A 5-minute history of evil. (h/t, Coudal.) // Star Wars subtitles malfunction. “Dishevelled hair projection.” (h/t, Maggie’s Farm.) // Stanley Kubrick: A Life in Pictures. // Garfield minus Garfield. It gets quite strange. // The Einstein Archives. // The Large Hadron Collider. // The Stanford Linear Accelerator. // “That’s the essence of experimental particle physics: You smash stuff together and see what other stuff comes out.” // The silicon womb. // Cheeseburger in a can (mentioned here) finally gets a taste test. // Marijuana school. Higher education. (h/t, Dr Westerhaus.) // A brief history of aviation. (h/t, Stephen Hicks.) //Aurora Australis. // The power shirt. With nanogenerators. // Vivid Audio loudspeakers. These are rather fetching. // Cuddly Venereals™. // Barnacles and cocaine. // $2.6 million necklace. 1,290 diamonds. Only one ever made. // Circular communities. // Daniel Finkelstein on dictators and their groupies. // Caroline Fourest on Tariq Ramadan. “He is a professional when it comes to lying.” // Islam: What the West Needs to Know. September 11, 1683. // Tall buildings. // Even taller buildings. // Skyscraper made of wood. // Wind tunnels we have known and loved. // Kate Bush, Cloudbusting.       

Chris Jordan’s statistical art features, among other things, jet trails, Barbie dolls and painkillers. Cans Seurat (60 x 92”) recreates Georges Seurat’s La Grande Jatte using 106,000 images of aluminium cans – the number used in the US every thirty seconds.

(h/t, Dr Westerhaus.)

A directory of visual concept art.

From Star Wars to Iron Man. Related. And. 

Cath Elliott shares her wisdom in today’s Comment is Cheap Free. The self-proclaimed feminist and trades union activist targets an Aspen Times column by Gary Hubbell, whose grumbling about the presidential candidates’ alleged pandering to special interest groups is promptly, and inevitably, compared to that of the BNP. What catches the eye, though, is Elliott’s highlighting of this passage from Hubbell’s article:

Angry White Man loathes Hillary Clinton. Her voice reminds him of a shovel scraping a rock. He recoils at the mere sight of her on television. Her very image disgusts him, and he cannot fathom why anyone would want her as their leader.

A fair point, one might think. Much as many have recoiled from the current incumbent of the White House, due in part to his limited ability to convey whatever thought processes may take place behind his eyes. Ms Elliott adds,

This isn’t because she’s a woman, he goes on to say, but because she is who she is.

Again, sounds like a fair point. My own impression of Hillary Clinton is of a shrill and dissembling harpy forever peddling victimhood – quite often her own – and struggling with rather vengeful authoritarian urges. Pointing that out says nothing in particular about the rest of womankind, at least among those of us who think in terms of individuals, not symbols of some designated group. However, Ms Elliott disagrees: 

I for one don’t believe him. Hubbell and his new-found cheerleaders across the net give the game away when they reserve the worst of their ire for Hillary Clinton. This isn’t about a crisis of identity for poor working class men; it’s a defence of masculinity and a last desperate effort to cling on to the power that men have enjoyed for centuries. Just another anti-Hillary misogynist rant, then.

And nothing at all like a hackneyed far left rant against the “defence of masculinity” – which, as every good-hearted person knows, is an unspeakable vice and almost certainly a cover for something more unspeakable still. But hold on a minute. Does this mean that we men folk aren’t allowed to take a dim view of a presidential candidate if she happens to be a woman? What about Clinton’s female critics – do they get some special license to be unkind by virtue of having internal genitalia? What about men who dislike Hillary Clinton but quite like Condoleezza Rice? And, by the same thinking, does any disparaging of Cath Elliott immediately signal misogyny and oppression, regardless of what claptrap falls from her mouth? Are quasi-Marxist power dramas and the dislike of an entire gender the only conceivable motives here? And if I point out that Ms Elliott looks and sounds like an Eighties cliché, is that just my desperate attempt to cling to masculine power? I think we should be told.

