The Shimafuji 2” cube PC. // The properties of cone snail venom. Cone snail venom in action. // SeaPhantom. “Helicopter speed. Powerboat price.” // Flying car, sort of. (H/T, Dr Westerhaus.) // Perry Mason book covers. // Perry Mason title sequence, from The Case of the Negligent Nymph. (H/T, Vitruvius.) // Perry Mason board game. More. Instructions. // How to catch a cold. (1951) // What to do on a date. (1951) // Personal ads in China. (H/T, Instapundit.) // Via Coconut Jam, paper condom envelopes of the 30s and 40s. // Beautiful specimens. (H/T, Coudal.) // Iran closes “un-Islamic” barber shops. “Police say barbers should not pluck customers’ eyebrows.” // Theodore Dalrymple on percentages, fear and self-inflicted misery. “Unemployment and lower levels of educational achievement have much to do with the ideas of Muslim immigrants themselves.” // The perils of “affirmative action.” // Soy sauce and ice cream, together at last. // Ice cream flavours from around the world. Octopus, spinach and ox tongue. // Geographical Rubik Cube. // Calculate pi in hyperspace. You know you want to. // Enormous hole found in Universe. “The void is nearly one billion light years across.” (H/T, An Insomniac.) // Tunnel House. More. // Bedside table. Ideal for greeting uninvited guests. // How to be a cult leader. “Join us and be special.” (H/T, Vitruvius.) // Frank says something stupid.

A form of ‘content-aware’ image manipulation has been developed by Shai Avidan and Ariel Shamir of Israel’s Efi Arazi School of Computer Science. Their prototype software allows images to be dramatically resized without scaling or cropping. By assigning levels of importance to component parts of an image, the software is able to shrink or stretch images while leaving key features intact and in proportion, and all in real time.

More. And. Related. Also. (H/T, Protein Wisdom and The Thin Man.) 

Thanks to the A/V Geeks, here’s Disney’s 1946 educational short, The Story of Menstruation. It’s replete with dos and don’ts on hygiene and grooming, though sexuality is oddly unmentioned. That said, and no less oddly, there does appear to be a baby wearing lipstick.

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Review. The instructional booklet mentioned in the film, Very Personally Yours, can be found here.

An extract from Roger Kimball’s long, amusing essay, The Perversions of Michel Foucault, in which he casts an eye over Foucault’s pretensions, and those of his biographer, James Miller:

“In some ways, The Passion of Michel Foucault is a revival of [Miller’s] earlier book [Democracy is in the Streets], done over with a French theme and plenty of black leather. Hence it is not surprising that when Mr. Miller gets around to the student riots of 1968, his prose waxes dithyrambic as gratified nostalgia fires his imagination. It is as if he were reliving his lost – or maybe not-so-lost – childhood.

‘The disorder was intoxicating. Billboards were ripped apart, sign posts uprooted, scaffolding and barbed wire pulled down, parked cars tipped over… The mood was giddy, the atmosphere festive. ‘Everyone instantly recognized the reality of their desires,’ one participant wrote shortly afterward, summing up the prevailing spirit. ‘Never had the passion for destruction been shown to be more creative.’

Foucault himself, unfortunately, had to miss out on the first wave of riots, since he was teaching at the University of Tunis. But his lover Daniel Defert was in Paris and kept him abreast of developments by holding a transistor radio up to the telephone receiver for hours on end. Later that year, Foucault was named head of the department of philosophy at the University of Vincennes outside Paris. The forty-three-year-old professor of philosophy then got a chance to abandon himself to the intoxication. In January 1969, a group of five hundred students seized the administration building and amphitheatre, ostensibly to signal solidarity with their brave colleagues who had occupied the Sorbonne earlier that day. In fact, as Mr. Miller suggests, the real point was ‘to explore, again, the creative potential of disorder.’ Mr. Miller is very big on ‘the creative potential of disorder.’ Foucault was one of the few faculty who joined the students. When the police arrived, he followed the recalcitrant core to the roof in order to ‘resist.’ Mr. Miller reports proudly that while Foucault ‘gleefully’ hurled stones at the police, he was nonetheless ‘careful not to dirty his beautiful black velour suit.’

