The chronically captious ladies and other-gendered beings at Everyday Feminism, where everyone is terribly complicated and fascinating, want us to know that people with narcissistic personality disorder are also victims of heteropatriachal capitalist society. And that not being overly keen on the company of pathologically narcissistic people, possibly because of their dishonesties, neediness and obnoxious sense of entitlement, is “ableist,” bigoted and therefore wicked. Apparently, we mustn’t “minimise the experience” of people who are very often unbearable, manipulative, exploitative, emotionally unstable, and indifferent to the wellbeing of anyone but themselves.

Sometimes comment is superfluous.

BBC Radio 4 veers into Alan Partridge territory: 

Can you ever trust a gorilla with a child?

Answers on a postcard, please.

Magic words. // Assorted dicey moments, illustrated. // Japanese log relocation. It’s a vigorous business. // Vitruvian man action figure. // Voltige, a cautionary tale. // At last, Star Trek: The Next Generation swimsuits. // We’ll be seeing more of this, I think. // Not thinking things through, I fear. // Animations of note. // American shopping malls circa 1989. // This. // That. // The other. // Post-It notes and beer. // Mechanical Pong. // “The stench started masking the smell of their popular hickory-smoked ham.” (h/t, Ace) // Yes, apparently, it does happen. // Made of sand. // Done with suction. Crime-fighting applications under consideration. // Something is licking his tent. // This is one of these. // And finally, via Damian, some cat comradeship.

Or, You’ll Get What You’re Given And Like It, Bitches™.

For readers with an interest in really bad art and its coercive public funding, this post and subsequent discussion over at Artblog, which some of you may have missed, offers quite a lot to chew on. Because I’m vain and shallow, I’ll quote myself:

The political uniformity and extraordinary conceits of our own publicly-funded arts establishment have entertained us many, many times. As when the writer Hanif Kureishi told Guardian readers that culture, as represented by him, is “a form of dissent,” while the paper’s theatre critic Michael Billington claimed that a reduction of taxpayer subsidy for loss-making plays is nothing less than “suppression” of that “dissent.” Likewise, when the playwright Jonathan Holmes claimed that he and his peers are “speaking truth to power” – I kid you not – and insisted, based on nothing, that “the sole genuine reason for cuts is censorship of some form” and “the only governments to systematically attack the arts have been the ones that also attacked democracy.”

You see, the suggestion that artists might consider earning a living, rather than leeching at the taxpayer’s teat, is apparently indistinguishable from fascist brutality and the end of civilisation. Though when the status quo in London’s dramatic circles is overwhelmingly leftwing, and when publicly subsidised art and theatre tend to favour parties that favour further public subsidy for art and theatre, what “dissent” actually means is somewhat unclear. And reluctant taxpayers please take note: Despite all the years of providing hand-outs, you’re now the oppressor.

The whole thing, as they say.

Thomas Sowell on dubious graduation messages: 

Two themes seem to dominate Commencement speeches. One is shameless self-advertising by people in government, or in related organisations supported by the taxpayers or donors, saying how much nobler it is to be in “public service” than working in business or other “selfish” activities. In other words, the message is that it is morally superior to be in organisations consuming output produced by others than to be in organisations which produce that output. Moreover, being morally one-up is where it’s at. The second theme of many Commencement speakers, besides flattering themselves that they are in morally superior careers, is to flatter the graduates that they are now equipped to go out into the world as “leaders” who can prescribe how other people should live. In other words, young people, who in most cases have never had the sobering responsibility and experience of being self-supporting adults, are to tell other people — who have had that responsibility and that experience for years — how they should live their lives.

Michael Strickland learns that interracial smiling can be a sign of “white fragility” and therefore proof of racism, at least when people of pallor do it: 

They continue to ponder if they are racist for crossing the street the wrong way, or when they smile at people of colour. “Am I doing the ‘white guy smile’?” asks one of the students.

Robert Tracinski on the vanity and incompetence of Mrs Bernie Sanders: 

While her husband has been out promising everyone free college, [Mrs Sanders] used to run a $25,000-per-year private college — which just announced it will be closing down due to the crushing weight of debt it incurred under her leadership. The debt was backed by fraudulent claims about millions of dollars in pledged donations. The case of Burlington College is a nice little microcosm of what we can expect from her husband’s economic agenda: grandiose schemes for expansion and improvement and lavish benefits offered to everyone — based on lies and financed by reckless, unsustainable borrowing, resulting in eventual collapse. It’s a microcosm of socialism in one other respect, too, which is that Jane Sanders and her friends and family did pretty well skimming the gravy off the top of the system while she ran it into the ground.

And Katherine Timpf on what that student debt is getting you: 

A professor at Santa Monica College took a group of students on an “EcoSexual Sextravaganza” trip earlier this month, during which they “married the ocean”… The students were specifically instructed to think of this marriage as one involving sex, and encouraged to “consummate” the marriage and “make love to the water” by sticking parts of their bodies into it.

Feel free to share your own links and snippets, on any subject, in the comments.