Eyescapes. 

By Rankin. Via Tim239.

A few weeks ago, Georges and I were discussing Margaret Thatcher’s often-taken-out-of-context “society” quote and the idea of the nation state as a marker of solidarity. Georges was struck by,

How much people seem to need larger forms of affiliation than self and family and immediate social circle.

To which I replied,

Well, indeed, and some more than others. But I don’t see why that should necessarily conflict with Thatcher’s statement, or with her broader outlook, or with a Conservative outlook generally. And the people who most vehemently disdain national identity and national pride – those “larger forms of affiliation” – tend to be on the left of the political spectrum. Which strikes me as counter-productive.

In today’s Observer, David Goodhart elaborates on a similar theme and offers reasons why such disdain is counter-productive.

Most of today’s cabinet were students in the 1970s and 1980s. If their student union had been debating the motion “The nation-state is a bloodstained anachronism”, most of them would probably have voted for it. And why not? I was there too and we were growing up in the shadow of nationalism’s 20th-century horrors… People on the left… were pro-mass immigration – among other things it added colour to the staid stoicism of Anglo-Saxon life. Meanwhile, a broader political world view emerged – there was no common culture in Britain, but, rather, a multicultural ethnic rainbow…

The fact is that the liberal baby-boomers were too insouciant about the nation-state and feelings of mutual obligation and belonging. Events, and voters’ responses to them, forced them to adjust. In Britain, those events included the asylum crisis in the late 1990s, the unprecedented increase in legal immigration, the unexpected East European surge after May 2004, the 7 July London attacks and, most important, the hostility of public opinion to mass immigration amid anxieties about public services and rapidly changing communities.

This does not mean that the average British citizen has become more prejudiced, though the far right gets more votes than ever. The principle of anti-discrimination is now more widely practised than ever… and the average Briton is more comfortable with difference – consider the rise of interracial marriage. But the liberal baby-boomers have come to grasp that a belief in universal moral equality does not mean that we have the same obligations to all humans – we do not consider our families to be on a different moral plane, yet would not hesitate to put their interests first. Until a few decades ago, the basis of national ‘specialness’ would have been ethnicity – shared ancestry, history, sacrifice. In multi-ethnic and multiracial societies, the basis of specialness is citizenship itself.

The justification for giving priority to the interests of fellow citizens boils down to a pragmatic claim about the value of the nation-state. Without fellow-citizen favouritism, the nation-state ceases to have much meaning. And most of the things that liberals desire – democracy, redistribution, welfare states, human rights – only work when one can assume the shared norms and solidarities of national communities.

Given the above, one might wonder how it is much of the left came to embrace dogmatic self-loathing and a pretentious disdain of territory. As when Joseph Harker, the Guardian’s deputy comment editor, repeatedly claimed “all white people are racist,” before identifying any fluttering of national identity as suspicious and, almost by default, a sign of xenophobia. When such views appear in the mainstream organ of the British left, voiced by a member of its own editorial staff, this isn’t exactly a cause for optimism. Nor is it encouraging to discover that even the most positive expressions of shared national identity can meet with official censure and threats of punishment. As, for instance, when Pendle council reprimanded Matthew Carter, a black dustman born in Barbados, for wearing a St George’s Cross bandana to keep his dreadlocks out of the way:

Ian McInery, the operational services manager for Pendle council, defended the decision to discipline Mr Carter. He said: “We have made it clear to staff that they are not allowed to put stickers or flags on bin wagons or wear clothing which shows support for a particular team, group or country… It’s just a common-sense approach that we are sticking to.”

One also has to wonder if viewing Mr Carter’s choice of headgear as a sign of xenophobic atavism, or as likely to be perceived as such, is what multicultural theorists really had in mind. And does this affected distaste for national symbols suggest progress, or its opposite?

I gather some of you are fans of the retooled Battlestar Galactica, which remains one of the more intelligent and compelling science fiction series. Given the issues raised during the last three seasons and their real world resonance, law professors Daniel Solove, Deven Desai and David Hoffman have taken an interest and interviewed BSG’s creators, Ronald D Moore and David Eick.

