For newcomers, more items from the archives:

Dissident Academic Feels the Warmth of Social Justice. 

Or, “If you expose our student indoctrination policy we will punish you.”

According to numerous students, the course’s instructor demanded that they recognise “white English” as the “oppressors’ language.” Without explanation, the class spent its session before Election Day screening Michael Moore’s Fahrenheit 9/11. When several students complained to the professor about the course’s politicised content, they were informed that their previous education had left them “brainwashed” on matters relating to race and social justice.

Crotch Funk as Art. 

In which I hammer culture into your tiny minds.

Sweat is a performance piece by Peter De Cupere, choreographed by fellow Belgian Jan Fabre, in which five dancers spend fourteen minutes rolling about and jumping up and down – naked, obviously – while attempting to fill their transparent plastic overalls with all manner of body odour. “The intention,” we’re told, “is to catch the sweat from the dancers and to distil it. The concrete of the sweat is sprayed on a wall of the dance lab and protected by a glass box. In the glass is a small hole where visitors can smell the sweat.” Yes, you can smell the sweat. If that’s not a good night out, I don’t know what is.

The Sound of Wringing. 

To show how virtuous they are, and therefore superior, Guardian columnists stick pins into their eyes.

One needn’t be a cartoon Tory to marvel at Decca Aitkenhead’s classic piece, Their Homophobia is Our Fault, in which she insisted that the “precarious, over-exaggerated masculinity” and murderous homophobia of some Jamaican reggae stars are products of the “sodomy of male slaves by their white owners.” And that the “vilification of Jamaican homophobia implies… a failure to accept post-colonial politics.” Thus, sympathetic readers could feel guilty not only for “vilifying” the homicidal sentiments of some Jamaican musicians, but also for the culpability of their own collective ancestors. One wonders how those gripped by this fiendish dilemma could even begin to resolve their twofold feelings of shame.

There’s more, should you want it, in the updated greatest hits. 

Please don’t try drilling into your head at home. // 75 hours of drawing in under 2 minutes. // 3D-printed car isn’t fast or pretty. // Floating flower garden. // Fractal forest. // Fluids in a fish tank. // Low frequency fire extinguisher. // Frost. // Free sausage roll. (h/t, Julia) // All the types of Spam. // Symmetrical breakfasts. // Bespoke chocolate faces. Price on request. // A boy and his bird. // I suspect these people may be nerds. // 900,000 photographs of historic New York City. // This. // Commute with a better class of riff-raff. But only in San Francisco. // San Francisco’s summer of ’71. (h/t, Coudal) // An uncompleted tomb. // Soviet pilot cemetery. // Super-typhoon seen from space. // And finally, what happens when you combine Pong, Pac-Man and Space Invaders? 

Daniel Hannan on poverty and its alternatives: 

“Like slavery and apartheid,” Nelson Mandela told 20,000 people in Trafalgar Square ten years ago, “poverty is not natural. It is man-made and it can be overcome and eradicated by the actions of human beings.” They were inspiring words, and the crowd duly went wild. But the old man was talking utter, unadulterated bilge. Poverty is not “man-made”: it is the primordial condition of all living organisms, including humans. It is wealth that is “man-made.”

John Leo on the latest campus fundamentalism: 

The National Association of Scholars released a 260-page report on how far the new [definition] of “sustainability” has spread, particularly on campuses. Credentials can be earned in 1,438 distinct college programmes and its message now extends to such unlikely subjects as English composition, mathematics, art history and psychology… Under the argument that true sustainability requires an end to social oppression, the report says, the movement embraces identity politics, calls for the overthrow of patriarchal systems and misogynist bias, the virtual elimination of extraction of energy from fossil fuels, an end to industrial development in the underdeveloped world and a return to subsistence or near subsistence standards of living. The need to overthrow capitalism, though not supported by all, is a common and much discussed theme in the movement.

And Bill Whittle on 16-year-olds and voting: 

Teen voters, the younger the better, are exactly what the left is looking for. They know no history; they base all of their decisions on emotion; they have no real world experience in terms of what works and what does not. They haven’t the slightest idea of discipline or delayed gratification. They live in a world of fantasy and wish fulfilment; they make demands that cannot be met but they’re willing to settle for an ice-cream cone. They are utterly dependent on others; they’re desperate to conform to the cultural norm, and in general they are the perfect, pliable, ignorant, utterly emotional, reason-free, easily-manipulated vote farm that the progressives need for their power grab.

Feel free to share your own links and snippets in the comments. It’s what these posts are for.

Because 3D-printing with Easy Cheese isn’t as easy as you might think. 

And so we turn our attention to Santa Barbara City College, where creatively-inclined students have been “exploring issues and practices of… interactive and chance-derived work.” Specifically, 

Students harnessed complicated architectural designs and intricate woodworking to create an artistic teepee, which they set up on one of the quad’s grassy knolls earlier this month. As the student newspaper reports, the four art students who built the teepee saw it as “a place of positive vibes and community engagement.”

See? Positive vibes.

Assembled from “upcycled and reclaimed material from an old farm house,” and “lined with pillows and rugs,” the students’ vibe-enhancing structure “provides a comfy, squishy environment” for music and conversation. Also included in the experience is “a shelf of blank books for people to express themselves in written word.” Engorged with positivity, the students posted an invitation for others to partake in their creation: 

Join us to support the opening day of an amazing art event and large scale installation… The piece harks back to ways of the past in American history while juxtaposing current counter culture with futuristic elements that bring it to life.  

It even glows in the dark. 

We want to provide you with an experience out of the mundane – right here on campus! Celebrate our labour of love with live music, refreshments and a trading post! That’s right, bring something to trade and become part of the installation.

Oh, come on. Who could resist so much switched-on grooviness? Surely what followed was a day of vibrant self-expression and communal hugging?

Alas, no.