After all that political hoo-hah, time for something artistic.

Via sH2.

Burdened as she is by deep political insight and enormous talent, Ms Yoko Ono wishes to share something with you.

That is all. Carry on.

Via Jeff Wood, Robert Stacy McCain pokes through the feminist memoir of Jessica Valenti: 

The question raised by Sex Object, if read with a critical eye, is whether Jessica Valenti has ever been a victim of anything except her own bad judgment… What kind of fool would major in Women’s Studies? The kind of fool who loses her virginity at 14, goes off to Tulane, sleeps with her ex-boyfriend’s roommate, flunks out and then transfers to SUNY-Albany, that’s who. The only career possible for a Women’s Studies major is as a professional feminist, and there are only so many full-time gigs at non-profit “pro-choice” organisations to go around. However, the Feminist-Industrial Complex  —  the departments of Women’s Studies on some 700 college and university campuses across the United States  —  has a rent-seeking interest in promoting the metastatic growth of feminism, so the fact that many of their alumnae are quite nearly unemployable isn’t mentioned in the course catalogue.

See also this sorry but instructive tale. And Ms Valenti’s mental contortions have been noted here previously. 

Michael J Totten on the joys of feminist Shakespeare: 

The Globe Theatre’s new director, Emma Rice, detests the original Shakespeare. The Bard’s plays, she says, are “tedious” and “inaccessible.” Perhaps, with such a dim view of the source material and its creator, she should have taken a different job, but instead she chose to make Shakespeare more “relevant.” For instance, [in A Midsummer Night’s Dream] “Away, you Ethiope,” was changed to, “Get away from me, you ugly bitch.” Rice knew that plenty of Shakespeare purists would find her coarse edits appalling, so she had an actor walk on stage in a spacesuit and say, “Why this obsession with text?” She also placed identity politics front and centre. She mandated, for instance, that 50 percent of the cast be female regardless of the gender of the characters. “It’s the next step for feminism,” she said, “and it’s the next stage for society to smash down the last pillars that are against us.”

And David Kukoff on an alternative educational model of the 1970s that wasn’t altogether successful: 

Following a meeting with progressive-minded parents, [educator and drug counsellor Caldwell Williams] teamed up with English teacher Fred Holtby to create a curriculum that would channel the pop-psych teachings of the time. They wanted students to guide their own learning, focus on their feelings, and engage in raw dialogue about sex, drugs, and all the other topics that animated their lives. The teachings incorporated principles of the popular self-help movement known as est, then shifted to those of Scientology.

Shockingly, it turns out that hugging lessons, watching porn and choosing your own grades has its limitations.

Feel free to share your own links and snippets, on any subject, in the comments.

Mr Philip Fryer is, it says here, a Boston-based artist who “explores concepts of mortality, chaos and order, the body as a circuit, and the omnipresence of sound,” and whose work “draws connections between mortality, queer identity, chronic illness and memory decay.” Well, indeed. Obviously. In the all-too-brief video below, filmed at Boston’s Proof Gallery in September 2011, Mr Fryer performs a thrilling and ambitious piece titled Wall Melody, in which he “explores” the theme of commitment by holding down one note on a child’s musical toy, while accompanied by an unspecified power tool, operated elsewhere by persons unknown, for reasons unclear. Apparently, the work “mimics the drone of our blood flow, and gives us the opportunity to meditate on our own audio output.”

Sadly, I was unable to find video of the full one-hour performance. What follows is merely an appetiser, a highlight: 

Via Franklin, Jamie Palmer and Sohrab Ahmari on the art world’s deadening ideological lockstep:

Patriarchy — that impregnable citadel of male privilege and the object of so much feminist anger and hatred — turned out to be a paper tiger, after all. Feminists discovered that in liberal democracies, radical activism can quickly become a casualty of its own success. Those for whom the attainment of political goals is less important than the romance of resistance itself, perversely require an immovable antagonist against which to hurl themselves. “Perhaps to their own disappointment,” Ahmari observes, “the identitarians today find that the liberal order has given in to most of their demands.”

Naomi Schaefer Riley on things you mustn’t notice or say out loud: 

Vijay Jojo Chokal-Ingam [a son of Indian immigrants] wanted to become a doctor like his mother. But upon realising how hard it was, he tried another route. He saw that a friend of his from a similar ethnic and educational background did not get into a single medical school. So he decided to pretend he was African-American. Despite mediocre grades and board scores, he was interviewed by 11 of the 14 elite medical schools he applied to and was admitted to one. Though he made no claim to be disadvantaged — admissions committees were aware that his parents were well-off professionals, that he went to expensive schools and that he needed no financial aid — he was treated like someone who needed a leg up in life merely because he was ‘black’.

And in three parts, Thomas Sowell on the left and the masses: 

One of the most recent efforts of the left is the spread of laws and policies that forbid employers from asking job applicants whether they have been arrested or imprisoned. This is said to be to help ex-cons get a job after they have served their time, and ex-cons are often either poor or black, or both. First of all, many of the left’s policies to help black people are disproportionately aimed at helping those blacks who have done the wrong thing – and whose victims are disproportionately those blacks who have been trying to do the right thing. In the case of this ban on asking job applicants whether they have criminal backgrounds, the only criterion seems to be whether it sounds good or makes the left feel good about themselves.

An empirical study some years ago examined the hiring practices of companies that did a background check on all the employees they hired. It found that such companies hired more black people than companies which did not. Why? Many employers, aware of higher rates of imprisonment among blacks, are less likely to hire blacks whose individual backgrounds are unknown to them. But those employers who investigate everyone’s background before hiring them do not have to rely on such generalisations. The fact that these latter kinds of employers hired more black people suggests that racial animosity is not the key factor, since blacks are still blacks, whether they have a criminal past or not. But the political left is so heavily invested in blaming racism that mere facts are unlikely to change their minds.

Parts two and three. 

Feel free to share your own links and snippets, on any subject, in the comments.