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Psychodrama
Film Politics Psychodrama

Projecting Just a Tad

January 10, 2010 27 Comments

Darleen Click has compiled reactions to Avatar by self-appointed representatives of Designated Victim Groups. Needless to say, the levels of unrealism and doctrinal turgidity are quite hazardous.

There’s a bit of this:

This synopsis contains profoundly ableist language in the way it describes the protagonist Jake as “confined to a wheelchair.” I don’t use a wheelchair; nevertheless, I was very offended when I read that. We’ve been trying to eradicate terms like “confined to a wheelchair” for a while now, and to see this demonstration of ignorance on such a large scale, since it is mainstream, is distressing. […] It’s a long-held stereotype (and still exists today) that disability is unnatural in people and so must be fixed or cured. 

And this, from a breezy sermon titled Gender Normativity and Imperial Domination in Avatar:

I’d like to explain that I do not believe that binary gender is natural or fundamental to our biological existence as humans, or even as animals. […] I have too many female friends with penises to put all my faith in biological determinism, no matter what planet I’m on.

Update, via the comments:

Self-preoccupation is essential to the kind of tribalism seen above, along with an urge to pathologise the prosaic. If the prosaic can be made to sound oppressive or inauthentic, it makes those who announce themselves as nonconformist sound much braver and more interesting than they actually are (if only to themselves and those similarly disposed). For instance, the clownish Amanda Marcotte rails against any number of “normativities,” all of which she seeks to pathologise. It isn’t enough that she doesn’t feel an urge to become a parent. She has to claim that those who do wish to become parents don’t know their own minds and are dupes of some hegemonic power. In much the same way, the preference for an intact and functional body is depicted as both a parochial social construct and a moral failing. And likewise, the belief that “binary gender” is not “natural or fundamental to our biological existence as humans” is based on an occasional malfunction of the very biological processes that are imagined not to exist.

But this is what gorging on identity politics does – it fosters unrealism and makes dishonesty routine. Often there’s a creep of small dishonesties. For instance, the disabled feminists article grumbles about the Avatar synopsis, which refers to the film’s protagonist as “confined to a wheelchair.” The author complains, “Non-disabled people may think… referring to someone who uses a wheelchair as ‘confined to a wheelchair’ is okay – but of course, it’s really not — ‘wheelchair user,’ for instance, is more acceptable.” However, this means avoiding a perfectly legitimate and accurate term – Jake is confined to a wheelchair; that’s sort of the point, dramatically. But fluffier, more sensitive terms are apparently now required. “Wheelchair user” could of course mean that Jake only uses a wheelchair occasionally – say, when walking leaves him fatigued. Which is deliberately imprecise and hardly the stuff of interplanetary drama.

Sentiments of this kind may be dishonest – indeed bizarre – but they are surprisingly common. Not long ago on Radio 4, a legless and rather prickly “activist” insisted that it was “oppressive” to view the loss of a person’s legs as in any way regrettable. Regarding this loss as something negative was apparently “ableist,” “ignorant” and offensive. This claim was repeated several times, emphatically. At one point the activist declared that given a chance to walk again he would refuse, such was his “pride” in having lost a third of his body. Anger had been displaced from the obvious grievance – the traumatic loss of one’s legs – to the supposed “injustice” of regarding limb loss as a dismaying or terrifying state of affairs. As a coping mechanism, it wasn’t entirely honest. Or, it seems, successful.

(h/t, Dicentra.)














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Written by: David
Food and Drink Politics Psychodrama

A Carnivore’s Shame

December 29, 2009 125 Comments

Bearing in mind the recent seasonal gorging, here’s another Classic Sentence from the Guardian. This time courtesy of Neel Mukherjee and his deep ruminations on vegetarianism.

It slowly dawned on me that there were no rational, intellectual or moral arguments to be made for carnivorousness.

Heavens, he’s bold. There simply isn’t a good reason to partake of the flesh. None whatsoever. I do hope there’s a devastating argument to support such a claim.

The meat-eaters had always already lost. This is not the place to rehearse all those arguments.

