Here’s a short animation by Cal Arts student Nelson Boles. Like many good yarns, it’s about a boy, his, er, dog and… a big, terrible thing. The ending’s a little abrupt, but I do like the sound design and air of oddity.

Via Drawn!

Marco Brambilla’s Civilization is a video mural created for the lifts of New York’s Standard Hotel. Assembled from hundreds of loops of found and original footage, the mural depicts an ascent from hell, via purgatory, to heaven (and a less heartening journey for those going down to the lobby). Think Dante’s Divine Comedy, or Hieronymus Bosch with cameos by Princess Leia, General Zod and the Stay-Puft Marshmallow Man. 

High definition here. Via Coudal. 

Further to this post on the alleged political subtexts of zombie films, it seems the debate refuses to die.

In The American Prospect, Paul Waldman argues:

[A]t heart, the genre is a progressive one. It’s true that fighting off the zombie horde requires plentiful firearms, no doubt pleasing Second Amendment advocates. And in a zombie movie, government tends to be either ineffectual or completely absent. On the other hand, when the zombie apocalypse comes, capitalism breaks down, too – people aren’t going to be exchanging money for goods and services; they’re just going to break into the hardware store and grab what they need…

But most important, what ensures survival in a zombie story are the progressive ideals of common cause and collective action. A small group of people from varying backgrounds are thrust together and find that they can transcend their differences of age, race, and gender (the typical band of survivors is a veritable United Nations of cultural diversity). They come to understand that if they’re going to get out of this with their brains kept securely housed in their skulls and not travelling down some zombie’s gullet, they’ve got to act as though they’re all in it together. Surviving the tide of zombies requires community and mutual responsibility. What could be more progressive than that?

Over at Ace, Mætenloch takes a different view:

Here’s an all too brief extract from Daniel Martinico’s 15-minute epic, Khaaaaaan! The film features the expressive genius of Mr William Shatner, suitably enhanced, and “the single most dramatic syllable in science fiction history.” Stay with it and watch closely. The suspense is unbearable.

Now wash your eyes. That’s distilled Shatner. Via Metrolander.

“I’ve always had this really strong appreciation for… dark.”

I think you’ll like this. Here’s the trailer for Jeanie Finlay’s Goth Cruise, a documentary following 150 Goths on a five day sea journey from New Jersey to Bermuda and back again. With 2,500 “Norms” for company. Brace yourselves for some coloured hair and collective non-conformism.

“I’m really not Goth. I enjoy the aspect of the music… and the dressing up. But when it comes down to it, I don’t think I fit the Goth template.”

If you possess black lipstick and a counter-cultural attitude, you’ll be thrilled to hear this year’s outing takes in Key West and Cozumel, Mexico.

Via Coudal.