Don’t Oppress My People With Your White-Ass Folk Music

In crushed-by-niche-culture news:

A mere £1,485,400, since you ask. A gnat’s eyelash. For an issue of such fundamental importance to the turning of the world.

Whew. I was getting worried there.

Obviously, activities that are chiefly indulged in by white people – in this case, folk singing – must be deemed suspect and found problematic with great urgency, and then probed for hidden wrongness. At taxpayer expense.

And all this scholarly rigour ain’t cheap:

And – and – a word-association game.

Those interviewed – and subjected to this no-doubt-gruelling test of word-association – included “36 women, 21 men, and 2 non-binary people.” The researchers thereby deduced that “male associations are more prevalent than female ones.” By which they mean, members of their tiny, rather incestuous sample were slightly more likely to mention Bob Dylan than Joan Baez. And to mention “beards” slightly more often than “long dresses with red trim.”

Also, the word guitar was mentioned more often than tin whistles.

It’s Earth-rumbling stuff. Heaving with import.

However, given the puny sample size, the researchers concede that “it is hard to draw conclusions” from their academic toil.

Presumably, this limitation will be more than compensated for with further “systemic reflections” on “various notions of Englishness.” By Higher Beings who wish to “decolonise” folk music, on account of its “white-centricity,” and whose motives and impartiality will therefore be utterly beyond reproach.

Update, via the comments:

Oh, I think it’s understood quite well, thank you. Along with the kinds of people to whom such things most typically appeal.

Except for the “white-centric” bit, obviously.

That will have to go.

And behind this mannered waffle is the weird implication that devotees of folk music are somehow, simply by existing, excluding racial minorities. Shooing them away. Though, again, details on this point are neither obvious nor forthcoming. Still, perhaps we can look forward to an academic interrogation of classic car shows in Nottinghamshire as some heinous bastion of “white-centricity.” Another item on the list of Things That Must Be Decolonised And Morally Corrected.

Different audiences. Not the audience it actually has, mind, the one it attracts, and which is arrived at via choice and musical inclination. No actual barriers to participation are specified, of course. But the audience is nonetheless all wrong, apparently.

Update 2:

Following the quip about British classic car shows as another potential target for pointless academics, commenters svh and asiaseen caution against giving such people ideas:

That’s this photograph here. Do feel free to grip the arms of your chair.

Having covered quite a few of these “decolonisation” efforts, which generally rely on a fig-leaf of widening access and removing barriers, it’s remarkable just how rarely any meaningful obstacle to access is actually mentioned. Typically, the humdrum is depicted as gruelling and somehow agonising, and motes are inflated to the size of boulders.

We were told, for instance, that racial minorities are being “deterred” from visiting the British countryside “due to deep-rooted, complex barriers.” Barriers such as the fact that rock-climbing instructors are usually white. And apparently this unremarkable state of affairs, in a white-majority country, is something that needs fixing.

Though it occurs to me that if a person with brown skin were being deterred from trying rock climbing by the fact that the instructor is likely to be white, then it seems somewhat unlikely that said person is interested in rock climbing to any significant extent. And a person deterred by such things may also want to reflect on their own racial assumptions. But we’re not supposed to mention those, at least not in an unflattering light.

The monstrous yet invisible forces preventing racial minorities from walking down country lanes also include “a lack of culturally appropriate provisions,” though, again, details as to what these culturally appropriate provisions might be, or indeed why they should be provided, seemingly at public expense, remain something of a mystery. Perhaps we should throw a few more millions at clown-shoe academics.

As I said in reply,

And likewise, were I to complain about being prevented from participating in some Korean cultural activity due to the number of Korean people I’d have to encounter while doing it, you might think me dubious in other ways. You might even wonder why I’d moved there in the first place.

Consider this an open thread. Share ye links and bicker.

Crikey, three buttons. Use of which keeps this blog afloat.