Ah. Not the place. Isn’t it wonderful when arguments can be won entirely in your own head, with none of that messy business with evidence, logic and stuff you hadn’t thought of? Mr Mukherjee does, however, indulge us with one attempt at reasoning:

Far more convincing for me than all kinds of shocking exposés of the meat industry and the way a piece of steak makes it way on to our plates… was the unimpeachable moral argument against speciesism: because we are the most powerful animals in the animal kingdom, because all animals are at our mercy and we can choose to do whatever we want with them, it is our moral duty not to decimate, factory farm and eat them. It is an argument of such majesty and generosity that its force is almost emotional.

Note the invention of an entirely new prejudice for those so inclined to feel guilty about – speciesism. Note too the sly conflation of meat eating with factory farming and decimation. This “unimpeachable moral argument” could of course be expressed a little less tendentiously,

Because we can eat animals it’s our duty not to.

But then – amazingly – it loses much of its persuasive force. To say nothing of its majesty.

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Written by: David
Art Psychodrama

The Fit That Wasn’t

December 13, 2009 4 Comments

Here’s an update to the ‘seizure-as-art’ evening discussed here recently. The Telegraph & Argus reports, 

Rita Marcalo’s controversial attempt to have an epileptic fit on stage at Bradford Playhouse ended in failure. The Portuguese dancer, who has epilepsy, was attempting to induce a seizure during a 24-hour arts performance. By the 1pm finish she had not managed to do so – despite exposing herself to strobe lights and depriving herself of sleep and food. Playhouse director Eleanor Barrett described the performance as “emotionally demanding” to watch.

Readers saddened to have missed Ms Marcalo’s adventure in self-preoccupation should, however, take comfort. Clearly determined to justify the £14,000 of Arts Council funding, Marcalo promises a second, no less challenging, instalment.

The second part, featuring footage of Miss Marcalo trying to induce a seizure, will be at Bradford’s Theatre in the Mill in January.

One for the diary, definitely. 














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Written by: David
Ephemera Psychodrama

Impertinent Demands

December 2, 2009 4 Comments

Ken Habarta has a collection of notes written by unarmed bank robbers. They range from the polite and apologetic,

Please place all the money on the counter. No (dye) packs or tricks. I am armed. Thank you! I’m sorry!

To the blunt,

I have a bomb, put all your money on the counter.

And grandiose,

You have 15 seconds to put at least $9,000 in $100s & $50s in front of me. Alarms, dye packs, bait money, tracking devices, or follow me out, will equal death. My briefcase will inflict a deadly wrath on all of you in this bank if you follow me. Time starts now!

Others attempt emotional blackmail,  

Give me money or I will blow up a school.

This example, written by Mr Kevin Pinto, may seem unremarkable,  

This is a holdup. Give me 100s, 50s, 20s. Hurry up.

However, the “hurry up” has an almost comedic aspect given that Mr Pinto, who robbed ten banks over a period of six years, committed each robbery during his lunch break. Pinto was employed as a financial compliance officer by the investment firm Paradigm Capital. He was sentenced to six years in prison.


Ken Habarta’s book Bank Notes may also be of interest. Apparently Tuesday and Thursday mornings are popular robbery times. Via Coudal.














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Written by: David
Academia Art Psychodrama

Another Arts Council Triumph

November 21, 2009 59 Comments

Speaking of the Arts Council and its casual arrogance, Karen steers our attention to this little nugget:

A dance artist with epilepsy is to try to induce a seizure on stage. Rita Marcalo has stopped taking her medication ahead of the event at The Bradford Playhouse. Arts Council England, which is funding the performance, said it aimed to raise awareness about the condition. Ms Marcalo, the artistic director of Leeds-based dance company, Instant Dissidence, plans to induce a seizure as part of the 24-hour Involuntary Dances event on 11 December, which will also include dance and poetry readings.

Ah, dance, poetry and epileptic fitting. A fine night out by anyone’s standards. But how will this gesture – sorry, seizure – be achieved? Isn’t it all rather messy and difficult to predict?

During the 24 hours Marcalo will be engaging in a series of epilepsy inducing acts: from ingesting legal brain stimulants (alcohol, cigarettes, coffee, dark chocolate), to stimulating the brain through strobe lights and specially designed computer programmes, to raising her bodily temperature, to fasting, to trying out methods utilised to induce seizures in animal testing, to sleep deprivation.

Chocolate, booze and fasting?

If she has a seizure, an alarm will sound and the audience will be invited to film on their mobile phones.

And it’s interactive too. How terribly modern.

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Written by: David
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In which we marvel at the mental contortions of our self-imagined betters.