Jonah Goldberg on “cultural appropriation” and pretentious outrage: 

Nearly every meal you’ve ever eaten is the by-product of centuries of cultural appropriation, to one extent or another. This column is written in English, a language that contains hundreds of thousands of words appropriated from other tongues. Just under two-thirds of our language derives from Latin or French. About a quarter is Germanic in origin. And about a sixth comes from Greek, Arabic and other languages… We are living through the greatest period of poverty alleviation in all of human history right now because countries in Asia and Africa have appropriated many economic policies and practices — free markets, property rights, etc. — that began as quirky artefacts of English and Dutch culture.

Douglas Murray on race and casting: 

In an era that is witnessing the politicisation and polarisation of absolutely everything, the realm of fiction and art – one of the great barrier-breakers we have – is also becoming a battle-ground for racial exclusivity and racial exclusion… Perhaps those who are attempting to push such agendas will at some point wake up to the fact that they are heading towards an almighty logical crash. For the same logic that saw Sierra Boggess [hounded] off West Side Story [for not being Puerto Rican] can just as easily be used to insist that all future Prince Hals or Isoldes should be white. Casting can either be colour blind or colour-obsessed. It cannot be both.

Kristian Niemietz on the media’s tongue-bathing of Marxism: 

If your ideas require impossible standards of purity in implementation in order to work, then maybe your ideas are not as great as you think they are. A good idea will still work out okay even in a distorted and poorly implemented version. That, arguably, is a big part of what makes a good idea good… Political and economic theories are never implemented in pure form, and their adherents are rarely impressed by politicians who claim to be inspired by them. That’s just par for the course. Marxists, however, are pretty much the only thinkers who accept no responsibility whatsoever for real-world approximations of their ideas. 

And the late Leszek Kolakowski on Marx’s knack for being wrong: 

What in the twentieth century perhaps comes closest to the working class revolution [predicted by Marx] were the events in Poland of 1980-81: the revolutionary movement of industrial workers (very strongly supported by the intelligentsia) against the exploiters, that is to say, the state. And this solitary example of a working class revolution (if even this may be counted) was directed against a socialist state, and carried out under the sign of the cross, with the blessing of the Pope. 

As usual, feel free to share your own links and snippets, on any subject, in the comments.

“The installation is intended to spark dialogue,” said Communications Professor Alison Trope.

At the University of Southern California, the word dialogue appears to have a somewhat rarefied meaning. 

It’s once again time to hack our way through the deep artistic underbrush of Sandrine Schaefer. Specifically, her 2012 performance piece Ambulation, shared below in sadly abbreviated form, and in which Ms Schaefer presents her buttocks to the world and shifts her weight from heel to toe, while her shoes emit the sounds of her “travels in Mexico.”

Hey, I’m just reading what it says here.

Apparently, the sounds coming from her footwear are “a reward for the curious witnesses that neared her body.”

Mary Katharine Ham on woke scolds and public pushback: 

Here’s how the removal of the [painting, Hylas and the Nymphs] went down — in the most eye-rollingly woke, modern-art-professor way possible. A professor and five members of a “drag collective” walk into an art gallery to talk about viewing art in a non-binary way. Stop me if you’ve heard this one before.

Amy Wax on sinking standards and The New Unsayable: 

An open letter published in the Daily Pennsylvanian and signed by 33 of my colleagues… condemned and categorically rejected all of my views [on the importance of bourgeois values]. It then invited students, in effect, to monitor me and to report any “stereotyping and bias” they might experience or perceive. This letter contained no argument, no substance, no reasoning, no explanation whatsoever as to how our op-ed was in error… To students and citizens alike I say: Don’t follow their lead by condemning people for their views without providing a reasoned argument. Reject their example. Not only are they failing to teach you the practice of civil discourse —the sine qua non of liberal education and democracy— they are sending the message that civil discourse is unnecessary. 

This, remember, is the University of Pennsylvania Law School. For background, see the first items here and here. 

And Andy Ngo on the “social justice” Sturmabteilung: 

“Through ambiguity… deep CREATIVE STATES can be UNLOCKED.” 

What follows, according to performance artist Sandrine Schaefer, is a brief preview of a site-specific piece that “takes on a time structure inspired by cycles of dormancy in bears,” and in which “the tension between mechanical, geological, and felt time is always palpable.” With that in mind, let’s once again witness Ms Schaefer’s devastating heat-ray of creativity: