Daito Manabe attaches electrodes to his face and triggers contortions in time with techno music. As you do. 

An earlier experiment.

The Guardian’s Theo Hobson tells us why he doesn’t approve of James Bond: 

It feels like breaking rank with modern heterosexual British malehood, to which I more or less belong, but here goes. I hate James Bond. The continuation of his cult disgusts me, embarrasses me, depresses me.

Poor lamb.

Call me Licensed to Killjoy, but it has to be said: this cult hero is a deeply malign cultural presence. He represents a nasty, cowardly part of us that ought to have been killed off long ago.

Er, killed off by whom, and how? A hail of bullets? Laser beams? Or just the weight of tutting and pretentious disapproval?

Of course there is a very serious case to be made against 007 on strictly feminist grounds. The women in the books and films are silly, naughty, flimsy things who need hard male mastery.

It seems Mr Hobson hasn’t seen recent Bond outings – say, any made in the last fifteen years – in which female characters are spies, assassins and fighter pilots and typically portrayed as tenacious, resourceful and absurdly competent, no less so than Bond himself. Hence, perhaps, the continuing popularity of this “malign cultural presence.”

I don’t know how offensive this is to women, but it’s offensive to me. Indeed I think the real victims of the Bond cult are men, who are impelled by a vile peer-pressure to worship at the shrine of this lethal lothario… The fact is that James Bond’s sexual career does real harm to the male psyche… I seriously believe that Bond is a big factor in the sexual malfunction of our times; the difficulty we have finding life-long partners, and the normalisation of pornography.

As so often, Guardian commentators are singularly immune to the “vile peer pressure” which presumably controls all other sentient beings. Still, at least we can count on them to direct us in our tastes, i.e. away from amusingly hyperbolical cinema and towards socio-political righteousness. I’m sure it will be good for us, if not exactly fun.

Should you feel an urge to take Germaine Greer seriously, about pretty much anything, watch this piece of magnificence from 1968. You may want to bite down on something.

Newsnight Review just won’t be the same.

A few weeks ago, in one of the ephemera roundups, I posted a link to some tilt-shift photography. The technique is a kind of reverse Supermarionation, whereby life-size objects are made to look like scale model miniatures. Keith Loutit combines tilt-shift photography with stop-motion filming. The results are quite striking. Watch those teeny tiny people move.

Beached from Keith Loutit on Vimeo

Bathtub III from Keith Loutit on Vimeo

More tilt-shift imagery links.

Via Viewmanoid Films, meet the boyband of the future.

Introducing Shakerboys … from viewmanoid on Vimeo

Dig it, baby.