BattleTop GalactiGun. Smell the Eighties. // 70 billion farts a day. “And roughly 10 of those are yours.” // Orson Welles meets the Twilight Zone. // Walking cane of note. // Karen Straughan was interviewed by the BBC. // Keyboard of note. // Making kokeshi dolls. // Things to do with nails. // What astronauts see. // Shavings. // Satiregram. // The cat petting simulator is ideal for people with allergies. // Pondering testes. // Improbable architecture. // The Marxists’ apartment. // Juggling luminous balls while in a large plastic cone. // For the ladies, giant man-hands. // How big? This big. // Bad translator. // More fog in Dubai. // Flirting via text. // And finally, the long-awaited dog squat detection system – for when you need to know exactly where your dog has had a shit.

Susan Kruth and Harvey Silverglate on educational environments and the things you can’t say in them: 

On campuses across the country, hostility toward unpopular ideas has become so irrational that many students, and some faculty members, now openly oppose freedom of speech. The hypersensitive consider the mere discussion of the topic of censorship to be potentially traumatic. Those who try to protect academic freedom and the ability of the academy to discuss the world as it is are swimming against the current… Hypersensitivity to the trauma allegedly inflicted by listening to controversial ideas approaches a strange form of derangement — a disorder whose spread in academia grows by the day.

Note how the code words and euphemisms that have replaced salty language have become so numerous that readers now struggle to guess what the offending word was. See also this. 

Thomas Sowell on the current occupant of the White House: 

People who are increasingly questioning Barack Obama’s competence are continuing to ignore the alternative possibility that his fundamental values and imperatives are different from theirs. You cannot tell whether someone is failing or succeeding without knowing what they are trying to do. When Obama made a brief public statement about Americans being beheaded by terrorists, and then went on out to play golf, that was seen as a sign of political ineptness, rather than a stark revelation of what kind of man he is, underneath the smooth image and lofty rhetoric.

And Peter Suderman reminds us why tar and feathers should never be out of fashion: 

Professor Jonathan Gruber was, by most accounts, one of the key figures in constructing the Affordable Care Act, better known as Obamacare. He helped design the Massachusetts health care law on which it was modelled, assisted the White House in laying out the foundation of the law, and, according to the New York Times, was eventually sent to Capitol Hill “to help Congressional staff members draft the specifics of the legislation.” Jonathan Gruber, in other words, knows exactly what it took to get [Obama’s] health care law passed. And that’s why you should take him seriously when he says, in the following video, that it was critical to not be transparent about the law’s costs and true effects, and to take advantage of the “stupidity of the American voter” in order to get it passed.

Note that our progressive Professor Gruber is happy to admit deceiving the electorate – deliberately, at length and on a grand scale – in order to get his own way. Along with $400,000 in consultancy fees.  

As usual, feel free to share your own links and snippets in the comments. It’s what these posts are for. 

More niche sorrows from a certain newspaper:

If punk is the ultimate anti-establishment scene, why is it still run by all these white men?

And so we find “would-be musicologist” and transgender punk musician Alyssa Kai pining for a cartoon scene that reality can’t live up to: 

DIY punk – with its self-released music, non-corporate labels, cheap all-age shows in basements – embraces those things not as means toward corporate success, but as intrinsically worthwhile tools to build authentic rebellion and powerful community.

She wants none of that “corporate success,” which entails “getting signed, getting famous, getting a world tour,” terrible things like that. No, Ms Kai wants “authentic rebellion” and the purest of motives. Inevitably, disappointment looms:

Our authenticity [is] built on false premises of what it means to be “true” to punk in a messed-up, still-exclusionary scene made up of mostly white, abled middle-class men who make and buy most of the music.

Yes, too many punk musicians – and too many of their fans – are white, male and able-bodied. Will the horror never end? Apparently, our “would-be musicologist” is unfamiliar with the genres afro-punk and queercore, to say nothing of Pussy Riot, Pansy Division, Dinah Cancer and of course The Slits. 

And then it gets worse.

Without warning, in the audience or on a stage, I’ll hear someone say, “This song is about feminism,

Yay. Girl power.

which means: How hard it is to have a vagina in this world!”

Oh dear. Major gaffe. Ixnay on the v.j. 

And I’m suddenly… excluded from the supposedly ultra-inclusive community I’m trying to build.

Because feminist punk that doesn’t nod to transgendered women and their pseudo-vaginas is just no punk at all.

The adventures of Hover Cat. // How to build your own air raid siren. The moment of victory is at 8:42. (h/t, sk60) // Two types of squirrels. (h/t, Pootblog) // Lick me to sleep. // Owl gif of note. // Folded by hand. // Clever crows. // Sneezing chicken. // Sneezes on a plane. // Spinning top of note. // We must summon the mothership. // Xenomorph. // Small gestures, big marble. // The bells of Amsterdam. // Houdini’s illusions. // The free, complete Sherlock Holmes. // The mosh pit simulator does what it says. (h/t, MeFi) // Strum it, stroke it, beat its strings. // An interactive rat map by the Rat Information Portal. // And finally, behold Scroguard - the “premium latex feels like a second skin” and “can accommodate waists up to 48 inches.” Oh, and yes, it’s washable.

Norwich City Council’s first computer being delivered, 1957.

It’s an Elliott 405, since you ask. Here’s one being used by schoolboys in 1969. Via System 360, via Things.