Part 1 deals with the trials and legal systems of the human survivors. Part 1-B explores the depicted use of torture. Parts 2 and 3, on the series’ treatment of politics, cylons and religion, will follow shortly.

Those of you unfamiliar with BSG can watch the episode 33 below.

Link: sevenload.com

(h/t, Volokh.)

Peter Callesen’s paper cuts. Each one made from a single sheet. (h/t, Dr Westerhaus.) // The Agbar Tower, Barcelona. More. // Zoudov. A Cold War thriller. (h/t, Coudal.) // 9 improbable weapons of war. Pigeons, rats, unspeakable lust. // Robo-fawn. // Robo-ferret. // Robot water strider. // Advanced prosthetic arm. // Deluxe finger painting. // Cutest. Thing. Ever. // A feline wake-up call. Scroll down. (h/t, Andy.) // Marvelous aquariums. (h/t, Things.) // The relative sizes of stars. Let it play. (h/t, Stephen Hicks.) // Methane detected on world 63 light years from Earth. // Is the Earth flat? A debate ensues. (h/t, Mick  Hartley.) // The People’s Quiz. Who said what. // Knowing what’s best for poor people. // Madsen Pirie on the pursuit of happiness. // Oliver Kamm on CND. // Fabian Tassano on Cornelia Parker’s politics-as-art. // Exploding flower arrangements. Frozen with liquid nitrogen, then shot. // Self-healing rubber. // Bubble gum drum machine. // Bubble gum alley. // Bubble gum sculptures. // And, via The Thin Man, it’s the Ohio Express.

Wine glasses, played well. Things get clever about one minute in.

(Via Centripetal Notion.) 

Related: Dance of the Sugar Plum Fairy played on a glass harmonica or hydrocrystalophone. The Glass Duo may also entertain. Or enliven your soirée with the skills of Miss Gloria Parker.

During Evan Coyne Maloney’s 90-minute documentary, Indoctrinate U, the historian Daniel Pipes shares his impression of the modern American university: “It’s like joining a church; you have to be a believer. You have to have the right set of views.” The nature of those views and how they’re enforced is ably documented, as example after example prompts both hilarity and alarm. During the opening titles, Professor David Clemens of Monterey Peninsula College reads out a directive regarding new course proposals: “Include a description of how course topics are treated to develop a knowledge and understanding of race, class and gender issues.” We learn that this directive isn’t confined to courses in, say, sociology or politics, but is expected of all subjects, including mathematics and ornamental horticulture. Failure to comply is not a trivial matter and, as Clemens later points out, “They’re quite ruthless about their desire for a kinder, gentler world.”

Maloney’s film begins with the campus free speech activism of the 1960s and 70s, in which his own parents took part, before highlighting how dramatically those principles have now been discarded, even upended, in many of the same universities. We see conservative speakers being shouted down, intimidated and howled off stage, unable even to start an exchange of ideas. We hear students’ accounts of incongruous political sermons being shoehorned onto lessons. (“I’ve been learning in geography class that gender is socially constructed.”) We also see a procession of academics voicing their dismay at the belligerent orthodoxy of campus politics. One psychology professor, Laura Freberg, recounts being told, “We never would have hired you if we knew you were a Republican.”

Freberg’s story is among the film’s more disturbing revelations, in that it shows how the most innocuous of details can identify someone as incompatible with orthodoxy and a target for punishment. Freberg explains how despite her excellent performance she was labelled a “problem” by her colleagues and subjected to a campaign of harassment until finally, and successfully, she sought legal remedy. Freberg’s students later admitted they’d known she was a “closet Republican” precisely because she didn’t use the classroom to air her political views.

