A Boy and his Tuba is a series of improbable cover versions. As the name suggests, all parts of each song are performed with a tuba, with assorted loops, grunts and distortions manipulated live. Here’s New Order’s Blue Monday. Stay with it, it may surprise you.
Hardware enthusiasts may want to watch this behind-the-scenes clip, which explains the mysteries of envelope filters and the importance of gaffer tape.
Poking about in the archives, I unearthed the second episode of Vanessa Engle’s excellent documentary series, Lefties. Titled Angry Wimmin, the film traces the rise of radical feminism in a grim Britain of the 1970s. As a record of social history it’s interesting stuff. The revolutionary politics of shoes, for instance, is quaintly entertaining, and the subsequent, post-revolutionary fear of being caught shaving armpits or wearing lipstick may also amuse.
Around 6 minutes in, there’s a section on “political lesbianism,” i.e. lesbianism as an ideological duty, irrespective of desire. One of the figures interviewed is Julie Bindel, a Guardian commentator whose subtleties of mind include a belief that “[get] men off the streets” is “a fabulous slogan” and “all women know that if we have not been raped, we are lucky.” In the first clip below, Ms Bindel airs the following reminiscence:
What I could never understand – and I did resent – was [heterosexual feminists] going home to men at night. It just seemed such a contradiction. And often I would get very angry when I would challenge them about this, and they would say, “Well, that’s just the way I am. I just don’t fancy women.” Having no understanding at all of the fact that sexuality is a social construct and that we all make choices depending on the way we want to live and the world we want to see.
What’s striking is Bindel’s adamance. It’s not even open to debate. This, presumably, is how she still sees the world. Sexuality simply is a social construct – it’s a fact – and all human beings can reconfigure their desires in accord with ideology. Though the basis for this claim remains somewhat mysterious. Former activist Lisa Power recalls her own, rather different, experience of sexuality by decree:
It was a bit of a pain because there were all these women who suddenly wanted to be lesbians, but they didn’t actually terribly want to sleep with women. But they sort of felt they ought to, to pay their dues.
[A]t heart, the genre is a progressive one. It’s true that fighting off the zombie horde requires plentiful firearms, no doubt pleasing Second Amendment advocates. And in a zombie movie, government tends to be either ineffectual or completely absent. On the other hand, when the zombie apocalypse comes, capitalism breaks down, too – people aren’t going to be exchanging money for goods and services; they’re just going to break into the hardware store and grab what they need…
But most important, what ensures survival in a zombie story are the progressive ideals of common cause and collective action. A small group of people from varying backgrounds are thrust together and find that they can transcend their differences of age, race, and gender (the typical band of survivors is a veritable United Nations of cultural diversity). They come to understand that if they’re going to get out of this with their brains kept securely housed in their skulls and not travelling down some zombie’s gullet, they’ve got to act as though they’re all in it together. Surviving the tide of zombies requires community and mutual responsibility. What could be more progressive than that?
Despite that local spot of bother, Mahmoud Ahmadinejad still finds time to share his thoughts on more elevated matters. Press TV, the state-sponsored purveyor of “24/7 truth,” quotes approvingly:
In the democracy of the West, the exalted values and the people are ignored, [whereas] the aspiration and origins of the Islamic Revolution are different from those of other revolutions. Because, in the Islamic Republic that rose from the revolution, the object is the realization of Divine aspirations and the commands of the Prophet Muhammad (PBUH), and, consequently, the perfection of humanity.
Those with the stomach for it can witness the ongoing perfecting of humanity here, here and here. Apparently, the process is more stick than carrot.
Zomblog has a new series documenting the quaintly leftwing trappings to be found in leafier parts of Berkeley, California. The first instalment highlights a mosaic made by students of Black Pine Circle School, one of the city’s more exclusive private elementary and middle schools. The mosaic, which runs along the front of the school on Seventh Street, is presumably intended to advertise the values being cultivated inside. It’s the handiwork of children aged 13 and 14.
See if you can spot the curious detail and its surprising prominence.
A closer look reveals an ominous prophesy, in red, bottom left.
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