of questioning – even expressions of surprise and concern from an intimate partner – is promptly dismissed as “hurtful,” “transphobic,” and “pretty shitty,” something to apologise for. As if anything short of immediate and gushing affirmation – pretty much any hesitation at all – were an act of wickedness.

Also, this caught my eye:

I think my main fear is them looking like a drag queen? Where you can tell that it’s a man dressed as a woman, and that I don’t find particularly attractive. 

Which is something of a drawback, given the odds on that matter.

One of the commenters then replies that “drag queen is a look,” by which they mean valid, a possible aspiration, and that one should “interrogate those feelings” that looking like a drag queen is probably not ideal.

Via Rafi.

In other, happier news, open thread. Share ye links and bicker.

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Written by: David
Ephemera

Friday Ephemera (715)

April 5, 2024 142 Comments

And then he gets indignant. || The Ogmios School of Zen Motoring. (h/t, Elephants Gerald) || An unhappy angle. || Notable ceilings. || Cheeeldren of the night. || Coffee time. || Worried cucumber. || Condiment cunning. || “What is in your freezer?” 1976. || They’re made of British. || Because you demanded it, AI music. || I bring you art. Related. || “Someone who is unable to pinpoint their gender due to the stress of the questioning process.” || The progressive retail experience, parts 542, 543, 544, and 545. || Protect your Cybertruck from “electromagnetic pulse disturbances.” (h/t, Things) || Dawn chorus. || “Deeply weird,” indeed. || Question asked, answered. || Children speak of things to come, 1966. || Giraffe and chiropractor. || And finally, scenes of emergency service.

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Written by: David
Anthropology Free-For-All Travel

Perhaps The Cardboard Has Magical Properties

April 1, 2024 184 Comments

Lifted from the comments, where WTP alerts us to more fun times for commuters in the San Francisco Bay Area:

❓ Did you know ❓

You can ask any station agent for BART’s free bystander intervention cards, which you can use if you’re experiencing or witnessing harassment in stations and trains.

Here’s how they work 👇 pic.twitter.com/09WmyquxVS

— BART (@SFBART) March 29, 2024

The cards, we’re assured, are “a concrete way to deal with an unsafe situation.” Though given the consequences of recent attempts at intervention – or what Bay Area Rapid Transit refers to as “allyship” – readers may wonder whether prompt and meaningful assistance may be less frequent than one might wish.

In case you had doubts, WTP adds, “This is not parody.”

Perhaps we can look forward to the issuing of “I am being stabbed” cards. And some “The man next to me is masturbating” cards. It does have the makings of an unhappy board game.  It also calls to mind this uplifting scene from no-less-progressive Portland:

What the card for that would say, I leave to the reader.

Update, via the comments:

Diogenese asks, if direct and effective intervention has been discouraged and entails a serious risk of punishment,

Then what’s the fookin point? 

Well, I’m assuming the point is largely to misdirect, to conjure an illusion. To give credulous progressive women, like the ladies in the video, the impression that the situation isn’t as bizarrely horrible as it actually is. And to make credulous progressive women imagine that progressives are The Ones Who Care, while so much of what they touch gets much worse, quite rapidly.

By issuing little cards, they’re creating “new social norms.” To supposedly address the problem of having created other “new social norms” in which punishing criminals is deemed unjust, racist, and terribly old-fashioned.

But hey, if you’re travelling to work on a BART train and some deranged creep starts masturbating against your leg, or pissing on the floor, or you find yourself standing next to yet another knife fight, or overdose, or commuter mugging – and no-one else does anything, or dares to do anything, except watch impotently and demoralised – because even noticing such things is racist – at least you’ll have a little card to clutch. Apparently that’s something.

And – and – every woman in the explanatory video, every single one of them, has brown skin. So there’s that.

Progress!

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Written by: David
Reheated

Reheated (88)

March 27, 2024 305 Comments

I expect to be busy for a few days. However, being a gracious host, I’ll leave you with some items from the archives:

Marking Their Territory.

Two radical identity groups struggle for toilet dominion.

Naturally, the first task was to give the toilets a makeover via the uplifting medium of graffiti, thereby communicating the life-enhancing qualities of prostitution: “Less abolitionism, more whoring,” and “less TERFs, more sex.” Needless to say, the conflict has escalated… With the facilities now being used by rival tribes, all gorged on intersectional compassion – and with so much graffiti to be written and responded to indignantly – students are reporting queues and “lengthy wait times.” 

You’re Reading The Comments, Right?

When wokeness is ascendant and apparently quite stupefying.

Pst314 and Mr Muldoon point us to an “analysis” piece in Scientific American, in which we’re urged to fret about “the violence Black men experience in [American] football,” and in which we’re told that the physicality of the sport “disproportionately affects black men.” This is framed in the article so as to imply some systemic racial wrongdoing – “anti-Black practices” that are “inescapable” – rather than, say, being an unremarkable reflection of the sport’s demographics, in which, at professional levels, black players are a majority.

Or to put it another, no less scientific, way – the risk of injury while playing a contact sport disproportionately affects those who actually play it.

