Sound essential, and preferably loud.

Via Centripetal Notion. Related. And.

Theodore Dalrymple on the mellifluous flummery of Rowan Williams.   

British intellectual life has long harbored a strain of militantly self-satisfied foolishness, and the present archbishop of Canterbury, Rowan Williams, is a perfect exemplar of the tendency. In an interview with the BBC on February 7, the archbishop said that it “seems unavoidable” that some aspects of sharia, or Islamic law, would be adopted in Britain: unavoidable, presumably, in the sense in which omertà seems unavoidable in the island of Sicily…

Rarely does philosophical inanity dovetail so neatly into total ignorance of concrete social realities: it is as though the archbishop were the product of the coupling of Goldilocks and Neville Chamberlain. Those more charitably inclined point out that the archbishop is an erudite man, a professor of theology who reads in eight languages and who was addressing a highly sophisticated audience, employing nuanced, subtle, caveat-laden arguments. He was not speaking in newspaper headlines, nor did he expect to make any headlines with his remarks.

Charity is a virtue, of course, but so is clarity: and it is the latter virtue that the archbishop so signally lacks. He assumes that the benevolence of his manner will disguise the weakness of his thought, and that his opacity will be mistaken for profundity.

Over at B&W, Ophelia Benson also trawls through the verbiage.

At last. Deep Purple’s Smoke on the Water, Japanese style.   

(Via Samizdata.)

Update:

Our resident Archivist of Such Things, Dr Westerhaus, writes to inform us that Deep Purple’s Smoke on the Water was inspired by a Frank Zappa concert at Montreux Casino in December 1971, during which the venue’s velvet ceiling caught fire, thanks to a fan’s recklessly aimed flare gun, leading to the complete destruction of the venue. Other accounts suggest the fire was caused by the rubbing together of the wrong notes. The quite literal ‘smoke on the water’ can be seen here. 

More of that presumptuous “we” so favoured by Guardian columnists, this time courtesy of Jackie Ashley.

As we have grown richer, we have become less confident and optimistic about the future. Our increased material competitiveness has not made us happier. Our frenzied activity leaves us stressed. The days when free-market theorists believed we would be liberated and happy through privatisation seem a world away. The answers are the same as they ever were. To adapt the famous slogan, the government needs to be tough on pill-popping, and tough on the causes of pill-popping.

Echoing the assertions of her chronically sorrowful colleagues, Madeleine Bunting, George Monbiot and Oliver James, Ashley rushes with undue confidence to the claim that,

People get depressed because they don’t have enough money to keep up in a materialistic and competitive society.

Setting aside the question of whether optimism and happiness per se are legitimate goals of any government or policy, or indeed of capitalism, it isn’t at all clear that Ms Ashley has in fact established that the above is the primary cause of unhappiness, or even that unhappiness is, as she implies, a remarkable new phenomenon, at least in its prevalence. Perhaps, like her colleagues, she speaks of her own feelings and presumes “we” must feel as she does for reasons that escape me. Either way, it’s interesting to see just how readily the most tendentious things are asserted, based on nothing much.

There’s this general misconception that there’s a right not to be offended, and that it’s okay to punish students and faculty members for engaging in speech that offends someone, even if that speech would be entirely constitutionally protected.

Samantha Harris, FIRE. 

Evan Coyne Maloney, director of Indoctrinate U, and Andrew Marcus have produced a short film about FIRE, The Foundation for Individual Rights in Education. The film outline’s FIRE’s principles and highlights some of the PC follies and coercive unrealism with which the organisation contends. Watch it here.

The case mentioned in the film is discussed here.

Related. And. Also. Plus.