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Classic Sentences Politics

Great in Theory

January 22, 2011 28 Comments

Time, I think, for another in our series of classic sentences. Further to George Monbiot’s belief that homeowners should be punished for having spare rooms that he thinks they “don’t need,” the Guardian has invited a panel of readers to comment on homelessness. One contributor is Thierry Schaffauser, a rent boy, porn actor and president of the International Union of Sex Workers (Adult Entertainment Branch).

Mr Schaffauser tells us,

My neighbours once put together a petition to get rid of me after they saw me on TV at Paris’s annual hookers’ pride march.

When not displaying his hooker’s pride, Mr Schaffauser finds time to hold forth on matters economic:

Many buildings are empty because rich people need more money in the bank. Owners prefer to keep their property empty: this increases demand for accommodation, thus raising the cost of renting.

Any landlords reading this, rich or otherwise, may be surprised to discover that the receipt of rent is no longer necessary or desirable. An empty rental property is, it seems, a more lucrative proposition.

Mr Schaffauser then appeals to precedent:

During the French Revolution, the National Assembly imposed a law to ban wheat hoarding in order to end the starving of the people. They confiscated the goods of the church and aristocrats and abolished privileges.

Which leads him to conclude,

The best solution to end homelessness is to abolish private property… What is needed is requisition. Property is theft.

Unlike actual theft. Say, by the state. Clearly, people must not be allowed to have things to call their own and use as they see fit. What is it again that Mr Schaffauser does for a living?

I don’t think the abolition of privileges is complicated to do, we just need the political will.

Apparently privileges are quite unlike the rights claimed by Mr Schaffauser – and, it seems, much easier to do away with. Once private property has been abolished, and with it the practical footing of personal autonomy, I’m sure we’d all happily adjust to a world in which where one lives, and with whom one lives, is decided for us. By people who know better.

A sympathetic Guardian reader adds,

This is great in theory but I don’t see it working in practice.

Ah, but it’s nonetheless great in theory.














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Academia History Politics Postmodernism

Elsewhere (29)

January 18, 2011 17 Comments

Andrew Withers on the totalitarian roots of the Fabian Society:  

These ‘intellectuals’ regarded the working classes as something akin to livestock.

Further to this epic thread, Ann Althouse talks with Glenn Loury and notes how concern for “harsh language” and “violent metaphors” is not without class implications: 

I think that if we go too far in the direction of this civility and etiquette, we’re kind of privileging some people over others. We’re privileging people who are more educated, people who come from a background where politeness and niceness is the cultural style, and delegitimising people who come from a different sort of culture, where maybe exaggeration and harsh speech is the thing.

Greg Lukianoff on free speech and “dangerous speech”:

Any system that allows for censorship must place an actual, flawed human being in charge of deciding what can and cannot be said. Once the power to censor has been granted, it follows like night follows day that those in charge will be more likely to use this power to punish people with points of view that they simply dislike than those with points of view they favour.

And Jonathan Rauch, author of Kindly Inquisitors, on the same: 

[Postmodernists] say… you should put in place the political system that most advantages the weak and minorities. I think that’s the wrong answer because what happens in practice when you do that is someone’s going to have to decide who’s the weak and who’s the minority, and who isn’t. And that means the Dean of Students or whoever it is at the university is going to have to be in charge of policing the boundaries of criticism and therefore policing the boundaries of thought… The University of Illinois system, to the extent that it fires people for offending someone, says the boundary of criticism in debate is wherever the most offended student can persuade the university to put it. And of course the next thing that happens is you have a campus offendedness sweepstakes to see who can get offended the most and thus become the gatekeeper for speech. 

 By all means add your own.














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Politics

Elsewhere (28)

January 11, 2011 93 Comments

I wasn’t planning to comment on the shootings in Arizona, but the rush to exploit the tragedy for political gain shouldn’t pass unremarked. The first thing that caught my eye was this smug and nasty sermon from the Guardian’s Michael Tomasky, who tells us “rage is encoded in conservative DNA.”

Guns are simply too central to the mythology of the American right, as is the idea of liberty being wrested from tyrants only at gunpoint. For the American right to stop talking about armed insurrection would be like American liberals dropping the subjects of race and gender.

Mr Tomasky’s rather selective alarm has thankfully been noted by Natalie Solent and Tim Blair. 

Glenn Reynolds, a man whose “conservative rage” is difficult to detect, offered this:

To be clear, if you’re using this event to criticize the “rhetoric” of Mrs. Palin or others with whom you disagree, then you’re either: (a) asserting a connection between the “rhetoric” and the shooting, which based on evidence to date would be what we call a vicious lie; or (b) you’re not, in which case you’re just seizing on a tragedy to try to score unrelated political points, which is contemptible… Those who purport to care about the health of our political community demonstrate precious little actual concern for America’s political well-being when they seize on any pretext, however flimsy, to call their political opponents accomplices to murder.

At Harry’s Place, Gordon MacMillan is troubled by “violent metaphors,” albeit only those used by some Republicans:

If you do use such explicit language like “reload” and “bullseye,” and “cross hair” imagery then to many the message is clear. You’re gunning for people even if it is metaphorically.

