For newcomers, three more items from the archives. 

Postmodernism Unpeeled. 

A discussion with Stephen Hicks, author of Explaining Postmodernism.

Writing in Innovations of Antiquity, Ralph Hexter and Daniel Selden dismissed “transparent prose” as “the approved mode of expression for the society and values of the newly empowered middle class.” In the Journal of Aesthetics and Art Criticism, Mas’ud Zavarzadeh denounced “unproblematic prose and clarity of presentation” as “the conceptual tools of conservatism.” The rejection of transparency as “conservative” is particularly odd, since transparency makes a claim amenable to broad critical enquiry, and thus public correction. Without transparency, what do we have? A private language shared only by likeminded peers in which one is free to assert largely unopposed? […] Presumably, if you prefer arguments that are comprehensible and open to scrutiny, this signals some reactionary tendency and deep moral failing. On the other hand, if you sneer at such bourgeois trifles, you’re radical, clever and very, very sexy.

Blunting the Senses in the Name of Fairness. 

The Dalai Lama gets it wrong. Cultural equivalence debunked at length.

Rosie O’Donnell was happy to assert that, “radical Christianity is just as threatening as radical Islam in a country like America.” But while red-faced evangelists may say, for instance, that gay people are wicked, damned to hellfire, etc, I don’t know of any internationally renowned Christian leaders who are calling for the imprisonment and killing of gay people. Unlike the supposedly “moderate” Grand Ayatollah Ali al-Sistani, who insists that gay men and lesbians should be “killed in the worst manner possible.” Not condemned, ‘corrected,’ prayed for or pitied, or any of the usual nonsense spouted by Jerry Falwell, Pat Robertson et al; but murdered – as brutally as possible.

The Flow of Ideas. 

Professor Sharra Vostral exposes the humble tampon as an “artefact of control.”

Note the professor’s confidence as she rushes to the podium on Mount Grievance. She is righteous and wise, and apparently telepathic. Non-literal uses of the term “patchwork” must assume whatever sequence of ideas suits Professor Vostral’s worldview. Used metaphorically, the word “patchwork” must signal disdain for quilt making, quilt makers and, by implication, an entire gender too. There can be no doubt about it. “Patchwork” simply is a “gendered insult” – one “based in derogatory understandings” of a “woman-based art form.” It’s “embedded,” apparently.

Excavate the greatest hits.

Hardly anyone is going to openly defend muddled thinking or disrespect for evidence. Rather, what people do is to surround these practices with a fog of verbiage designed to conceal from their listeners – and in most cases, I would imagine, from themselves as well – the true implications of their way of thinking. George Orwell got it right when he observed that the main advantage of speaking and writing clearly is that “when you make a stupid remark its stupidity will be obvious, even to yourself.”

Further to this, this, this and any number of things in the archive, the following may be of interest. Here’s Alan Sokal, speaking in Stockholm, May 2009, on the scientific worldview – and its opponents. Targets include practitioners of pseudo-medicine, theologians and the priestly caste of postmodernist bamboozlers. It’s a long speech and Sokal’s own leftist reflexes intrude a little too often, especially towards the end, but there are nuggets to be had. There’s an amusing schtick involving the substitution of theological fuzzwords with something more direct, and this, on religious truth claims:

A reader, Vaclav Lochmann, points us to an announcement for the Meet Animal Meat international conference, organised by the Centre for Gender Research at Uppsala University. Here’s a taste, as it were:

Informed by feminist investigations of embodiment and bodiliness, we ask: How do we understand our bodily relationship to other animals? How do we embody animals, and how do animals embody us? How are carnal modes of incorporation, intimacy, and inhabitation kinds of contacts forged between “HumAnimals”?

How indeed.

If, as Donna Haraway writes, “animals are everywhere full partners in worlding, in becoming with,” then how do embodied encounters with animal matter necessarily constitute categories of “human” and “animal”?

Wait for the clever bit.

What is the meaning of meat, and the meat of meaning?

Oh, there’s more.

