“Peggy Lee singing into tape recorder, accompanied by Sonny Burke.” Filmed for Disney’s Cavalcade of Song, February 16, 1955. 

A tilt-shift film by Filippo Rivetti. 

Further to the saga of the underpants statue and the subsequent swooning of Wellesley College’s liberated ladies, Fred Reed has more evidence of feminist fortitude: 

It seems that at Columbia University a rat pack of nursery feminists have got their skivvies in a knot because the library, Butler, is named for an, ugh!, man. Yes. It cannot be denied. In protest, these girls, apparently having nothing more important to do, have filmed “feminist pornography” in the library.

Indeed they have. It’s a “guerrilla action” response to “gender tension” and “male-centricity.” And “of course, it is a feminist statement.”  

Anyway, one of these drab libertines, a Sara Grace Powell, says, “Butler is an extremely charged space – the names emblazoned on the stone facade are, for me, a stimulant for resistance.” A stimulant to grow up might be more to the point. She means “stimulus,” of course, but why would a child at an Ivy university be expected to know English? To an extent I have to sympathise with Sara. I grant that seeing a horrible male name “emblazoned” would send me into a decline also. Wouldn’t it you? Never mind that if the man thus emblazoned had not made the money to donate the library, Sara wouldn’t have one in which to make pornography, presumably the purpose of libraries. 

As some readers may be intrigued by the notion of all-female feminist pornography, here’s a brief description:

It begins with a group of girls sitting around a library table taking their shirts off. As the film progresses, the girls engage in activities including kissing, rubbing eggs on their bodies and twerking around a chicken carcass.

The finished political opus, starring the aforementioned Ms Powell and titled Initiation, also features the somewhat lacklustre use of a riding crop, extended scenes of floor-wiping and what feels like an eternity of general aimlessness. It can be savoured at length here. Those hoping for red-blooded boi-oing fuel may, however, be disappointed. One of the film’s makers, Coco Young, has stressed the intent to transgress rather than titillate:

She was happy to see one commenter note that it was “hard to masturbate to this.” After all, the girls aimed to “create a repulsion”; there were naked women onscreen, but “they’re not there to make you sexually aroused.”

Despite dashed hopes and the sheer radicalness of it all, I trust readers will somehow get over it and get on with their lives. 

Seven years, good grief. As is the custom here, posting will be intermittent over the holidays and readers are advised to subscribe to the blog feed, which will alert you to anything new as and when it materialises. Thanks for another million or so visits this year and another six thousand comments, many of which prompted threads that are much more interesting than the actual posts. Which is kind of the idea. And particular thanks to all those who’ve made PayPal donations to help keep this rickety barge above water. It’s much appreciated. Newcomers and people with nothing better to do are welcome to rummage through the reheated series and greatest hits. There you’ll find, among other things, great feats of artistry, an ongoing catalogue of leftwing agonies, the bewilderment of George Monbiot, the mind-blunting effects of pretentious racial guilt, and a righteous denunciation of the barbecue patriarchy. 

Lyrics here. To you and yours, a very good one.

For newcomers, a selection of short films and documentaries from the archives.

Till Nowak visits the Institute for Centrifugal Research. An adventure in human endurance and excessive G-Force.