Because you’ve missed her terribly, more of the Earth-trembling talents of Ms Sandrine Schaefer. First up, a brief performance piece titled Action: Book – Vertical to Horizontal, the profundity of which will doubtless become clear:

An open thread, in which to share links and bicker. But first, a little incongruity:

Wave by d’strict, Seoul, South Korea. Via Design You Trust.

We have of late been neglecting the arts, and that simply won’t do. By way of correction, here’s another chance to behold the feats of the Austrian choreographer and performance artist Ms Doris Uhlich, filmed earlier this year at Vienna’s Rabenhof Theatre. The video of Ms Uhlich’s performance – which, we’re assured, is a “vigorous and critical” work, a “bodily and textual discussion of flesh and opulence” – is presented below the fold. For reasons that may well become apparent.

I think it’s time we elevated the tone with some coverage of the arts. Beginning with the colossal creative talents of Ms Sandrine Schaefer, whose collected Goose Studies are presented below. The opening extract, a site-specific installation, was performed in New York in October. The organisers of the event, titled Performance Is Alive, tell us that in order to avoid being “vapid,” they curate only “the best projects based on the merits of the work.” They are, we learn, presenting “art that’s critical and progressive and transgressive.” 

For those prone to erotic inflammation, a word of caution. The following video does contain traces of obligatory boobage.

Yes, it’s time for an open thread. Feel free to share links and bicker.

As an enriching cultural bonus, here are some Estonian art gallery scenes, in which a full-figured feminist protests against the “violence” of the art on offer – while naked, obviously – during a visit by schoolchildren. The artist being denounced is Marko Mäetamm, whose offerings to the world are numerous and can be savoured here. The feminist lady taking umbrage, Mare Tralla, also makes bad art.

The boy in the hat, fourth from the right, rather captures the moment, I think.  

Via Orwell & Goode.