It was shortly after this encouraging episode that Foucault shaved his skull and emerged as a ubiquitous countercultural spokesman. His ‘politics’ were consistently foolish, a combination of solemn chatter about ‘transgression,’ power, and surveillance, leavened by an extraordinary obtuseness about the responsible exercise of power in everyday life… Foucault posed as a passionate partisan of liberty. At the same time, he never met a revolutionary piety he didn’t like. He championed various extreme forms of Marxism, including Maoism; he supported the Ayatollah Khomeini, even when the Ayatollah’s fundamentalist cadres set about murdering thousands of Iranian citizens. In 1978, looking back to the postwar period, he asked: ‘What could politics mean when it was a question of choosing between Stalin’s USSR and Truman’s America?’ It tells us a great deal that Foucault found this question difficult to answer.”

Spot the resonance. More. Related. And. Plus. Also.

As a companion piece to Vanessa Engle’s Lefties documentary, The Thin Man has created a short trailer for the three-part series, Tory! Tory! Tory!, broadcast by BBC4 in March 2006. The series traces the history and ideas behind Thatcherism – and how Britain was transformed, painfully. It’s not as outlandish as Lefties, but it’s interesting to revisit the dark days of Britain in the late Seventies, with power cuts, unburied dead and ossified state-run monopolies somehow billions in debt. Brave souls may even try to imagine exactly how wrecked and demoralised the country would have been in the care of devout Socialist Neil Kinnock, or those even more devout, who openly spoke of “the class enemy.”

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The three episodes, Outsiders, The Path to Power and The Exercise of Power, can be viewed here.

I have enemies of my own. Help me crush them underfoot.

By popular demand, The Thin Man has unearthed a higher-resolution version of this 11-minute animation by Paul Vester, Abductees. Made in 1995 and broadcast on Channel 4, it’s a funny and oddly beautiful combination of therapy session recordings and cartoon probing.

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“We are interested in the concept of rescue.” Abductees can be downloaded here. More.

The museum of mid-20th century illustration. Spacemen, sweater girls, and bacon dogs too. // Singing Science. Includes What is Gravity?, It’s a Scientific Fact and other stirring ditties. (Circa 1950s) // Pooh in Russian. // Russian metro art. Posters, stamps, matchbooks. // Vintage cigarette ads. “Guard against throat scratch.” // Women in art. 500 years in under three minutes. More. (H/T, Stephen Hicks.) // MTV interlude. Floating leafy giraffes. More. // Via Chastity Darling, ZoomQuilt 2. // The complete Calvin & Hobbes. 1985-1995. // 25 Calvin & Hobbes highlights. // Batman onomatopoeia. // Robin looks on, shocked. // Hayek’s Road to Serfdom in cartoon form, circa 1950. (H/T, The Thin Man.) // Found grocery lists. Hundreds of them. // Jeff Lieberman’s levitating light bulb. Movie. // Landsat-7 satellite images. Geology seen from space. // Alien and salad. Together at last. More. // William Burroughs book covers. // Bosch. // How to hack slow motion in QuickTime Pro. // How to brew beer in a coffee pot. (H/T, Coudal.) // A chronology of mathematics. // A gallery of vintage calculators. // Woman bends down. House explodes. // And Carole King is sad.

Via MEMRI, an Iranian Channel 2 TV report on the heavy metal scene in Tehran.

“Some of the youths unknowingly make themselves look like homosexuals.” More. And. Also. 

I’m not usually a great fan of graffiti, which is glorified scent marking, or of graffiti art, which is very often wildly overrated. But, via here and thanks to Dr Dawg, I found Lichtfaktor’s light graffiti. It’s fun and no-one else has to clean up afterwards.

Video. More. And. 

Further to this, here’s Denis Dutton on status anxiety and poststructuralist prose. “They want to be excoriated by what they consider to be the ‘establishment’, although they of course, they’re the academic establishment themselves.” Mp3.

More. Related. (H/T, B&W.)