The work of Charles and Ray Eames. From furniture and architecture to Powers of Ten, “a film dealing with the relative size of things in the Universe and the effect of adding another zero.”

Powers of Ten can be watched online here.

The last few days here have been a kind of Rushdie and Related Topics Week. Assuming no further Rushdie-related events materialise, I thought I’d wind up this saga, at least for now, with a few words from the man himself. Here’s an extract from a lecture presented by the Centre for Enquiry and given at the New York Society for Ethical Culture on October 11th, 2006:

“I suppose one has to mention the Danish cartoons. I ran into a young journalist working for a small New York magazine who said… his proprietor refused to publish the cartoons because he was worried about his offices getting bombed. This kind of cravenness was worldwide. And the name that cravenness was given was respect. When people said they didn’t publish them out of respect for Muslims, what they meant is they didn’t publish them because they were afraid of their offices getting bombed. And when you create that kind of climate of fear, when you concede… you don’t as a result have less intimidation. I mean as a result you have more intimidation.

I think, with the cartoons, there were two quite separate issues. One is whether you thought the cartoons were good or bad and should have been published or shouldn’t have been… and those are the decisions that every newspaper editor makes every day, and different editors would make different decisions. But the second issue is when the subject of intimidation enters, and the question is how do you respond to intimidation, and do you give in to it or do you not give in to it. I think that when the intimidation became as heavy as it did, the only proper response was everybody should have published the cartoons the next day. And not to do that was a way of showing that threats work…

This is a curious climate that we’re living in, where people are falling over backwards not to name the phenomenon that’s taking place, which is a progressive intimidation of the world in which we live. I’m not talking about these great big geopolitical things going on elsewhere in the world; I’m talking about what is in our own hands to discuss and argue about and fix – what is happening in our town, what is happening in our culture. And the way in which things that we in this room value a great deal are being eroded by this kind of intimidation and cowardice, and by an unwillingness to call things by their true name.”

The full lecture can be heard here or downloaded as an mp3 file. A transcript is available here.

Over at B&W, Ophelia makes the following point re Shirley Williams’ dismal performance on Question Time and what appear to have been her underlying assumptions:

“What people apparently do with these ‘offended’ claims is reverse engineer: they reason backwards: they look at the magnitude of the ‘offence’ and then assign guilt accordingly – but that’s wrong. If that rule held no one would ever criticize or dispute or tease anything because of the risk of ‘offence’ out of all proportion to the intent and to the harm done. Instead what people should be doing is coldly examining the merit of the putative grievance, independent of the quantity of fuss made.”

Indeed. What was curiously missing from Williams’ calculation was whether one party is remotely entitled to such rage, or to anything at all, and whether riots, death threats and howls of indignation are a legitimate response to a novel that hasn’t been read or the knighting of its author. To question the proportion of the affront being claimed, the honesty of the claim, and the assumptions on which that claim is based would risk undermining the premise of this particular manoeuvre.

Williams was, it seems, trying to appear “even-handed” while actually being craven and rather stupid. By which I mean she seems to have imagined that between these two positions there must be some admirable middle point that it must be “fair” to champion. So if you have screaming, tantrums and demented theocrats on the one hand and a rational British novelist on the other, both must be “extremes”, and thus the “even-handed” thing to do is to “compromise” and support some position roughly halfway in between, irrespective of what that position actually entails. Hence Williams’ ramblings about “Muslims” being offended “in a very powerful way” and Rushdie’s knighthood being a “mistake”, “badly timed”, etc. The actual moral issue – of whether umbrage, violence and the threats thereof are justified or opportunist, or even sane – was not a discernible part of Williams’ calculation.

As the audience applause for Williams demonstrated, this is a remarkably common assumption – that the most “fair” and “even-handed” position is halfway between calm argument and homicidal thuggery, or halfway between intellectual freedom and a visceral fear of speaking. Well, that would leave us somewhere near the absurd dissembler, Lord Ahmed, who equated Rushdie’s knighthood with rewarding terrorism. This is the moral calculus favoured at various times by Karen Armstrong and Tariq Ramadan, both of whom “balanced” real intimidation, aggression and murder on the one hand with “tyrannical” free speech and “aggressive” cartoons, published “aggressively”, on the other. By this contorted reckoning, the “compromise” solution is to avoid publishing “aggressive” cartoons, or novels, or films, or plays, etc. And, by implication, to avoid stating inconvenient facts or honouring those who happen to point them out.

And thus the engine of human progress, the testing of ideas – and of bad ideas in particular – grinds to a halt. All in the name of “fairness” and being “even-handed.”

Those of you who missed last night’s Question Time may enjoy this brief extract, courtesy of DSTPFW. On the subject of Salman Rushdie’s knighthood, Christopher Hitchens challenges Shirley Williams’ prostration in the face of intimidation and thuggery. (An act the Baroness subsequently – and dishonestly – denies.) One of Hitchens’ more charming qualities is his willingness to take on an audience that applauds Williams’ blathering and to tell that audience it should be ashamed for doing so.

Someone give Hitch his own show. Related: this and this.

Cheetah expresses dissatisfaction with TV crew. // Via Coudal, King’s College Circle. Le Grand Mobile. // Air Guitar Pro. For those who take air guitar seriously. Only $27.00 // Going to the opera in the year 2000. A vision of things to come. (1882) // Power for Progress. Nuclear power in comic book form. (1971) // The Atomic Revolution. (1957) // Liquid mirrors for lunar telescopes. // The shadow of the Moon. // The lost cosmonauts. Fallen comrades. // The Socialist Worker is thrilled by the “stunning victory” of Hamas. More here and here. // Study reveals support for terrorism correlates strongly with support for political Islam. Summary here. // Ophelia Benson on Inayat Bungawala. “If we were not treated with respect then we were capable of forcing others to respect us.” With book burnings and death threats. // Tim Worstall on the scapegoats of Polly Toynbee. // Mick Hartley on art bollocks. // Peculiar maps. From imaginary places to the Stockholm Metro. (H/T, Chastity Darling) // Animals on the London Underground. Hens, penguins, elephants. // Via Artblog, le beatbox. Part deux. // The mixtape wallet. // Suck your child’s nose clear. (H/T, Dr Westerhaus.) // A brief history of barbed wire. // When jellyfish attack. // The illustrations of Alexei Vella. Borat, alfalfa, robots. (H/T, Drawn!) // Jack and Dick learn about eyes. (1958) // Via Coudal, Japanese pencil carvings. Honeycombs, spirals and moving parts. // And finally… Minnie, mooching.