Here’s Philip Hunt’s 6-minute animation based on William Burroughs’ rambling text, Ah Pook is Here.
More at Studio AKA. Click ‘short films’. Back Friday with more ephemera.
Here’s Philip Hunt’s 6-minute animation based on William Burroughs’ rambling text, Ah Pook is Here.
More at Studio AKA. Click ‘short films’. Back Friday with more ephemera.
Published in 3:AM magazine, here’s my discussion with the Muslim novelist and exile Tahir Aslam Gora. On Islam, freedom and denial.
“It seems to me that the ideas being expressed most freely are far from tolerant and those who call for a more open-minded formulation of Islam are most likely to be intimidated or suppressed. One might note the recent experience of the reformist author Taslima Nasreen, whose book launch ended in her being violently assaulted by Islamic lawmakers and members of All India Majlis-e-Ittehadul Muslimeen, whose piety entailed throwing chairs at a terrified woman. Hyderabad police even filed a case against Nasreen for allegedly ‘creating religious tensions’ and writing ‘provocative literature’ – which rather highlights the scale of the change in outlook that’s required.”
Further to this and the comments following this post, I mentioned the mismatch of certain leftist moral markers with aspects of traditional working class / bourgeois morality:
“When seen in context, Thatcher’s ‘society’ quote actually chimes quite strongly with traditional working class / bourgeois morality regarding personal and familial responsibility. A similar moral aspect becomes apparent in discussions of immigration, where many working class people take the view that a person should generally pay into a benefit system before taking from it. This tends to conflict with the view, most common among middle-class leftists, that a newcomer from country X can arrive and immediately make several claims without having contributed via taxation, etc. I’ve read more than one Guardian commentator dismiss the former view as ‘typical of racist little Englanders’, which rather misses the point of contention. Wherever you stand on the issue, and whatever exceptions one might imagine, my point is that quite a few middle-class leftwing commentators have casually dismissed as ‘racist’ a moral argument based on reciprocity and a sense of community.”
There’s another illustration in today’s Observer, in John Lloyd’s review of Andrew Anthony’s book, The Fall-Out: How a Guilty Liberal Lost His Innocence:
“Anthony uses an account of his early years as a vivid, emotively charged account of a working class-born, council house-raised and comprehensive school-educated boy who came to question his parents’ outlook. In one instance cited, his mother asked her local councillor why it was that she, a model tenant for many years, had become a much lower priority for rehousing than a newly arrived immigrant family. The councillor to whom Mrs Anthony complained was Tessa Jowell, until recently Secretary of State for Culture, Media and Sport; she gave her complaining constituent ‘a brusque lecture on racism’.
This vignette recalls progressive, especially London, politics of the Seventies and Eighties… with an overlay of moralising political correctness which assumed prejudice on the part of a white working class and innocence on the part of those with darker skins. In a comment which must be a painful memory, Anthony observes that at university, his ‘enlightened concern was that [his mother] didn’t do or say anything that could be construed as racist … I was now outside, like an anthropologist, looking in’.”
What’s interesting here, and illustrative of a much wider phenomenon, is Jowell’s apparent readiness to frame the issue in terms of racism, and Anthony’s own apprehension regarding how a person might seem in certain kinds of company. And, again, there’s something grimly amusing about those who most loudly profess to care for “the proletariat” showing sneery disregard for the views and moral values of that same group of people.
The Shimafuji 2” cube PC. // The properties of cone snail venom. Cone snail venom in action. // SeaPhantom. “Helicopter speed. Powerboat price.” // Flying car, sort of. (H/T, Dr Westerhaus.) // Perry Mason book covers. // Perry Mason title sequence, from The Case of the Negligent Nymph. (H/T, Vitruvius.) // Perry Mason board game. More. Instructions. // How to catch a cold. (1951) // What to do on a date. (1951) // Personal ads in China. (H/T, Instapundit.) // Via Coconut Jam, paper condom envelopes of the 30s and 40s. // Beautiful specimens. (H/T, Coudal.) // Iran closes “un-Islamic” barber shops. “Police say barbers should not pluck customers’ eyebrows.” // Theodore Dalrymple on percentages, fear and self-inflicted misery. “Unemployment and lower levels of educational achievement have much to do with the ideas of Muslim immigrants themselves.” // The perils of “affirmative action.” // Soy sauce and ice cream, together at last. // Ice cream flavours from around the world. Octopus, spinach and ox tongue. // Geographical Rubik Cube. // Calculate pi in hyperspace. You know you want to. // Enormous hole found in Universe. “The void is nearly one billion light years across.” (H/T, An Insomniac.) // Tunnel House. More. // Bedside table. Ideal for greeting uninvited guests. // How to be a cult leader. “Join us and be special.” (H/T, Vitruvius.) // Frank says something stupid.
