A short film about mishaps and manners by Jack Tew and Dave Humphreys.
A short film about mishaps and manners by Jack Tew and Dave Humphreys.
For some reason this tickled me. I think it’s chiefly due to John Hurt (far right). Sort of Alien meets Man at C&A.
More. Via Nerd Boyfriend.
Darleen Click has compiled reactions to Avatar by self-appointed representatives of Designated Victim Groups. Needless to say, the levels of unrealism and doctrinal turgidity are quite hazardous.
There’s a bit of this:
This synopsis contains profoundly ableist language in the way it describes the protagonist Jake as “confined to a wheelchair.” I don’t use a wheelchair; nevertheless, I was very offended when I read that. We’ve been trying to eradicate terms like “confined to a wheelchair” for a while now, and to see this demonstration of ignorance on such a large scale, since it is mainstream, is distressing. […] It’s a long-held stereotype (and still exists today) that disability is unnatural in people and so must be fixed or cured.
And this, from a breezy sermon titled Gender Normativity and Imperial Domination in Avatar:
I’d like to explain that I do not believe that binary gender is natural or fundamental to our biological existence as humans, or even as animals. […] I have too many female friends with penises to put all my faith in biological determinism, no matter what planet I’m on.
Update, via the comments:
Self-preoccupation is essential to the kind of tribalism seen above, along with an urge to pathologise the prosaic. If the prosaic can be made to sound oppressive or inauthentic, it makes those who announce themselves as nonconformist sound much braver and more interesting than they actually are (if only to themselves and those similarly disposed). For instance, the clownish Amanda Marcotte rails against any number of “normativities,” all of which she seeks to pathologise. It isn’t enough that she doesn’t feel an urge to become a parent. She has to claim that those who do wish to become parents don’t know their own minds and are dupes of some hegemonic power. In much the same way, the preference for an intact and functional body is depicted as both a parochial social construct and a moral failing. And likewise, the belief that “binary gender” is not “natural or fundamental to our biological existence as humans” is based on an occasional malfunction of the very biological processes that are imagined not to exist.
But this is what gorging on identity politics does – it fosters unrealism and makes dishonesty routine. Often there’s a creep of small dishonesties. For instance, the disabled feminists article grumbles about the Avatar synopsis, which refers to the film’s protagonist as “confined to a wheelchair.” The author complains, “Non-disabled people may think… referring to someone who uses a wheelchair as ‘confined to a wheelchair’ is okay – but of course, it’s really not — ‘wheelchair user,’ for instance, is more acceptable.” However, this means avoiding a perfectly legitimate and accurate term – Jake is confined to a wheelchair; that’s sort of the point, dramatically. But fluffier, more sensitive terms are apparently now required. “Wheelchair user” could of course mean that Jake only uses a wheelchair occasionally – say, when walking leaves him fatigued. Which is deliberately imprecise and hardly the stuff of interplanetary drama.
Sentiments of this kind may be dishonest – indeed bizarre – but they are surprisingly common. Not long ago on Radio 4, a legless and rather prickly “activist” insisted that it was “oppressive” to view the loss of a person’s legs as in any way regrettable. Regarding this loss as something negative was apparently “ableist,” “ignorant” and offensive. This claim was repeated several times, emphatically. At one point the activist declared that given a chance to walk again he would refuse, such was his “pride” in having lost a third of his body. Anger had been displaced from the obvious grievance – the traumatic loss of one’s legs – to the supposed “injustice” of regarding limb loss as a dismaying or terrifying state of affairs. As a coping mechanism, it wasn’t entirely honest. Or, it seems, successful.
(h/t, Dicentra.)
Here’s an archive of classic films by the late Harold “Doc” Edgerton, the pioneer of stroboscopic high-speed photography. The collection includes early experiments featuring hummingbirds, fan blades and falling cats. Though Edgerton’s most ambitious work was done for the Atomic Energy Commission, for which he filmed and photographed early nuclear tests using his own Rapatronic camera system. With exposure times measured in nanoseconds, the results were often eerie and surreal, as when capturing the first milliseconds of atomic fireballs in Nevada.
Also archived, Edgerton’s photographs and notebooks. Via MetaFilter.
Marcus Winters on teachers’ unions versus educational standards.
The premise underlying the policies favoured by the teachers’ unions, which govern so much of the relationship between public schools and teachers, is that all teachers are uniformly effective. Once we can objectively distinguish between effective and ineffective teachers, the system of uncritically granted tenure, a single salary schedule based on experience and credentials, and school placements based on seniority become untenable. The unions don’t want information about their members’ effectiveness to be available, let alone put to practical use.
TM Lutas on scientific scandals past and present.
So without any conspiracy we seem to be betting trillions on science that does not adequately coordinate to prevent control data from entering real data sets, has practices in the discipline that are inadequate to guard against undue weight, and is taking large chunks of its data from weather stations whose error bars far exceed the global warming signal we’re all supposed to be worried about. At this point a finding of “no conspiracy” would not reassure me. It should not reassure us at all.
Simon Scowl on James Cameron and his Avatar.
James “King of the World” Cameron is lecturing you about your unearned sense of entitlement. Isn’t that cute? […] Why is it okay for James Cameron to devote whole rooms full of energy-sucking computers – and the Red Bull-sucking nerds in front of them – to creating photorealistic cat people, but I get a lecture when I leave my cell phone charger plugged in? […] It’s not enough to be rich and famous if you’re not somehow “relevant.” Whether it’s Prince Charles or Al Gore or Leonardo DiCaprio or any of these other guys, they all have the same message: “Hey, I deserve to live like this. Now shut up and shiver in the dark, you peasants.”
Feel free to share your own items of interest.
The video below is by Robert Hodgin, whose digital animations I’ve mentioned briefly here and over at Eye. Hodgin is one of the artists featured in the V&A Museum showcase Decode: Digital Design Sensations. The soundtrack is from WNYC’s Radiolab broadcast Touch at a Distance. A real-time audio responsive version will appear at Decode, which opens on December 8th.
Via Pixelsumo.
Thomas Balmes’ documentary Babies is released April 16, 2010.
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