No evidence is offered, at all, to establish that injuries are more frequent among black players compared to their white peers – which is pretty much the article’s premise – or to support the conceit that any such disparity, should it exist, must be driven by racism. And yet we’re told, with an air of satisfaction, “These playing fields… are never theoretically far from plantation fields.” Albeit a plantation with fan mail, lucrative endorsements, and an average salary of around $2.7 million. 

The D-Words.

On supposedly racist traffic cameras.

Those presented as victims of injustice, of “racial inequity,” include Mr Rodney Perry, whose photograph accompanies the piece, and who, in a single year, has received eight tickets for speeding and three for running red lights. The article appears not to have had room to include the views of those injured or bereaved by Chicago’s law-breaking motorists, despite an eye-widening spike in accidents, fatalities, and hit-and-run crashes. Nor, it seems, was there room to consider the possible effect of endless, widespread excuse-making for antisocial behaviour, and its role in making such behaviour more likely, not less. 

No Relation.

“Diverse identities” and euphemistic convolutions.

I can understand the reluctance to appear indelicate or to cause needless offence; and in some situations, there may be scope for polite fudging. But pretending-as-default, or worse, pretending-as-law, can lead to unhappy farce and a kind of collective derangement. And the media presenting the reader with an obvious distortion of reality, and seemingly an expectation that we should all pretend too, is also rather offensive.

Hard To Tell If It’s Going Well.

I bring you art. And atomised dairy products.

The mighty talent featured in the following video is artist, educator and “community organiser” Alex Romania, whose work teeters on the edge of profundity, as will doubtless become clear, via juddering and convulsion, and the strategic deployment of 25 pounds of powdered cheese. Come, sup ye at the teats of creativity.

Consider this an open thread.

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Anthropology Art Politics

The Put-Upon And Marginalised Finally Get A Word In

March 25, 2024 81 Comments

Time, I think, to better ourselves. Come, let us peek at the culture pages of the Guardian:

the unicorn is the subject of a major exhibition opening next weekend in Perth.

That’s Perth, Scotland. Lest there be confusion.

The first UK exhibition to investigate the cultural history of this elusive, magical, and well-loved creature will be the centrepiece of the opening celebrations at the new Perth Museum, after a £27m transformation of the former City Hall, 

Bear with me. I’m setting the scene. Stoking your anticipation.

“We’re exploring how people conceptualise an animal that they’ve never seen,” says the lead curator, JP Reid, 

White horse. Big horn.

“The unicorn was a symbol of innocence and chastity, and, in time, the story develops that the only way you can catch one is by baiting it with a virgin woman,” says Reid. He pauses. “There’s obviously a lot of innuendo going on.” 

Again, big horn.

at least half of the exhibition is dedicated to present-day incarnations. A mass display of crowd-sourced items – including My Little Ponies, novelty hats, rainbow-hued stuffed toys, and clothing – reflects the creature’s ubiquity across pop and kid culture. 

Ah, tat.

Brace yourselves for a full-on face-blast of culture:

Such wonders you’ll behold. Memories to treasure forever.

Because the above is “a modern symbol of the LGBTQI+ community.” And so, while claiming to give exposure to the supposedly marginalised and unseen, the virtuous by default, the curators are expecting visitors to be enthralled by objects of mass-produced banality that are, by their own admission, utterly ubiquitous.

But wait. There’s more.

the final section of the exhibition features six newly commissioned pieces exploring the ongoing challenges faced by the queer community globally, including transgender inclusion, conversion practices and institutional homophobia, transforming blank, life-size horse heads around the theme of “unicorn hunting in 2023.” 

One of the above. Presumably the most photogenic.

“Queer stories are so seldom told in museums,” says Jennie Grady, the community co-production officer who has worked in partnership with local LGBTQ+ groups on the exhibition. 

I’m just going to leave this here, I think. Consider it an illustration of what can be done. A cultural benchmark for our times.

Regarding the aforementioned seldomness, I briefly scanned recent listings and found that the museums and galleries busily “queering” their content include the British Museum (“Desire, Love, Identity: Exploring LGBTQ Histories”), the Victoria and Albert Museum (“A Queer History of Art”), Tate Britain, Tate Kids, Queer Britain (“A riot of voices, objects, and images from the worlds of activism, art, culture, and social history”), Brighton Museum, the London Art Fair, the Glasgow Women’s Library, the Museum of Transology, the Museum of London, National Museums Liverpool, National Museums Scotland, and the National Portrait Gallery.

So seldom. So terribly seldom.

Other vigorously “queered” content can be found at New York’s Whitney Museum of American Art; the Rijksmuseum in Amsterdam; and the Wellcome Collection, London, which among other things offers a “queer life-drawing workshop… focussing on queer bodies.” I have, due to space concerns – and the fear that readers may lose the will to live – omitted many more.

Despite which, Ashleigh Hibbins, the head of audiences at the Perth Museum, where unicorns await, tells us,

“This is a £27m project and an opportunity to tell stories in a different way – we’ve been telling the pale, male and stale stories in museums from time immemorial and for institutions to stay relevant we need to represent the people around us. It’s not just a moral consideration but a practical one.” 

Ah yes, those unheard voices. The dear downtrodden.

Via Julia.

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In which we marvel at the mental contortions of our self-imagined betters.