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Anthropology
Anthropology Art Food and Drink Free-For-All

Sup Ye At The Teats Of Art

February 3, 2022 64 Comments

Attention, lowly workers. I bring you cultural sustenance, courtesy of Finland’s creative powerhouse Iiu Susiraja.

 

Also, some chafing may have occurred. Previously, another double helping.

I’ve locked the doors, so don’t even try. And yes, open thread.

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Written by: David
Academia Anthropology Parenting Politics

So Many Fs

February 1, 2022 87 Comments

“The kids don’t even want this stuff,” says [high-school English teacher, Kali] Fontanilla, noting that the ethnic studies course replaced a much more popular health class – in the midst of a pandemic, no less. “Most of them are just like, ‘Why do we have to take this class?’”

Robby Soave on when classroom race-hustling doesn’t impress the kids. 

As the classroom in question is in Salinas, California, where the children in question are overwhelmingly Hispanic, and therefore supposedly oppressed, and supposedly hungry for “critical race theory,” you can imagine the complications. It turns out that when Hispanic children turn up to learn English as a second language, they’re not overly thrilled to find their time being spent on “institutional, internalised, ideological, and interpersonal oppression.” Or at being told that, on account of not being white, they may suffer from “intergenerational trauma.” Or spending class time on a “privilege quiz,” in which they must rank their imagined victimhood, while comparing “intersectional rainbows.”

However, the disaffection of supposed beneficiaries seems unlikely to deter adult enthusiasts.

Beginning with the class of 2030, all public high school students in California will now have enrol in the same sort of course that Fontanilla’s students already took.

Ms Fontanilla, who happens to be black, isn’t impressed either. Cultivating victimhood and racial resentment is not, she feels, an ideal use of her students’ time, or indeed her own. Believing that parents had a right to know exactly what their children are being taught, she wrote a letter of protest to the school board. It was read aloud during a meeting at which parents were present:

“I do not appreciate constantly being pandered to and treated differently because of the colour of my skin, especially since I did not have the freedom to not go along with it,” Fontanilla wrote, warning that the curriculum was an attempt at left-wing indoctrination. The statement elicited cheers from other parents attending the meeting. In response, the school board prohibited anti-CRT comments at its next public gathering.

And if the air of somewhat creepy condescension isn’t sufficiently obvious,

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Written by: David
Anthropology Free-For-All Parenting Policing Pronouns Or Else

Tales From The Far Side (2)

January 31, 2022 80 Comments

Further to recent rumblings in the comments, a tale about the perils of noticing things:

She describes the emails as “rather polite” and “relatively kind.” Her daughter had been a Girl Guide, and she herself had done some volunteering with the organisation. “I thought it was a really uncontroversial, uncontentious email,” she says. It expressed her view that “this person should not be in charge of young people.” (The Critic has seen the email and can confirm her description of it. It does, however, refer to Sulley as a “male”…)  

And that’s when a police officer appeared on her doorstep.

Also, open thread. 

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Written by: David
Anthropology Feminist Fun Times Politics Pronouns Or Else

How Dare You Not Pretend

January 26, 2022 125 Comments

In the comments, Mr Muldoon steers us to the latest mental rumblings of Ms Laurie Penny:

You must be threatened by her ideas.

Ms Penny is, I think, referring to fellow feminist Julie Bindel, whose review of Laurie’s latest book is not entirely positive, and who chose not to refer to its author as a suddenly ungendered being. But the broader claim is perhaps worth exploring.

I can’t say that my own views on modish pronoun stipulation make me feel “cool and edgy.” If anything, they seem fairly self-evident and unremarkable, not the stuff of obvious scandal or sudden intakes of breath. And I doubt that anyone here is likely to feel “threatened… by the ideas of a more progressive generation.” Though Ms Penny’s tendency to self-flatter – her inevitable trajectory – does catch the eye.

Regarding rudeness, I’m generally polite by default, at least in person, and don’t go out of my way to needlessly put a kink in someone else’s day. I’ve had perfectly civil chats with people who regard themselves as transgender or gender-non-conforming or whatever. Nobody got upset. But what is often being asked – or demanded – is not a small thing, not in its implications.

Taken broadly, we are being asked to affirm, wholesale, a bundle of phenomena that includes not only actual gender dysphoria, whether the result of developmental anomalies or childhood molestation, but also autogynephilia, serious personality disorders, adolescent pretension, and assorted exhibitionist and unsavoury compulsions. The expectation seems to be that we should take these different phenomena, with very different moral connotations, as being one and the same thing, and then defer to them, habitually and uncritically. Which is asking rather more than can readily be agreed to.

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Written by: David
Anthropology Art Free-For-All History Problematic Furniture

The Sound Of Shoehorning

January 19, 2022 133 Comments

Granted, hanging up spoons in straight rows isn’t quite as impressive as the oeuvre of Rembrandt. But if we pretend hard enough, maybe it will seem as if it were?

Steve Sailer spies some farcically woke art-exhibition notes. 

Photographs of which can be found here. This one in particular is quite a feat. 

Update:

In the comments, Joan adds, “They want to spoil everything.” Indeed, the tone of the exhibition notes is reliably sour and anhedonic. Only the contrivance is amusing, albeit unwittingly. And it occurs to me that it would save a lot of time and rhetorical straining to simply stamp each artwork with the words “BAD WHITEY.” The effect would be much the same and with little loss of meaningful content. It’s also worth pondering the term “white degeneracy,” and whether any other racial demographic would be subject to similar usage in the official display notes of a mainstream art exhibition.

Update 2:

It seems to me that juxtaposing Rembrandt’s paintings with half-arsed tat by the ungifted-but-heroically-brown – an unremarkable frame, some spoons in rows – is not a great way to establish the implied artistic parity. But in order to be woke and right-thinking, we must somehow will the equivalence into being. Or at least pretend.

And this is why wokeness is corrupting. It eats away at realism, and at honesty.

Also, open thread. 

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Written by: David
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In which we marvel at the mental contortions of our self-imagined betters.