A few days ago we were talking about critics grafting their own political hang-ups onto early zombie films. As when cineaste Robin Wood informed readers that the zombies’ cannibalistic tendency “represents the ultimate in possessiveness, hence the logical end of human relations under capitalism.” Well. With that in mind, I feel it’s time for a few words from someone close to our hearts:  

I wondered if we could go back to talking about zombies and socialism? Because there is quite a lot of scholarship on this, recently, and a lot of people writing, erm, quite intelligently about the idea of the power of the zombie narrative as a class war narrative. 

See if you can guess who it is before you follow this link. 

After that dizzying intellectual feast, it’s time for a palate cleanser. A reader who wishes to remain anonymous steers us to the delights of Silent But Deadly, a game of stealth in which “you have to navigate floors of the office building without being discovered by sniffing colleagues.” 

Oh, don’t turn up your noses. I know what you like.

A chessboxing pictorial. Above: Andy “The Rock” Costello v Gianluca “Il Dottore” Sirci, October 2009. More chessboxing. Via.

And we’re back, just about. While I get my bearings, here are two items featuring enhanced human anatomy.

First up is Japanese television’s Dogoo Girl with her deadly décolletage.