But pleasing. And big.

Filmed at the Okinawa Churaumi Aquarium, the second largest in the world.

40 years ago today, some hairless apes did a very daring and clever thing. Around half a billion other hairless apes watched it happen on TV. Such was the daring and cunning involved, and such was the uncertainty of the outcome, it’s worth reposting this. Here’s David Sington’s 2007 documentary, In the Shadow of the Moon, in which the surviving Apollo crew members recount their remarkable, at times moving, experiences. There’s previously unseen mission footage, an excellent score by Philip Sheppard, and keep an eye out for Kennedy’s extraordinary speech, about 13:20 in.

Related: Freefall, Craters, Astronomical Odds.

Here’s a short animation by Cal Arts student Nelson Boles. Like many good yarns, it’s about a boy, his, er, dog and… a big, terrible thing. The ending’s a little abrupt, but I do like the sound design and air of oddity.

Via Drawn!

Marco Brambilla’s Civilization is a video mural created for the lifts of New York’s Standard Hotel. Assembled from hundreds of loops of found and original footage, the mural depicts an ascent from hell, via purgatory, to heaven (and a less heartening journey for those going down to the lobby). Think Dante’s Divine Comedy, or Hieronymus Bosch with cameos by Princess Leia, General Zod and the Stay-Puft Marshmallow Man. 

High definition here. Via Coudal. 

Further to this post on the alleged political subtexts of zombie films, it seems the debate refuses to die.

In The American Prospect, Paul Waldman argues:

[A]t heart, the genre is a progressive one. It’s true that fighting off the zombie horde requires plentiful firearms, no doubt pleasing Second Amendment advocates. And in a zombie movie, government tends to be either ineffectual or completely absent. On the other hand, when the zombie apocalypse comes, capitalism breaks down, too – people aren’t going to be exchanging money for goods and services; they’re just going to break into the hardware store and grab what they need…

But most important, what ensures survival in a zombie story are the progressive ideals of common cause and collective action. A small group of people from varying backgrounds are thrust together and find that they can transcend their differences of age, race, and gender (the typical band of survivors is a veritable United Nations of cultural diversity). They come to understand that if they’re going to get out of this with their brains kept securely housed in their skulls and not travelling down some zombie’s gullet, they’ve got to act as though they’re all in it together. Surviving the tide of zombies requires community and mutual responsibility. What could be more progressive than that?

Over at Ace, Mætenloch takes a different view: