Further to this and this, what men really, really want to talk about.

Aesthetes that my readers are, you’ll no doubt be familiar with the name of Jan Fabre, a Belgian performance artist and “theatre-maker” who, we’re informed, “expands the horizons of every genre to which he applies his artistic vision.” Mr Fabre’s acclaimed efforts at horizon-expanding include Preparatio Mortis, a piece unveiled at the Vienna International Dance Festival and which entertained us no end with its combination of moths, underwear and staggering pretension.

While writhing in her bra and panties, the dancer, Annabelle Chambon, was tasked with nothing less than “an attempt to reconcile life and death.” Or as one commenter suggested, to reconcile boredom with public subsidy.

You will, therefore, be thrilled to the tips of your nipples by Mr Fabre’s recent curatorial triumph. Sweat is a performance piece by fellow Belgian Peter De Cupere, choreographed by Fabre, in which five dancers spend fourteen minutes rolling about and jumping up and down – naked, obviously – while attempting to fill their transparent plastic overalls with all manner of body odour. “The intention,” we’re told, “is to catch the sweat from the dancers and to distil it. The concrete of the sweat is sprayed on a wall of the dance lab and protected by a glass box. In the glass is a small hole where visitors can smell the sweat.” Yes, you can smell the sweat.

If that’s not a good night out, I don’t know what is.

Oh, there’s more to it than that of course.

Peter De Cupere is creating his smell. Not just a smell, but a composition of the smells of his body, skin of different parts, breath, sweat, sperm, spittle, nose drops, blood and many more smells you can imagine with a person. The smells are and will be subtracted on different times, after different moments, after special dinners made for himself by himself. A research that will go on his whole life. His first edition of his perfume will be soon available… The perfume is called ‘Peter’.

Now, who’s up for fourteen minutes of excruciating toss?

Don’t think of running. I’ve locked the doors.

This is all for your benefit.

Hold still, goddammit. I’m nailing some culture into you.

Update:

According to ArtNews, De Cupere is “incorporating scent into the aesthetic experience.” Thing is, the performance above isn’t an aesthetic experience. It isn’t by definition. (By all means feel free to point out the beauty. There’s cake to be won.) Described more honestly, it’s a hackneyed, rather desperate, attempt to transgress. (“Sweat, sperm, spittle, nose drops, blood…”) Now imagine if arts writers were fined £5 every time they lied. Destitution would ensue in a matter of days.

And from the same article, this:

New York activist-artist Lisa Kirk was seeking to evoke a social experience when she developed a perfume called Revolution for her 2008 exhibition at Participant Inc. on the Lower East Side. Kirk contacted witnesses to political upheavals, including Central American revolutionaries and ex-Black Panthers, and asked them, “What does revolution smell like?” The answer: dried blood, smoke, burning tires, gasoline, and urine. Kirk relied on perfumer Patricia Choux to create the scent and jeweller Jelena Berhrend to design containers that looked like pipe bombs, fabricated in silver, gold, and platinum, and priced from $3,750 to $47,750 per bottle. “If we can’t start a revolution, at least we can create a fragrance that symbolises rebellion,” says Kirk.

Yes, rebellion. She’s an “activist-artist,” see.

Hey, it could happen. // Hands up if your garage contains a Boeing 737 nose cone and flight simulator. // Bees that drink human tears. // Harvesting bees in the Himalayas. // Elephant chair. // Elephants have big innards. // Tiny tarantula. // Cocktail shaker of note. // Coffee maker of note. // Now this is a shopping trolley. // How a Bicycle is Made, 1945. // Watch lithium burn. // Skydiving in a kayak. // The radio time machine. // Retro synth sofa. (h/t, Robert) // The power of wearing spectacles. // The physics of a jumping Hulk. // Can your pet mouse do this? // And finally, Prokofiev’s Peter and the Wolf narrated by Boris Karloff. 

I was doing some research on Detroit and its decline. They kept raising income tax and every time they raised the tax rate, the tax revenues went down. In 2008, Charles Gibson put this to Obama when he was a candidate. He said, “Why are you for raising the tax rate on the rich? Because you often get more revenue at lower tax rates than at the higher tax rates.” And Obama said, “Well, it’s a question of social justice.” In other words, he doesn’t really care about whether the government raises more revenue. If he can get people mad at the rich and they vote for him, then it’s a success.

Further to this, Thomas Sowell discusses the second, expanded edition of his book Intellectuals and Society. Subjects touched on include solutions versus trade-offs, Marxism versus reality, Obama’s hubris, and how to deal with mountain lions lurking near school gates.

And remember, the “anointed” vision Sowell is talking about is embraced by people like this. And by these “enlightened leaders.”  

Daniel Hannan on a bloated state and the legacy of Gordon Brown: 

The lugubrious Fifer inherited a Chancellor’s dream scenario: falling expenditure, rising revenues, strong growth and low inflation. For two years, as promised in Labour’s 1997 manifesto, he stuck to Conservative spending plans, and debt was paid off. Then, purposefully and methodically, he started blowing everything away… All subsequent politics have been dominated by that central, dismal fact. […] The national debt now stands at £1,023 billion (66 per cent of GDP), up from £905 billion (60 per cent) twelve months ago. Total public spending, contrary to almost universal belief, has risen over the past year from £605 billion to £617 billion. […] It cannot be repeated too often that ‘the cuts’ are a figment of the BBC’s imagination. Net public expenditure is higher today than it was under the Broon. The government is spending nearly half our GDP. Whatever is causing the downturn, it plainly isn’t some imaginary shrinkage of the state.

Zombie on the Cloward-Piven strategy:

Voters in both France and Greece, two countries ruinously addicted to government entitlements, rejected the “austerity” model of debt-reduction and instead doubled down on unsustainable spending sprees. France elected Socialist François Hollande as president, and in his acceptance speech he promised to increase government benefits and amp up “stimulus” spending programs – the exact things that got France into a metaphorical debtors’ prison in the first place. But exactly as Cloward and Piven surmised, once you get 50+% of the population hooked on “free” government money, there’s no turning back – they will vote for socialists every time.

And – as Sam notes in the comments – then the money runs out.

Roger Kimball on France’s descent into socialism: *

Here’s a question I would like to ask François Hollande: just where does he think money comes from? […] Socialists tend to believe that money comes from “the rich.” Need some dough for your social program? Simple, take it from “the rich” (however you define that elastic category) and give it to someone else via a government bureaucracy you have set up. But what happens when the rich cease to be rich? What then? […] For the capitalist, the purpose of economic activity is the production of wealth; for the socialist, the purpose of economic activity is the redistribution of wealth: how the wealth gets generated is for the socialist a secondary question, a detail.

Heather Mac Donald on race, riots and Rodney King:  

Unlike most of the public, the jury that decided the excessive-force charges against the officers saw the full video. They acquitted the officers. By then, the media had disseminated the relentless message that the biggest threat facing blacks in L.A. was the cops, not the hundreds of gangs that murdered blacks every week with zero protest from racial advocates.

And David Boaz on the best way to be a socialist. 

Feel free to add your own. [*Added, via Anna.]