Cuban television sets photographed by Simone Lueck.
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Politics Readers will most likely be aware that the Guardian has quite a lot to say about the evils of high pay and rewarding failure. Demands for a “maximum wage” are aired at regular intervals, usually in articles denouncing executive “pigs” and “private sector kleptocracy.” For instance, Polly “two villas” Toynbee can be counted on to gasp in well-rehearsed horror at “fat cats” and the “danger of stratospheric pay.” Scarcely a week passes without our favourite bejewelled socialist railing against “the unjust rewards of the rich,” by which she means, “the 1.5% who earn over £100,000.” These are the “extravagant earners” who “feel profoundly entitled to take what they like in salaries” and “monster bonuses,” all while being “unashamed” and “untouched by public disgust or a sense of propriety in the face of so many losing their livelihoods.”
Despite the protestations of umbrage and disgust, this well-heeled descendant of the Earl of Carlisle somehow finds the strength to cope with being quite rich herself. Toynbee’s Guardian salary, for years a subject of speculation, was eventually revealed as £106,000 – excluding royalties, advances, media fees, etc. Presumably Polly feels her own financial rewards are not at all “extravagant” or “unjust,” or a likely cause of public outrage. It seems, then, that Ms Toynbee only dislikes the wrong kind of rich people, which is to say rich people whose politics and backgrounds may differ from her own.
Meanwhile, the Telegraph reports that 180 journalists and advertising staff will soon be made redundant at the Guardian:
The newspapers have been in financial turmoil since the Guardian’s editor in chief, Alan Rusbridger, decided to move the papers from broadsheet to the current medium-sized Berliner format in 2005. The move involved spending £80m on new presses, but in the four years since then, the Guardian has lost almost a fifth of its readers, with sales slumping from 380,000 to 311,000. In August GMG reported that it had lost £89.8m… The company’s financial position has become so precarious that it went to the very brink of closing down the 200-year-old Observer earlier this year.
Despite the losses, Mr Rusbridger received an 11% pay rise last year to £445,000.
That would be the same Mr Rusbridger whose egalitarian credentials are affirmed by owning only two houses and just the one £30,000 grand piano. And the same Mr Rusbridger who, when asked if he was embarrassed by his 2007 salary of £350,000 and the previous year’s bonus of £170,000, said,
I didn’t ask for the money.
Which of course makes all the difference.
With Christmas in mind, Anna directs us to Vulva Love Lovely, foremost retailers of “handmade feminist love.”
We make many different types of feminist body positive products: beautiful, hand sculpted vagina pendants, uterus plushies, vulva portraits, vagina pillows, and reusable cloth menstrual pads.
Sadly, the graphic nature of certain “body positive” items prevents their display here. This is, I maintain, a classy joint and the swooning couch is still in storage. However, I can draw your attention to the impressive range of uterus plushies, lovingly detailed with smiles, ovaries and facial hair. Behold, for instance, the Frida Kahlo Uterus Plushie, which features an imposing mono-brow and “an unyielding creative presence.” As you can see, it’s a celebration of womanhood:
John Meredith steers us to another Classic Sentence from the Guardian. Two, actually.
I’d like to say that this encounter has propelled me to carry the bag with defiance, but instead it has left me slightly bruised. I’ve since bought an incredibly sombre pair of jeans – unusual for me.
So says Mr Charlie Porter, writing of his polite yet clearly traumatic encounter with Canary Wharf security.
All I needed for the day was a notebook, my iPod Touch, a Kindle and some keys. They all slotted snugly into a patent red zip-up bag by the young London menswear designer James Long.
Looking sharp, Mr Porter.
And it’s not just rather fabulous. It’s also a political statement.
I find the word “manbag” such a bore: it is often used mockingly, and it categorises what I think should be category-free.
Then the horror began.
Since 1994, a Pakistani activist who founded the Progressive Women’s Association “has documented 7,800 cases of women who were deliberately burned, scalded or subjected to acid attacks, just in the Islamabad area. In only 2 percent of those cases was anyone convicted.”
When terrorism is personal.
A word of caution. The images are graphic and possibly distressing. Note how often the captions read “familial dispute” or “rejected him for marriage.”
Via Brain Terminal.
Yesterday’s post mentioned in passing an Arts Council project that typifies the standards we’ve come to expect from publicly funded art. Jarvis Cocker, the country’s foremost socialist pop musician, was sent to the Arctic for “inspiration” and to raise planetary consciousness, along with another two dozen artistic luminaries:
The ambition of the expedition was to inspire the creative team to respond to climate change… It was an amazing journey; 10 days of artistic inspiration, debate, discussion and exploration.
The ecological insights gleaned by Mr Cocker?
Men have produced a lot of great art over the centuries, or whatever… but… an iceberg kind of, basically, pisses on it.
Here’s the contribution by Beatboxer Shlomo, who “dedicates his beats to the cause.”
Mr Shlomo’s deep, deep insights into climatology and life can be read here. They include,
I couldn’t help but notice that it’s really quite cold.
And,
Being with all these inspired people seems to have filled my head with a zillion ideas for musical endeavours that could easily save the world.
The expedition organisers explain the artistic riches to be tapped and why the creative excursion is so worth your money:
Through witnessing the environment, taking part in stimulating discussion and observing and participating in scientific field research, we enable our voyagers to gain a real connection to the subject matter. Our ambition is that this experience will inspire all who journey to somehow respond to the Arctic and create work on their return.
