More niche sorrows from a certain newspaper:

If punk is the ultimate anti-establishment scene, why is it still run by all these white men?

And so we find “would-be musicologist” and transgender punk musician Alyssa Kai pining for a cartoon scene that reality can’t live up to: 

DIY punk – with its self-released music, non-corporate labels, cheap all-age shows in basements – embraces those things not as means toward corporate success, but as intrinsically worthwhile tools to build authentic rebellion and powerful community.

She wants none of that “corporate success,” which entails “getting signed, getting famous, getting a world tour,” terrible things like that. No, Ms Kai wants “authentic rebellion” and the purest of motives. Inevitably, disappointment looms:

Our authenticity [is] built on false premises of what it means to be “true” to punk in a messed-up, still-exclusionary scene made up of mostly white, abled middle-class men who make and buy most of the music.

Yes, too many punk musicians – and too many of their fans – are white, male and able-bodied. Will the horror never end? Apparently, our “would-be musicologist” is unfamiliar with the genres afro-punk and queercore, to say nothing of Pussy Riot, Pansy Division, Dinah Cancer and of course The Slits. 

And then it gets worse.

Without warning, in the audience or on a stage, I’ll hear someone say, “This song is about feminism,

Yay. Girl power.

which means: How hard it is to have a vagina in this world!”

Oh dear. Major gaffe. Ixnay on the v.j. 

And I’m suddenly… excluded from the supposedly ultra-inclusive community I’m trying to build.

Because feminist punk that doesn’t nod to transgendered women and their pseudo-vaginas is just no punk at all.

Via Mr X, Charles Cooke is entertained by a circus of competitive indignation: 

As it has grown in popularity, the [anti-catcalling] video has been transformed into a blank canvas, onto which America’s brave advocates of hyphenated-justice have sought to project their favoured social theories. Evidently unwilling to let the spot stand on its own, Purdue’s Roxanne Gay wrote sadly that “it’s difficult and uncomfortable to admit that we have to talk about race / class / gender / sexuality / ability / etc., all at once.” Alas, she was not alone. Soon, the claims of “sexism” had been joined by accusations of “racism” and of “classism,” Hollaback had been forced to acknowledge that it had upset the more delicate among us, and those who had celebrated the video [for its feminist stance] had been denounced as unreconstructed bigots.

Jim Goad on the same: 

A video that shows a Jewish woman being sexually harassed while walking on New York City streets has engendered tremendous outrage — not so much for the fact that she was sexually harassed, but because there weren’t enough white guys doing it.

Statistics ensue.

Lenore Skenazy notes an everyday hazard of modern schooling: 

Da’von Shaw, a Bedford, Ohio high school student, brought apples and craisins to school for a “healthy eating” presentation he was giving to his speech class. He took out a knife to slice an apple, and I’m sure you can all guess what happened next.

And Ed Driscoll reflects on how the New York Times became a (bad) student newspaper: 

In the summer of 1992, the Times published a piece co-written by two seniors at Columbia who claimed to find all sorts of “disturbing” anti-Semitic allegories in the Michael Keaton, Danny DeVito, Michelle Pfeiffer film Batman Returns. “The biblical allusions and historical references woven into the plot of Batman Returns betray a hidden conflict between gentile and Jew,” they wrote. “Denied his own birthright, the Penguin intends to obliterate the Christian birth, and eventually the whole town. His army of mindless followers, a flock of ineffectual birds who cannot fly, is eventually converted to the side of Christian morality.” It’s some piece of work, and a reminder that calling for the banning of elections might actually not be the craziest thing that the Times has published by a college journalist eager for his first national byline.

As usual, feel free to share your own links and snippets in the comments. It’s what these posts are for.

The contemporary performance artist is, as we’ve seen, a supremely political creature, forever troubled by acute socio-political sensitivities, with insights and perceptions far beyond the ken of mortal beings. Should any of you dare to question that sensitivity, I steer you to the ever-twitching antennae of the performance artist and educator Marilyn Arsem, specifically her description of her own immensely subtle piece, U.S. Domestic Policy II:

My performance was on November 3rd 2010, the day after the elections that brought back a majority of Republicans to the Congress. While the news was not unexpected, it nevertheless gave me a sinking feeling when I awoke that morning to read the election results in the newspaper. I couldn’t help but do a performance called U.S. Domestic Policy as a result.

