In which we glimpse the world through the eyes of our self-imagined betters.

The year began with news that living in Glasgow is now to be considered a work of art, according to Ellie Harrison, a taxpayer-funded artist who, coincidentally, lives in Glasgow. We also witnessed the talents of Sandrine Schaeffer, who teaches the subtleties of performance art to those less gifted than herself, and who unveiled “a series of research based actions in public spaces” – i.e., walking repeatedly past automatic doors. Gorged on art, our attention then turned to academic matters and the ruminations of Dr Riyad A Shahjahan, an exponent of “social justice theory” and “pedagogies of dissent.” Dr Shahjahan wished to impress on us that “the norms of neoliberal higher education” – specifically, expectations of punctuality and academic competence – are both racist and oppressive.

February saw a multi-million-dollar experiment in progressive crime prevention – a project that was as bold as it was unsuccessful – namely, bribing known criminals to not commit further crimes. And Ms Celia Edell, a “24-year-old feminist philosopher interested in social justice,” explored the thorny conundrum of whether feminism is compatible with the eating of bacon sandwiches.

In March, we beheld the artistic work of Sandrine Schaeffer’s students – feats that included drooling, doomed horticulture and masochistic thigh-scarring. And feminist “creative” Katherine Garcia attempted to justify her sub-optimal life choices. Ms Garcia, who describes herself as a “multi-dimensional creature” doing “enlightening work,” was shocked to discover that getting heavily into debt to pursue a grad school degree in Women and Gender Studies isn’t a sure-fire path to status and prosperity.

April was enlivened by the highly-wound students at Edinburgh University, whose meetings forbid expressions and gestures that “denote disagreement,” and where even quietly shaking one’s head is a scandalous transgression. In the pages of Everyday Feminism, Ms Kai Cheng Tom bemoaned the fact that “disorders like violent psychopathy” are “generally considered unlikeable,” and that “compassion for psychopaths, pathological liars, or narcissists” – people such as herself – is hard to come by. And over at the Guardian, Grayson Perry, a part-time transvestite and maker of unattractive pottery, disdained masculinity as “useless” and “counter-productive,” a mere “hangover” from more primitive, less Guardian-friendly times.

In May, the “social justice” juggernaut Hari Ziyad railed against conformism and idle stereotypes, while denouncing the “white supremacist cisheteropatriarchal capitalistic gaze,” and exhorting us to spend more time fretting about “gender non-conforming Indigenous people with disabilities.” And the no less non-conformist Laurie Penny announced that she “leans towards anarcho-communism,” which, rather conveniently, means that your money actually belongs to her.