Click to, um, enlarge. More. Have at it, burly chaps! (H/T, The Thin Man.)

I hesitate to comment on The Simpsons, but the Guardian website has a wonderfully absurd piece by Manish Vij on the “crude racist stereotype” that is Apu Nahasapeemapetilon.

“The Simpsons has long irritated some Indian-Americans because of the thickly stereotypical character of Apu, the effete cornershop owner with fractured English, excess fertility, bizarre religious practices, illegal immigration status and a penchant for cheating customers. Apu is quite a unique character on The Simpsons. Unlike the show’s parodies of policemen and Irish-Americans, he’s the only character to mock a small American minority relatively unknown in the mainstream, and he’s by far the most visible immigrant.”

Fans of the grotesque Groundskeeper Willie might disagree with this claim, and one might wonder why the size and visibility of a minority has any obvious bearing on the alleged grievousness of the parody. Insofar as any Simpsons character is actually sympathetic and not a stereotype or parody of something, Apu seems to be one of the least dislikeable ones. And I find myself wondering how Vij would rewrite Apu’s character to spare our sensitivities, and just how funny and endearing that corrected version would be.

But the po-faced absurdity of the piece is summed up rather well by Vij’s disdain for the “Peter Sellers simulacrum of an Indian accent” and his assertion that “Apu’s voice Hank Azaria, a Greek-American, is a brown man doing a white man doing a brown man.” Readers unfamiliar with Mr Azaria’s pigmentation will be amazed to see just how brown he is.

More at Pickled Politics, where Rohin attempts to navigate the labyrinth of umbrage.

Further to this post and recent comments on the word “bourgeois”, this might be of interest. Norm has posted an itemised piece by Democratiya editor, Alan Johnson, called Why I Am Not a Marxist. It’s quite good on the fundamental unrealism of Marxist theory, its quasi-religious dynamics, and the evils inherent to its practical application. Here’s a very small taste:

“Fifth, the extraordinary romantic hostility to ‘bourgeois’ society that Marxism projects. Hatred of ‘bourgeois’ rights, ‘bourgeois’ democracy, ‘bourgeois’ morality, ‘bourgeois’ art, the ‘bourgeois’ family (and on and on), has fuelled hatred toward decent if prosaic societies and institutions and indulgence or worse toward appalling societies and institutions. And all in the name and the spirit of being ‘anti-capitalist’ or ‘anti-bourgeois’…

This animus against things ‘bourgeois’ I have come to despise. It is reckless about the defence of democratic society, insensible to how truly miserable the actually existing alternatives to ‘bourgeois’ society have been, and quick to morph into support for any thug who happens to be shooting at anything identified as ‘bourgeois’. This animus is the common sense of much of the intellectual class in the West where it is called ‘critical theory’. Inchoate negativism toward anything ‘bourgeois’ has morphed into support for anything that is ‘transgressive’. We are all Hezbollah now.”

It’s worth reading in full. Related, Fabian on bourgeois-on-bourgeois hatred.

Update: Chris Dillow points out Marx was wrong and unoriginal.

Thanks to Franklin at Artblog, I rediscovered Frank Miller’s NPR piece on patriotism and real-life supervillainy. Given some of Miller’s previous work, it’s an interesting development. Here’s an extract: 

“To me, [the flag] stood for unthinking patriotism. It meant about as much to me as that insipid peace sign that was everywhere I looked: just another symbol of a generation’s sentimentality, of its narcissistic worship of its own past glories. Then came that sunny September morning when airplanes crashed into towers a very few miles from my home and thousands of my neighbours were ruthlessly incinerated… Now, I draw and write comic books. One thing my job involves is making up bad guys; imagining human villainy in all its forms. Now the real thing had shown up. The real thing murdered my neighbours. In my city. In my country…

For the first time in my life, I know how it feels to face an existential menace. They want us to die. All of a sudden I realize what my parents were talking about all those years. Patriotism, I now believe, isn’t some sentimental, old conceit. It’s self-preservation. I believe patriotism is central to a nation’s survival. Ben Franklin said it: If we don’t all hang together, we all hang separately. Just like you have to fight to protect your friends and family, and you count on them to watch your own back.”

More here.

The creator of Sin City and The Dark Knight Returns has described his next book, Holy Terror, Batman! as “a piece of propaganda” and “a reminder to people who seem to have forgotten who we’re up against.”

Over at Samizdata, Perry de Havilland has a few thoughts on recent efforts by the Commission for Racial Equality to have Hergé’s Tintin in the Congo removed entirely from the shelves of British booksellers:

Tintin in the Congo has been moved to Borders’ adult graphic novel section and can be bought online here. Predictably, sales of the title have risen dramatically in the wake of the CRE’s protests. The book also comes with a warning that its contents include “bourgeois, paternalistic stereotypes of the period – an interpretation some readers may find offensive.” Readers will be thrilled to hear that Tintin in the Land of the Soviets is still available too. More on Tintin here.

I mention this because a few hours ago I caught part of the 1955 film The Dam Busters in which Richard Todd plays Wing Commander Guy Gibson, whose dog, a black labrador, is, unfortunately, called “Nigger”. Which raises the question of whether subsequent screenings will entail some discreet redubbing at the hands of the CRE.