Even more troubled – to the point of authoritarian incoherence – is Pennsylvania Democrat Robert Brady. Mr Brady hopes to outlaw the “use of language or symbols that could be perceived as threatening or inciting violence against a federal official or member of Congress.” As an example of impermissible symbology, Brady pointed to a map used by Sarah Palin to indicate “targeted” congressional seats, saying: “You can’t put bull’s-eyes or crosshairs on a United States congressman or a federal official.” That the map in question does no such thing doesn’t appear to hinder Mr Brady. Apparently his perception is enough.

As Jeff Goldstein notes,

Neither Sarah Palin nor that Kos jaggoff targeted Congresswoman Giffords. What they targeted was her Congressional seat. Nobody literally put a bullseye or a target on her. And anyone pretending that they did – in order either to win political points or because they actually believe such nonsense – is either craven and opportunistic, or else too moronic to be taken seriously, save for the dangers they pose to our liberties by advocating for a legally-binding crackdown of fucking symbolism… One person’s dog barking is another person’s words from the Devil instructing them to kill. The answer to which is to get the person hearing voices some help, not to outlaw dogs.

Update, via the comments:

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Academia Art Politics Reheated Sports Travel

2010 Reheated

December 29, 2010 15 Comments

In which we revisit imaginary evils, ludicrous solutions and various lamentations from the pages of the Guardian.

 

In January, Kevin McKenna inadvertently revealed the loveliness behind his lofty socialist principles:

Ponder the big, generous heart behind those sentiments. It offends Mr McKenna that private education should be allowed to exist. By McKenna’s reckoning, parents who view the comprehensive system as inadequate – perhaps because of their own first-hand experiences – are by implication wicked. And so they should be stopped.

 

February brought us the deep, deep thinking of the New Economics Foundation and their blueprint for a socialist utopia:

The NEF are convinced that, once implemented, their recommendations would “heal the rifts in a divided Britain” and leave the population “satisfied.” That’s satisfied with less of course, and the authors make clear their disdain for the “dispensable accoutrements of middle-class life,” including “cars, holidays, electronic equipment and multiple items of clothing.”

February also brought us urban oil painting, delusional playwrights and communist art reviews.

 

In March, we got a taste of, if not for, the cosmetic surgery aesthetic. And an advocate of “direct action” got a taste of her own medicine and didn’t like it one bit.

 

April saw Jonathan Kay recounting his visit to a Thinking About Whiteness workshop, where he was told “racism is an outgrowth of capitalism” and that “to ignore race is to be more racist than to acknowledge race.”

Ah, very clever. Guilt in all directions. It almost sounds like a trap. And the way to get past small differences in physiology is to continually fixate on small differences in physiology.

And Eyjafjallajökull did some rumbling.

 

In May, Professor Sharra Vostral exposed the humble tampon as an “artefact of control.”

At this point, readers may also wonder how it can be that an estimated 98% of humanities scholarship goes uncited or unread.

And a mighty hail fell on Oklahoma City.

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Academia Art Politics

How Not to Make the Case for Public Subsidy

December 15, 2010 76 Comments

Adam Harper is “currently doing a PhD in Musicology at Oxford. He writes for Wire magazine and blogs at Rouge’s Foam.” He also finds time to write for the Guardian: 

Aware that reality itself is the territory on which they’re fighting the government, many student protesters have been challenging the government-sponsored realism they now find so dubious with playful surrealism.

Ah, “government-sponsored realism.” Not economic reality, as discussed here, which might lead those protesting to a larger, more troublesome understanding of the world. It’s just a cruel and dubious fabrication to be swapped for something more flattering and congenial. Students Make Protest an Art Form, reads the headline. And how could mere reality withstand the fearsome repertoire of the contemporary artist?

Few things summed up this battle for reality better than the statue stood in the main quadrangle of University College London, greeting visitors to the student occupation there. Placed in front of banners reading “Art Against Cuts” was a post-cubist humanoid figure assembled from found objects and painted silver.

By Muhammad’s beard. Empires will topple.

In front of it was a sign announcing that “THIS IS REALLY HAPPENING.”

I trust readers are all stocked up on canned goods and ammunition.

Upon entering the occupied Jeremy Bentham Room, one noticed strange details among the hundreds of posters covering the walls: references to Harry Potter characters (“Albus Dumbledore Was a GREAT MAN”), a neo-classical statue made to carry a mock-up Pokéball (which, as anyone born between 1985 and 1995 knows, is where Pokémon are kept when not in battle), puns so terrible and esoteric they become hilarious (“They say cut back, we say Feuerbach,” in homage to the 19th-century philosopher) and complete non sequiturs (“HUMBUGS ARE ZEBRA EGGS”).

It’s dangerous, dizzying stuff. Now hand me your wallet. You’ll soon be feeling an urge to bankroll more of this.

Someone else spent several hours in the Parliament Square kettle dressed as a bright pink Star Wars stormtrooper, the Bansky-esque gesture beautifully counteracting the lines of armour-clad riot police.

See? You’re warming to their demands already.

Sound-systems enabled spontaneous raves amid the cops and burning benches, with crowds bobbing in time to the wacky syncopated beats and pitch-shifted vocals of Major Lazer’s Pon De Floor.

Oh no, they’re fighting back with abstract disco.

Such displays could easily be dismissed as infantile and hedonistic, but they play an important role in outwardly showing confidence and boosting internal morale. In some cases they also serve a practical purpose.

I know, you can’t wait.

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In which we marvel at the mental contortions of our self-imagined betters.