Sadly, the opportunity to participate in the conference has come and gone. Readers are left to imagine the dizzying insights offered by the keynote speakers. Among them, Carol J. Adams, a “feminist-vegetarian theorist” and author of The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory, in which she “explores a relationship between patriarchal values and meat eating by interweaving the insights of feminism, vegetarianism and literary theory.” The book has been described by the New York Times as “a bible of the vegan community,” and in it Ms Adams advances her belief that,

What, or more precisely, who, we eat is determined by the patriarchal politics of our culture. Patriarchy is a gender system that is implicit in human/animal relationships… Manhood is constructed in our culture by access to meat eating and control of other bodies.

Also sharing wisdom was Judith Halberstam, a professor of English and Gender Studies at USC and author of In a Queer Time and Place: Transgender Bodies, Subcultural Lives, in which she “proposes a conception of time and space independent of the influence of normative heterosexual/familial lifestyle.” Halberstam’s areas of, um, expertise include “examining queer temporality – queer uses of time and space that are developed in opposition to the institutions of family, heterosexuality, and reproduction.” And one can only tremble with regret at missing Richard Twine’s pithy contribution: Embodying Posthumanist Intersectionality and Resisting Transhumanist ‘Enhancement’ Through Feminist Veganism?

Hush now, dry your tears.

For newcomers, three more items from the archives.

Freeloading and Snobbery. 

Arts establishment claims to be “suppressed,” sneers at the little people, demands free money.

I’m not convinced that the reduction of taxpayer subsidy for loss-making plays qualifies as “suppression.” And reluctant taxpayers please take note: Despite all the years of providing handouts, you’re now on the side of the oppressor.

Womanier Stuff.

The comedic potential of Women’s Studies newsgroups.

As a result of all this “questioning” and “confronting” of logic perhaps we can look forward to the first feminist computer, which will presumably operate on more “wholistic” non-logical principles. If such a device could be built, I’m confident it would generate answers that are ideologically agreeable, if not actually correct.

Exposure.

Atom bombs and Moon landings. The photographic essays of Michael Light.

One incidental detail… illuminates the unique comic potential of practical nuclear physics. Ted Taylor was a miniaturisation expert involved in many of the early atmospheric experiments. On June 5th, 1952, during the test explosion of a 14 kiloton device in the Nevada Desert, Taylor used a parabolic mirror to focus the bomb’s glare and light his cigarette.

Poke about in the greatest hits.

It’s been several months since we last sampled Extensions: the Online Journal of Embodiment & Technology and I feel it’s time we once again bathed in its countercultural glow. Today’s offering comes courtesy of the artist and educator José Carlos Teixeira, whose work is “mostly focused on video, installation, and performance” and, naturally, addresses issues of pressing social import. Specifically, 

Issues related to language, cultural identity formation, human dislocation, boundaries of personal and social spaces, and the definition of physical and psychic territory by using strategies of collaboration and group performance.

Mr Teixeira completed a Master of Fine Arts degree in “Interdisciplinary Studio” at the University of California, Los Angeles and has been a recipient of the Fulbright / Carmona & Costa Foundation Grant, the Gulbenkian / FLAD Grant, the Samuel Booth Award, and UCLA Fellowships. The issue-addressing artwork featured in Extensions – titled It’s OK (united) #1 #2 #3 – three steps to a (r)evolution – is described as follows:

A video project that takes its departure from a critical reflection around dominant educational, socio-cultural and political premises in the West. The case of the United States seemed to be the most meaningful for me – not only because it is currently the country where I live and work (reinforcing the site-specificity quite prevalent in my videos), but also due to its paradigmatic and hegemonic nature.

After sharing a ponderous quote by the late Edward Said, Mr Teixeira explains the origins of this profound socio-cultural project:

It’s OK (united) was born during my trips on the bus, in the metro rail system, and sometimes while I was driving to different parts of the city of Los Angeles… As a repetitive common saying, [“It’s OK”] encapsulated paradoxes and contradictions, be it in the form of electoral results, in the state of war, in the lack of equality and freedom, in the discrimination and mutual racism I could witness almost every day.

Let’s see. Said, hegemony, paradoxes, contradictions, electoral results… War, equality, discrimination, racism… Human dislocation, social spaces, cultural identity, physical and psychic territory… Plenty of themes to draw on there and no shortage of looming gravitas. This must be building up to something ambitious, something vast. All that’s missing are some vague and dutiful references to globalisation, subversion and “The Other.”

Also, I was bringing up the question of what type of limits we have in the process of negotiation with the Other.

Ah.