Thank the gods. The Battlestar Galactica toaster has arrived.
For a mere $65 you can now scorch Cylons onto bread. Sadly, the device lacks the familiar roving red light and ominous hum. And it seems that Pop-Tarts may be incompatible with the technology.
Related: Conscience in Extremis, Things to Come, Big Hair and Ray Guns.
Further to this, a few more thoughts on postmodernist prose.
It’s sometimes argued, not always convincingly, that the opaque and technocratic language of “critical theory” is necessary in order to “interrogate [the] tacit presumptions [of common sense] and provoke new ways of looking at a familiar world.” And, furthermore, that “some of the most trenchant social criticisms are often expressed through difficult and demanding language.” The implicit gist of such claims – which are remarkably short on persuasive examples – is that if you find this kind of language “difficult” it’s your own damn fault for being an unsophisticated heathen. A version of this argument goes something like this: “You wouldn’t mock specialists in quantum chromodynamics just because their work can be difficult to follow, so why don’t you give theorists of rhetoric, who are every bit as clever and important, the same benefit of the doubt?”
There is, of course, a difference between prose that’s difficult out of necessity – because it deals with fine or esoteric distinctions or describes ideas that are primarily conceptualised in mathematical terms – and prose that’s politically loaded and gratuitously difficult for less edifying reasons. As, for instance, when Ralph Hexter and Daniel Selden insist that clear writing is bourgeois and ideologically contaminated, being as it is, “the approved mode of expression for the society and values of the newly empowered middle class.”
There are plenty of writers who grapple with technical or unobvious ideas, and the good ones make it as easy as possible for the reader to follow the thinking and determine whether or not it’s sound – and if not, to determine where the doubt or error is. Such-and-such a mistake happens there. Or, this doesn’t follow from that. Or this other thing could be the case. This preference for transparency starts a process of critical thinking, or is at least amenable to it. It also entails honesty and the risk of public correction, as opposed to posturing and the hope one won’t be rumbled. This is a matter of no small importance, especially if the ideas in question are supposed to justify an adamant political worldview. Clarity invites dispute, possibly refutation, and refutation of one’s politics can, for some, be intolerable.
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