In juvenile detention, she would write “really radical raps” that rattled her supervisors.

Why, yes, I am reading the Guardian. Where the paper’s Janine Israel is positively gushing over aboriginal rapper Barkaa and her “politically potent” music.

The Malyangapa Barkindji woman… is on the verge of releasing her debut EP, Blak Matriarchy,

You know you want to.

Based in south-west Sydney, Barkaa takes her moniker from the Barkindji word for the Darling River. She comes across as warm and humble,

Warm and humble. An interesting choice of words. And followed almost immediately by:

Earlier this year she played the Sydney Opera House forecourt, the lights of the harbour stretched out before her as she performed her song Bow Down: “They used to look down on me / Look who’s looking up now. Bow down.”

Regarding said ditty, our mistress of the surly pose and monotonous loop informs us,

Bow Down is one of my favourite tracks to perform because a lot of people growing up [were like]: ‘Oh you’re not going to be much, you’re just going to be a lowlife, you’re just going to be a junkie, you’re not going to get anywhere, you’re just going to be in and out of prison.’ It’s kind of like: middle fingers up to them.

Same article, seconds earlier:

Born Chloe Quayle, the 26-year-old rapper was a former teenage ice addict who did three stints in jail – during her last, five years ago, she gave birth to her third child.

Despite three children, no father, or fathers, are mentioned. Well. Perhaps we should move on.

Via Captain Nemo in the comments, a tale of woe and trauma from party person Mr Jordan Bennett: 

Okay so I had the most DISGUSTING INVALIDATING experience at Heaven nightclub last night,

Hey, I visited Heaven one evening in the early 90s. I’ve seen what can happen.

a place where I am meant to feel free and accepted.

A big gay club for today’s downtrodden homosexual. There is, though, the small matter of security checks. For weapons and such.

Queuing to enter the club it splits into 2 lines- MAN and WOMAN – to be checked by seperate [sic] people.

Sharp-eyed readers may have an inkling of what’s coming.

I am non-binary so OF COURSE I’m gonna queue in the women’s line in sheer protest of where I know they would expect me to queue based on my appearance.

But of course. Let’s call it intersectional decision-making. Or a contrived, rather needy, excuse for drama. 

I wait to be checked nervously and then one of the security staff rudely gestures me to the other line for men. I then kindly tell them that I am non-binary whilst highlighting the pronouns on my earrings which clearly say ‘They/Them’

Sadly, however, said earrings had lost their talismanic powers:

They carried on refusing me access, repeatedly saying this side was for ‘women only’. I shamefully walk to the other side. The two distinctly separate box-like detectors for each queue added to the prison-like atmosphere. I felt invalidated and embarrassed.

Habitual self-involvement can do that, I suppose.

“It is both possible and impossible to appreciate rap music as a white fan,” [Associate Professor of Philosophy at Florida Southern College,] H.A. Nethery said.

Okay then.

The professor added that rap is a “gift” to white people which “exposes the opaque white-racist self through the inducement of double consciousness within [the] listener.”

Good to know. You see,

Rap music is an expression of lived experiences of being the target of a world structurally dominated by white supremacy.

Which is apparently a thing; though, as so often, it seems we must take that on trust. And so, in order to properly appreciate rap music and its variations, rather than merely appropriating them, the Pale Oppressor must first indulge in “direct-self-reflection on [their] own complicity within the systems of white supremacy.” Casual and spontaneous listening is, I’m assuming, out of the question. First you must atone.

Having cultivated the appropriate level of neurosis and pretentious agonising, readers are invited to contemplate the uplifting ditties of Mr Stormzy, a rapper beloved by Guardian columnists, and who wishes us to know about his nocturnal adventures as an oppressed person – albeit a very wealthy one – specifically, his being able to “take your chick,” and more specifically, “getting freaky in the sheets,” and even more specifically, “finishing with a facial.”

Readers will doubtless recall that Mr Stormzy and his works have been deemed a fitting replacement for Mozart in school music lessons.

Among the many calamities of the pandemic, one of the under-reported ones is the sweeping obliteration of social dance, particularly in its most popular form: dancing to the selections of a DJ.

Yes, it’s the ever-groovy Guardian. Specifically, a piece by Tim Lawrence, a professor of Cultural Studies at the University of East London: 

Party culture exists on a continuum alongside other activities whose communally based, psycho-acoustic underpinnings provide participants with a dose of natural serotonin, among them music concerts, theatrical performances, sporting events, religious gatherings, choirs and walks in the park.

In terms of “party culture,” I’m not entirely convinced that natural serotonin has been doing the heavy lifting.

Party culture’s kaleidoscopic, connecting potential arguably outstrips these other experiences in terms of immersion, duration and joy.

With the apparently kaleidoscopic joy-inducing effects of natural serotonin, it’s a wonder anyone bothered with ecstasy, cocaine, and nitrous oxide balloons. A few sentences later, Dr Lawrence links to this piece, also from the Guardian, on unauthorised lockdown-era raves – a source of “transformational meaning,” Dr Lawrence informs us – and in which we’re told about “saucer-eyed teenage girls,” who are also doubtless invigorated by that natural serotonin.

David Mancuso, pioneering host of the Loft in New York, even believed that communal dancing amounted to humankind’s best attempt to tune into the underlying essence of the universe, which was born out of sound and amounted to one big party of constantly, intensely vibrating atoms.

Cosmologists take heed.

Because I have chores, an open thread.

I’ll set things rolling with some mellow vibes.