Via the BBC, some vibrant multicultural news:

Breast ironing awareness should be made part of the mandatory school curriculum to protect young girls from abuse, the National Education Union has said. The practice involves ironing a girl’s chest with hot objects to delay breasts from growing, so she does not attract male attention.

Given the perversity of the phenomenon, readers may not be entirely surprised to learn,

There is no specific offence for breast ironing.

There’s more, though it doesn’t get any less grotesque.

Struggling with unfamiliar pronunciation is a “racist practice,” apparently.

Please update your files and lifestyles accordingly.

Listening to the broadcast, the dogmatic vanities are hard to miss, and the ladies appear oblivious to how they might seem. At least beyond the circle of the severely educated.

It’s also interesting how the grievances of the recreationally indignant – these self-regarding young women who wear victimhood like jewellery and complain about the emotional travails of ordering coffee – so often read as an assertion of class status. As if a modestly-paid coffee-shop worker, with whom they interact for a few seconds, and whose own name they don’t share, or presumably recall, should somehow automatically divine the unobvious pronunciation of an unfamiliar name, and then remember it, forever, despite interacting with hundreds of people every day, and having a life and priorities of their own.

We’ve been here before, of course.

Update, via the comments: 

While invoking Alex Haley’s slavery novel Roots as a guide to their own suffering, the ladies insist that, if you aren’t instantly sure how to pronounce Ms Ali’s Somalian first name, or Ms Roy’s Indian first name, then you’re a “vehicle of racism” and are “damaging” their “self-worth and sense of confidence,” and should, one assumes, prostrate yourself at the nearest Temple of Woke Sorrows. Given this kabuki of the implausibly downtrodden, it occurs to me that the charming lady who runs the local Chinese takeaway, and for whom English is at best a second language, has struggled to pronounce my surname for close to two decades. Presumably, I should storm in there one evening and publicly berate her for oppressing me and invalidating my personhood. Delicate flower that I am.

In the comments, Daniel Ream notes,

Teenagers gonna teenage, but for some reason we’ve decided to grant ignorant adolescents whose brains haven’t fully formed yet bizarrely elevated status and moral authority.

Readers may wish to ponder why it is that modern leftism dovetails so neatly with the psychological shortcomings of adolescents.

Thanks to the towering talents of Mr Claude Boudeau, whose performance piece Cascade is featured below.

As you’ve doubtless already discerned, Mr Boudeau’s “main questioning is about the states of insurrection that exist in people and can be revealed through performance art.”

Being a “queer feminist poet” schooled in “critical race theory,” Ms Alison Whittaker is, of course, unhappy:

We’re in the midst of a renaissance in First Nations literature. I should be elated… So why do I feel this restlessness? 

Appearing as a headline guest at Australia’s recent Stella Prize longlist party, “a celebration of women’s writing,” Ms Whittaker felt a need to air her “itching discontent” and “confront” the “majority white audience” for the sin of pretentious enthusiasm – namely, their enthusiasm for works by people such as herself:

I talked about the “endless, patronising praise” I got from white audiences, and how I salve it with the frank reading of Indigenous women who “do you the dignity of taking you seriously.”

Fun night. We must do this again.

We’re told that being a “coloured” or “Indigenous” writer is fraught with “structural oppression,” on account of being “marginalised” – as when being invited to literary award parties and then swooned over by pretentious pale-skinned lefties. “Whiteness” and “white men” are particular burdens to Ms Whittaker and her peers, whose suffering – their “collective plight” – is seemingly endless and endlessly fascinating, at least among those for whom such woes are currency. As Ms Whittaker’s world is one of practised self-involvement, her point is at times unobvious. However, our unhappy poet appears to be annoyed both by “underwhelming responses” to her own writing and by insufficiently convincing displays of approval. All that “endless patronising praise.”

At which point, the words high maintenance spring to mind.

Speaking of the Guardian, one from the problem pages:

I met my girlfriend’s parents – and realised I once slept with her father.

The subsequent comments are suitably agonised. Via Orwell & Goode.

Also, open thread.