A form of ‘content-aware’ image manipulation has been developed by Shai Avidan and Ariel Shamir of Israel’s Efi Arazi School of Computer Science. Their prototype software allows images to be dramatically resized without scaling or cropping. By assigning levels of importance to component parts of an image, the software is able to shrink or stretch images while leaving key features intact and in proportion, and all in real time.
More. And. Related. Also. (H/T, Protein Wisdom and The Thin Man.)
Thanks to the A/V Geeks, here’s Disney’s 1946 educational short, The Story of Menstruation. It’s replete with dos and don’ts on hygiene and grooming, though sexuality is oddly unmentioned. That said, and no less oddly, there does appear to be a baby wearing lipstick.
Review. The instructional booklet mentioned in the film, Very Personally Yours, can be found here.
An extract from Roger Kimball’s long, amusing essay, The Perversions of Michel Foucault, in which he casts an eye over Foucault’s pretensions, and those of his biographer, James Miller:
“In some ways, The Passion of Michel Foucault is a revival of [Miller’s] earlier book [Democracy is in the Streets], done over with a French theme and plenty of black leather. Hence it is not surprising that when Mr. Miller gets around to the student riots of 1968, his prose waxes dithyrambic as gratified nostalgia fires his imagination. It is as if he were reliving his lost – or maybe not-so-lost – childhood.
‘The disorder was intoxicating. Billboards were ripped apart, sign posts uprooted, scaffolding and barbed wire pulled down, parked cars tipped over… The mood was giddy, the atmosphere festive. ‘Everyone instantly recognized the reality of their desires,’ one participant wrote shortly afterward, summing up the prevailing spirit. ‘Never had the passion for destruction been shown to be more creative.’
Foucault himself, unfortunately, had to miss out on the first wave of riots, since he was teaching at the University of Tunis. But his lover Daniel Defert was in Paris and kept him abreast of developments by holding a transistor radio up to the telephone receiver for hours on end. Later that year, Foucault was named head of the department of philosophy at the University of Vincennes outside Paris. The forty-three-year-old professor of philosophy then got a chance to abandon himself to the intoxication. In January 1969, a group of five hundred students seized the administration building and amphitheatre, ostensibly to signal solidarity with their brave colleagues who had occupied the Sorbonne earlier that day. In fact, as Mr. Miller suggests, the real point was ‘to explore, again, the creative potential of disorder.’ Mr. Miller is very big on ‘the creative potential of disorder.’ Foucault was one of the few faculty who joined the students. When the police arrived, he followed the recalcitrant core to the roof in order to ‘resist.’ Mr. Miller reports proudly that while Foucault ‘gleefully’ hurled stones at the police, he was nonetheless ‘careful not to dirty his beautiful black velour suit.’
It was shortly after this encouraging episode that Foucault shaved his skull and emerged as a ubiquitous countercultural spokesman. His ‘politics’ were consistently foolish, a combination of solemn chatter about ‘transgression,’ power, and surveillance, leavened by an extraordinary obtuseness about the responsible exercise of power in everyday life… Foucault posed as a passionate partisan of liberty. At the same time, he never met a revolutionary piety he didn’t like. He championed various extreme forms of Marxism, including Maoism; he supported the Ayatollah Khomeini, even when the Ayatollah’s fundamentalist cadres set about murdering thousands of Iranian citizens. In 1978, looking back to the postwar period, he asked: ‘What could politics mean when it was a question of choosing between Stalin’s USSR and Truman’s America?’ It tells us a great deal that Foucault found this question difficult to answer.”
As a companion piece to Vanessa Engle’s Lefties documentary, The Thin Man has created a short trailer for the three-part series, Tory! Tory! Tory!, broadcast by BBC4 in March 2006. The series traces the history and ideas behind Thatcherism – and how Britain was transformed, painfully. It’s not as outlandish as Lefties, but it’s interesting to revisit the dark days of Britain in the late Seventies, with power cuts, unburied dead and ossified state-run monopolies somehow billions in debt. Brave souls may even try to imagine exactly how wrecked and demoralised the country would have been in the care of devout Socialist Neil Kinnock, or those even more devout, who openly spoke of “the class enemy.”
The three episodes, Outsiders, The Path to Power and The Exercise of Power, can be viewed here.
I have enemies of my own. Help me crush them underfoot.
By popular demand, The Thin Man has unearthed a higher-resolution version of this 11-minute animation by Paul Vester, Abductees. Made in 1995 and broadcast on Channel 4, it’s a funny and oddly beautiful combination of therapy session recordings and cartoon probing.
“We are interested in the concept of rescue.” Abductees can be downloaded here. More.
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