Such was the level of inspiration, some of the assembled artists began to work their creative magic immediately.
Tracy Rowledge constructed three series of ‘automated’ physical drawings, mapping the movement of the boat during the expedition.
We must heal the planet with drawings, people. It’s a matter of urgency. For readers of a technical inclination, these ‘automated’ drawings involved suspending a felt-tip pen from the underside of a chair, resulting in random scribble on numerous sheets of paper positioned underneath. This feat was “REALLY exciting” as it “explored movement, time, place and permanence.” The radical innovation also freed the artist to leave the dangling pen and do something more interesting. According to her two brief blog entries, the sum total of her commentary, Ms Rowledge spent much of this liberated time struggling with Greenlandic place names and making sure her fellow passengers knew how “overwhelmed” she was.
From the Telegraph:
Faith groups are to be given a central role in shaping government policies, a senior minister has vowed. John Denham, the communities secretary revealed that a new panel of religious experts has been set up to advise the Government on making public policy decisions. Mr Denham argued that Christians and Muslims can contribute significant insights on key issues, such as the economy, parenting and tackling climate change.
Oh happy day. Islam and Gaia, together at last.
The minister said that the Government needed to be educated by faith groups on “how to inform the rest of society about these issues.”
Perhaps someone could explain why it is we even have a “communities secretary,” and why this one is so eager to defer to “experts” whose, um, expertise lies not in parenting, economics or climatology, but in affairs of an altogether more elevated nature. Sadly, Mr Denham doesn’t reveal which particular “significant insights” will be brought to bear by the aforementioned “faith groups”. Nor is it terribly obvious how being Muslim or Christian might bestow a parental or economic wisdom unavailable to less pious human beings.
Which leads us to another item featuring one of those “experts” – Dr Rowan Williams, the Archbishop of Canterbury – self-described “hairy lefty,” palace-dweller, figure of ridicule, apologist for terrorism and chief executive of a failing religious enterprise. Dr Williams’ latest musings on mortal affairs are also aired in the Telegraph, where we learn “higher taxes would be good for society”:
Dr Rowan Williams said that taxation should not be seen as a way of stifling business or redistributing wealth but helping to make the world a better place in which to live.
You may want those sunglasses. It’s dazzling stuff.
He called for new levies to be introduced on financial transactions and carbon emissions, and an end to the idea that unlimited economic growth is desirable… “Taxation builds a habitat – already, quite properly, through state welfare provision, but potentially in other less familiar ways.”
Whatever Dr Williams chooses to believe, higher taxation and “new levies” are a very good way of stifling business, and base commerce is ultimately how we pay for all of those good deeds the Most Revered One likes to bang on about. And if the implied individual belt-tightening is so “good for society” – that’s you, dear reader – why isn’t it good for government too? Or should the state become larger and more righteously engorged, “making the world a better place” with publicly funded diversity policy officers, tobacco control officers, undercover waste bin spies and other consciousness-raising efforts? As, for instance, when the Arts Council saw fit to spend £150,000 of your taxes on sending Jarvis Cocker to the Arctic for “inspiration,” along with Marcus Brigstocke, Kathy Barber, Julian Stair and Beatboxer Shlomo:
The ambition of the expedition was to inspire the creative team to respond to climate change… It was an amazing journey; 10 days of artistic inspiration, debate, discussion and exploration.
I’m sure it was a hoot. And when it comes to “artistic responses to climate change” you just need to include a third-rate leftwing comedian, a “billboard hijacker” and a maker of ceramics.
A reader has complained that this site doesn’t feature enough sculpture. Conceptual art, yes, and music, quite a bit, but the sculpted arts have been shamefully neglected – apart from the odd appearance by some slightly indecent balloons. Keen as I am to please, and such is the richness of the sculptural world, I feel obliged to share with you the latest work by Chen Wenling. It’s over six metres tall, is made of fibreglass and paint, and, naturally, it’s a deep and devastating critique of global capitalism. The piece is called What You See Might Not Be Real, though some prefer a less cryptic title: The Big Golden Farting Bull.
The arts, they ennoble.
[Margaret Thatcher] was the closest thing Britain has ever had to Stalin and Pol Pot.
And,
It is not at all dumb to suggest that Thatcher was the closest thing we have had to Stalin and Pol Pot. That does not imply she was genocidal – merely that of British Prime Ministers it is difficult to think of another who pursued class war and year zero policies as enthusiastically as she did.
Written by Graham, in a heated and bizarre discussion over at Harry’s Place. In the same thread, also by Graham:
Flimsy Bush-Hitler comparisons always look ridiculous.
In the following BBC clip, lifted from today’s ephemera, the sculptor and artistic luminary Antony Gormley shares his wisdom on matters ecological. “Dispense with your socks,” says he. “This is a time of global warming. Through our feet we can begin to feel it.” This is no doubt because “our feet connect with our brains” and “engage with time.” And what’s more, “through our feet we can begin to be one people, standing through gravity on one Earth.” Yes, standing through gravity, united in our socklessness. Go barefoot for Gaia, people. It’s “an act of solidarity.”
Careful, dear readers. That’s the white heat of insight. It burns mortal flesh.
(h/t, Simen Thoresen.)
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