But of course. What other response could there possibly be?

With the help of an intern, I purchased quantities of beautiful ripe fruit – plums, oranges, kiwi, and a bag of red peppers, as well as a hammer and a water glass.

At this point you may have some inkling of where this is going.

The performance was a systematic act of destruction. I sat at the table and first raised a line of red peppers into the air. Then I methodically destroyed the tableful of fresh ripe fruit. 

Uncanny, isn’t it? You must have the gift of mentalism. 

I started with the hammer, but quickly began using only my bare hands. It took a surprising amount of time to crush each piece.

Behold the artist at work. 

Juice spread over the table, and the smell of oranges permeated the room. I continually swept the detritus to the floor as the pile of fruit was reduced, until only a tall glass of water remained on the table. After taking a long sip of water, I carefully set the glass down, and slowly, excruciatingly slowly, inched the glass of water across to the far side of the table, where it hovered for several moments half off the edge, before finally crashing to the floor.

That sound you hear is your mind being expanded as political consciousness rushes in to fill the void.

Kevin Williamson pokes through the mental wreckage of writer and actress Lena Dunham:  

Lena Dunham is fond of lists. Here is a list of things in Lena Dunham’s life that do not strike Lena Dunham as being unusual: growing up in a $6.25 million Tribeca apartment; attending a selection of elite private schools; renting a home in Hollywood Hills well before having anything quite resembling a job and complaining that the home is insufficiently “chic”; the habitual education of the men in her family at Andover; the services of a string of foreign nannies; being referred to a homework therapist when she refused to do her homework and being referred to a relationship therapist when she fought with her mother; constant visits to homeopathic doctors, and visits to child psychologists three times a week; having a summer home on a lake in Connecticut, and complaining about it; writing a “voice of her generation” memoir in which ordinary life events among members of her generation, such as making student-loan payments or worrying about the rent or health insurance, never come up; making casual trips to Malibu; her grandparents’ having taken seven-week trips to Europe during her mother’s childhood; spending a summer at a camp at which the costs can total almost as much as the median American family’s annual rent; being histrionically miserable at said camp and demanding to be brought home early; demanding to be sent back to the same expensive camp the next year.

That’s the first paragraph. From there on in he’s less forgiving. 

Jim Goad is entertained by the vehement nuttiness of the Black Hebrew Israelites: 

When I say “hate group,” I don’t mean groups who are accused of being hateful; I mean ones that get right up in your face and tell you they’re full of hate… Framed as they are within this dreadfully medicated and morbidly smiley-faced modern world, I find such jagged incongruity hilarious. For two decades running — ever since a friend sent me a VHS tape of them harassing the fuck out of frightened passers-by in Times Square — my “favourite” hate group has been the Black Hebrew Israelite movement, notably the screamingly belligerent iterations that infest street corners in the Northeast and Midwest bellowing through microphones and megaphones about “crackers” and “faggots” and “so-called Negroes.” For starters, I like the way they, well… goad people. I also enjoy their pharaonic sense of couture, which is an odd mix of Arabian Nights and Grandmaster Flash and the Furious Five.

Peter Risdon on purity, extremism and the madness of Russell Brand: 

The narcissism of much of the middle class left is tautological, considering that they are people born into above average affluence who still feel they should get other people’s money because their art, or environmental campaigning, or political thought – rather than their need for subsistence – merits it.

Brian Micklethwait offers a handy tip: 

If someone starts to offer you unsolicited advice about how to improve whatever it is that you are doing, immediately ask if they are prepared to get involved and implement their suggestion themselves. If the answer is yes, listen to what they have to say. If the answer is no, stop them right there and change the subject.

And Maetenloch mulls the utopian blueprint of a certain feminist bedlamite: 

Now before everyone gets too excited I have to tell you that there’s a drawback to it: About a half of you are going to have to be killed.

We also learn that, without men, “women’s life expectancy would rise to 130 years at least.”

As usual, feel free to share your own links and snippets in the comments. It’s what these posts are for.