This just in: 

On August 21, the world’s first official, naked public performance art festival will occur in the streets of Biel, Switzerland, featuring projects from 18 international artists. 

Local artist Thomas Zollinger has organised a two-day display of self-imagined transgression, during which he and his fellow artists will “increase beyond gallery walls the presence of the naked body as an artistic medium,” and will “explore the possibilities of the naked body in the urban space.” But sadly, not in the way that people with particular tastes might actually want to pay for. Instead, “nakedness is employed as a sculptural element in dialogue with the architectural environment, ground structures and pedestrian traffic.”

Be still my girlish heart.

Given the lack of pornographic appeal, and with it a lack of public interest, it’s perhaps unsurprising that some funding issues have arisen:

Although Biel’s culture office and other institutions helped fund over half the festival’s cost, the organisers are seeking donations online to cover artists’ lodgings, security measures, and other expenses. Incentives to contribute include options to participate in a nude performance of one’s choosing: for 111.55 CHF (~$127 USD), one may partake in “Naked Audience,” which involves stripping and sitting on a chair on a sidewalk while watching pedestrians; 280 CHF (~$290 USD) earns one an invitation to a “Naked Lunch” during which a series of “creative activities” will unfold.

Oh don’t pretend you’re not tempted.

Mr Zollinger’s earlier forays into Incredibly Daring Nude Performance Art™ can be beheld at length here. Where, for instance, you’ll find a seven-minute piece titled Naked UFO, also staged in Biel, in which members of the public cope quite well with the Incredibly Daring Nude Performance Art™ – a composure that rather deflates the ostentatious claims of transgression and taboo, and the alleged “challenge and confrontation of the naked body.” A handful of people wait around looking slightly puzzled, possibly hoping that something interesting will happen, eventually. Two children look amused before wandering off to be amused by something else. And for the most part passers-by pass on by, their minds somehow unshattered by the Incredibly Daring Nudeness™ of it all.  

Hey, Franklin found it. 

A Guardian headline brings to light another pressing issue for its readers to fret about:

Why does a black butt only look good in white skin?

Our fearless interrogator, our prober of deep mystery, is Yomi Adegoke, who tells us that she “writes about race, popular culture and intersectional feminism.” Heavens, what a surprise. It’s not Ms Adegoke’s only question, though. She has more:

So the attributes that black women have so long been shamed for have finally been given the… seal of approval due to a new Aryan aesthetic?

Oh my. An Aryan aesthetic. She went there, being so fearless.

Ms Adegoke’s article is at times hard to follow and extrapolates a little too wildly from things that someone said on Twitter. It isn’t without its gems, however – candidates for our ongoing series of classic Guardian sentences. Among them, this:

The black female body is still played for laughs as butt prosthetics become the new blackface.

From what I can make out, our indignant Guardianista is upset that some white female celebrities have been happily drawing attention to their fulsome hindquarters, which are, it seems, the latest must-have fashion item among the suggestible and insecure. No, I hadn’t noticed. Possibly on account of my total lack of interest in MTV and celebrity tattle magazines. But apparently it’s a thing, the hugeness of one’s arse. And this pride in ample buttocks simply will not do. Not when ladies of pallor are the ones doing it:

White women popularising what black women have always had is the latest example of the mainstream media’s cultural appropriation… The era of the big booty has neither started nor ever stopped for black women… Despite what the mainstream media told us, black women never stopped aspiring to possess the curves society so hated.

It turns out that the well-upholstered rear has been “appropriated” in “a world where white is right.” Two ladies named Miley Cyrus and Katy Perry, possibly pop artistes, have been,

using huge novelty bottoms as performance props in a bid to appear contemporary and comedic while accessorising the black aesthetic.

A pop cultural detail that had hitherto, and regrettably, escaped my notice. Doubtless all pale women, being so determined to appropriate and oppress, will soon be turning up to work with huge foam bottoms attached to their person. And according to Ms Adegoke, larger than average buttocks are a “part of black culture” – a part that is “now deemed good enough to gain a level of mass respectability after getting a belated thumbs-up from white society.”

You heard her. Thumbs-up or not, big buttocks are black culture. So you white folk mustn’t pinch them.

Update, via the comments: