Here’s a thing. Your very own moon. 

Photographed by Boris Bendikov. More. And. (H/T, Coudal.) 

Further to my rumblings about Professor Judith Butler and her obscurantist posturing, the fine people at Obscene Desserts have devised a new party game, juxtaposing her blathering, and that of her peers, with Communist propaganda posters. It seems to me the results would make excellent flash cards, and thus one could more readily memorise such gobbets of wisdom as,

“Libidinal dependency and powerlessness is phantasmatically overcome by the installation of a boundary and, hence, a hypostacized centre which produces an idealized bodily ego; that integrity and unity is achieved through the ordering of a wayward motility or disaggregated sexuality not yet restrained by the boundaries of individuation.”

Hours of fun. Related. And. Also. 

Brace yourselves, aesthetes. Via Marble River comes the mind-shattering return of the Ed Wood of comics, Mr Fletcher Hanks. A complete, and bewildering, adventure, first published in Fantastic Comics #1, December 1939, can be found here. “The Brain wants all Earth people destroyed.” And Dianna’s space belt won’t work.

More of Hanks’ unhinged dramas here and here.

The Fletcher Hanks anthology, I Shall Destroy All the Civilised Planets, can be ordered via Amazon and Fantagraphics. (H/T, Journalista!)

Further to Friday’s post on The Planets series, here’s another short extract, taken from the episode Atmosphere. In it, we follow Joe Kittinger’s 1960 balloon ride to an altitude of 103,000 feet (20 miles / 32 km), where, technically, he became the first man in space. Thanks to automated cameras, we also follow Kittinger’s unorthodox – and perilous – return to Earth. Extraordinary.

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Parts one through six of The Planets can be viewed online here.

Related. And. Also. (H/T, The Thin Man.)

Book autopsies. By Brian Dettmer.

“I cut into the cover of the book and dissect through it from the front. I work with knives, tweezers and other surgical tools to carve one page at a time, exposing each page while cutting around ideas and images of interest. Nothing inside the books is relocated or implanted, only removed. The completed pieces expose new relationships of a book’s internal elements exactly where they have been since their original conception.”

More. And. Also. Plus. Update: 1, 2.