Heather Mac Donald on the assumptions and pathologies of a “racialised worldview”: 

According to the Supreme Court, the only reason why schools should be allowed to discriminate against more academically qualified applicants in favour of less qualified black and Hispanic applicants is that those “underrepresented” minorities will bring otherwise missing perspectives to the classroom and cafeteria. But if each individual is in fact sui generis, then there is no reason to believe that selection by skin colour will lead to a non-random introduction of additional viewpoints.

Ah, but race goons and “diversity” hustlers do seem to regard minorities not as individuals but more like spices. And all those exotic brown people taste the same, apparently.

Michael Totten on the glorious Havana that tourists never see: 

In the United States, we have a minimum wage; Cuba has a maximum wage — $20 a month for almost every job in the country… Even employees inside the quasi-capitalist bubble don’t get paid more. The government contracts with Spanish companies such as Meliá International to manage Havana’s hotels. Before accepting its contract, Meliá said that it wanted to pay workers a decent wage. The Cuban government said fine, so the company pays $8–$10 an hour. But Meliá doesn’t pay its employees directly. Instead, the firm gives the compensation to the government, which then pays the workers — but only after pocketing most of the money. I asked several Cubans in my hotel if that arrangement is really true. All confirmed that it is. The workers don’t get $8–$10 an hour; they get 67 cents a day — a child’s allowance.

And Tim Worstall on a certain Guardian columnist and his deep, deep guilt about “our pointless hyperconsumption”: 

Sadly, George Monbiot has gone off on one again. Decrying the fact that we neoliberals in the Anglo Saxon capitalist style world don’t feel guilty enough about despoiling Gaia. The poor in other places, being as they are not Anglo Saxon and also sanctified by their being poor, care a lot more. We are sinners as a result.

Tim goes on to note some important ways in which Mr Monbiot’s feelings are misplaced. And readers may wish to ponder George’s urge to romanticise poverty and pre-modern living, an urge perhaps best expressed in his claim that “we” should be more like the peasants of Southern Ethiopia, who “smile more often” than we do and whose fields “crackle with laughter.” These noble, laughing peasants may live in homes constructed from leaves and packing cases, and they may have Stone Age sanitation and alarming child mortality, but at least they’re not being “isolated” by sinful material trappings, like dentistry, double glazing and TV remote controls. Think I’m kidding? Think again.

The mighty headwear of Nihang Sikhs, Punjab, photographed by Mark Hartman.  

Via Mick Hartley.  

Man Photoshops self into girlfriend’s childhood memories. 

“It was meant to be an endearing and romantic gesture.” 

A Japanese scroll from the Edo period, 1603-1867, apparently created to “highlight the political and social changes in Japan.” 

All 33 instalments can be savoured here. 

A tilt-shift film by Filippo Rivetti. 

Meanwhile, in other high-altitude cow transportation news:  

A plane was forced to make an emergency landing because the almost 400 cows it was transporting were giving off too much heat. The Boeing 747 was forced to touch down at Heathrow Airport in London. The plane was flying over the Irish Sea when a fire alarm sounded from where the 390 cows were being kept, reports the Sunday People. After the plane landed, technicians inspected the plane, but found no evidence of any smoke. Instead, they concluded that the alarm was set off by the cows.

If they learn how to make fire, we’re buggered. Mercifully, there are no reports of a catastrophic methane build-up. 

Here, via dicentra. 

Following this tweet and this one, and many others like them, here’s a contender for Tweet of the Day:

Via Martin Durkin. Thanks to dicentra. 

Woven strips of film by South Korean photographer Seung Hoon Park. 

Above: Textus #034-1, Hong Kong. 24” x 30”, 2011. More at Colossal.

Two hot air balloons and a tightrope. What could possibly go wrong? 

Filmed by Sébastien Montaz-Rosset, the chap who made this.