Earth, baby. // Andrew Zuckerman’s birds. // Heavy metal in Baghdad. // Mandelbulbs. (h/t, Dr Westerhaus) // Inside LSD. // X-rayed speech. // Public sector morality. // The pop-up book of phobias. // Play Attack of the 50ft Robot. // A dress with 24,000 LEDs. // 28 balls. // Drilling for whisky. (h/t, Dan) // “The interior of the earth is extremely hot, several million degrees.” That’s actual science, people. // Effects porn. // Find your perfect partner with DNA. // A possible lair for the Guild of Evil™…? // It just isn’t home without bombproof wallpaper. // Ride the Nautilus. // And, via The Thin Man, it’s Mr Neal Hefti.
Browsing Category
Yesterday’s post mentioned in passing an Arts Council project that typifies the standards we’ve come to expect from publicly funded art. Jarvis Cocker, the country’s foremost socialist pop musician, was sent to the Arctic for “inspiration” and to raise planetary consciousness, along with another two dozen artistic luminaries:
The ambition of the expedition was to inspire the creative team to respond to climate change… It was an amazing journey; 10 days of artistic inspiration, debate, discussion and exploration.
The ecological insights gleaned by Mr Cocker?
Men have produced a lot of great art over the centuries, or whatever… but… an iceberg kind of, basically, pisses on it.
Here’s the contribution by Beatboxer Shlomo, who “dedicates his beats to the cause.”
Mr Shlomo’s deep, deep insights into climatology and life can be read here. They include,
I couldn’t help but notice that it’s really quite cold.
And,
Being with all these inspired people seems to have filled my head with a zillion ideas for musical endeavours that could easily save the world.
The expedition organisers explain the artistic riches to be tapped and why the creative excursion is so worth your money:
Through witnessing the environment, taking part in stimulating discussion and observing and participating in scientific field research, we enable our voyagers to gain a real connection to the subject matter. Our ambition is that this experience will inspire all who journey to somehow respond to the Arctic and create work on their return.
Such was the level of inspiration, some of the assembled artists began to work their creative magic immediately.
Tracy Rowledge constructed three series of ‘automated’ physical drawings, mapping the movement of the boat during the expedition.
We must heal the planet with drawings, people. It’s a matter of urgency. For readers of a technical inclination, these ‘automated’ drawings involved suspending a felt-tip pen from the underside of a chair, resulting in random scribble on numerous sheets of paper positioned underneath. This feat was “REALLY exciting” as it “explored movement, time, place and permanence.” The radical innovation also freed the artist to leave the dangling pen and do something more interesting. According to her two brief blog entries, the sum total of her commentary, Ms Rowledge spent much of this liberated time struggling with Greenlandic place names and making sure her fellow passengers knew how “overwhelmed” she was.
From the Telegraph:
Faith groups are to be given a central role in shaping government policies, a senior minister has vowed. John Denham, the communities secretary revealed that a new panel of religious experts has been set up to advise the Government on making public policy decisions. Mr Denham argued that Christians and Muslims can contribute significant insights on key issues, such as the economy, parenting and tackling climate change.
Oh happy day. Islam and Gaia, together at last.
The minister said that the Government needed to be educated by faith groups on “how to inform the rest of society about these issues.”
Perhaps someone could explain why it is we even have a “communities secretary,” and why this one is so eager to defer to “experts” whose, um, expertise lies not in parenting, economics or climatology, but in affairs of an altogether more elevated nature. Sadly, Mr Denham doesn’t reveal which particular “significant insights” will be brought to bear by the aforementioned “faith groups”. Nor is it terribly obvious how being Muslim or Christian might bestow a parental or economic wisdom unavailable to less pious human beings.
Which leads us to another item featuring one of those “experts” – Dr Rowan Williams, the Archbishop of Canterbury – self-described “hairy lefty,” palace-dweller, figure of ridicule, apologist for terrorism and chief executive of a failing religious enterprise. Dr Williams’ latest musings on mortal affairs are also aired in the Telegraph, where we learn “higher taxes would be good for society”:
Dr Rowan Williams said that taxation should not be seen as a way of stifling business or redistributing wealth but helping to make the world a better place in which to live.
You may want those sunglasses. It’s dazzling stuff.
He called for new levies to be introduced on financial transactions and carbon emissions, and an end to the idea that unlimited economic growth is desirable… “Taxation builds a habitat – already, quite properly, through state welfare provision, but potentially in other less familiar ways.”
Whatever Dr Williams chooses to believe, higher taxation and “new levies” are a very good way of stifling business, and base commerce is ultimately how we pay for all of those good deeds the Most Revered One likes to bang on about. And if the implied individual belt-tightening is so “good for society” – that’s you, dear reader – why isn’t it good for government too? Or should the state become larger and more righteously engorged, “making the world a better place” with publicly funded diversity policy officers, tobacco control officers, undercover waste bin spies and other consciousness-raising efforts? As, for instance, when the Arts Council saw fit to spend £150,000 of your taxes on sending Jarvis Cocker to the Arctic for “inspiration,” along with Marcus Brigstocke, Kathy Barber, Julian Stair and Beatboxer Shlomo:
The ambition of the expedition was to inspire the creative team to respond to climate change… It was an amazing journey; 10 days of artistic inspiration, debate, discussion and exploration.
I’m sure it was a hoot. And when it comes to “artistic responses to climate change” you just need to include a third-rate leftwing comedian, a “billboard hijacker” and a maker of ceramics.
A reader has complained that this site doesn’t feature enough sculpture. Conceptual art, yes, and music, quite a bit, but the sculpted arts have been shamefully neglected – apart from the odd appearance by some slightly indecent balloons. Keen as I am to please, and such is the richness of the sculptural world, I feel obliged to share with you the latest work by Chen Wenling. It’s over six metres tall, is made of fibreglass and paint, and, naturally, it’s a deep and devastating critique of global capitalism. The piece is called What You See Might Not Be Real, though some prefer a less cryptic title: The Big Golden Farting Bull.
The arts, they ennoble.
[Margaret Thatcher] was the closest thing Britain has ever had to Stalin and Pol Pot.
And,
It is not at all dumb to suggest that Thatcher was the closest thing we have had to Stalin and Pol Pot. That does not imply she was genocidal – merely that of British Prime Ministers it is difficult to think of another who pursued class war and year zero policies as enthusiastically as she did.
Written by Graham, in a heated and bizarre discussion over at Harry’s Place. In the same thread, also by Graham:
Flimsy Bush-Hitler comparisons always look ridiculous.

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