Despite Maloney’s own right-of-centre leanings, Indoctrinate U is surprisingly non-party political and, as FIRE’s Greg Lukianoff explains, many mainstream Democrats could well be shocked by how a supposed marketplace of ideas has become so intolerant and congealed. Indeed, one wonders how many liberal parents would regard Bucknell’s Professor Geoff Schneider, who confidently asserts, “A lot of our students are unconsciously racist”, and who defines as harassment “anything that offends.” Or Professor Noel Ignatiev of the Massachusetts School of Art, who echoes the sentiments of Dr Shakti Butler and Peggy McIntosh, and says, “My concern is doing away with whiteness. Whiteness is a form of racial oppression… Treason to whiteness is loyalty to humanity.” (Schneider and Ignatiev are, of course, both white.) At Tufts and Brown universities we see how a fixation with identity politics and leftwing grievance theatre has resulted in racially segregated student orientations. Elsewhere, students are offered racially segregated housing, even segregated graduation ceremonies, and all in the name of multicultural “diversity”.

Maloney also highlights the spread of “speech codes” on hundreds of campuses, the particulars of which include, at Brown, the “banning of verbal behaviour” that “produces feelings of impotence, anger or disenfranchisement.” The University of Connecticut prohibits “inappropriately directed laughter”, while other campuses, including Colby College, have outlawed any speech deemed to result in a loss of self-esteem. Also documented are the absurd and sinister travails of several students, among them Steve Hinkle, whose flyer – advertising a speech by a black conservative author and quoting the title of his book – led to police involvement, lengthy entanglement in campus judicial proceedings and suggestions that he should seek psychological “counselling”.

Other extraordinary moments include San Francisco State University’s vehemently “pacifist” anti-military protests; the banning of patriotic expressions and symbols, including the American flag and the pledge of allegiance; and a satirical “affirmative action bake sale”, with cupcakes sold at different prices according to a person’s colour. (Needless to say, this culinary satire isn’t received terribly well and threats of arrest ensue.) 

A recurrent and revealing theme is just how readily these PC principles can be abandoned if the target is deemed politically deviant. Sukhmani Singh Khalsa, a conservative Sikh student critical of liberal bias, was unwittingly sent an email from the University of Tennessee’s Issues Committee, a student group responsible for inviting speakers to campus. Justin Rubenstein, an Issues Committee member, referred to Khalsa in less than edifying terms: “If you see one of those ragheads, shoot him right in the fucking face.” The University of Tennessee saw fit not to discipline Rubenstein or remove him from the committee. Yet when students at that same university arrived at an off-campus Halloween party dressed as the Jackson Five and complete with “black” makeup, this attention to detail resulted in the entire fraternity being suspended. 

Maloney’s attempts to raise these concerns with university administrators are, alas, unsuccessful, and of course symbolic. Invariably polite and decidedly unthreatening, our hero nonetheless finds himself rebuffed, then escorted off campus by burly security guards. Maloney’s alma mater, Bucknell, proves no more accommodating. (Watching these encounters almost becomes a game – guessing exactly how little time will pass before spotting the Stare of Death™ and hearing the administrator say, “Call the campus police.”) Some viewers may wonder if many faculty members are bewitched by the homogeneity of their insulated fiefdoms and are thus unaccustomed to their assumptions being challenged. Others may suspect that some of these educators are less naïve and all too happy to do in private what they cannot defend in public. Either way, a question arises for supporters of identity politics and pretentious sensitivity: What happens when the most oppressive “hegemony” in town is, in fact, your own? 

Those lucky enough to see Maloney’s film may differ in their views of exactly how this political lockstep became so pervasive and entrenched. Fixated by a Holy Trinity of race, class and gender, leftist ideologues have certainly played a pivotal role; as have squeamish administrators anxious to avoid controversy. Few, though, could deny that a serious problem exists. On the subject of an increasingly politicised classroom and the reluctance to voice unfashionable views, one student points out perhaps the greatest sin of all: “Education becomes a spectator sport.” Charming, alarming and not quite polished, Indoctrinate U is likely to amuse and enrage in more or less equal measure. If you can, see it. Then get angry. 

Watch the trailer here.

Buy the film as MPEG4 or Virtual DVD via the online store. 

Related. And. Also. Plus.