Toe Jam. Amusing nakedness. Let it load. (Low-res version here.) // CERN rap. The Large Hadron Collider gets superfly. // LHC centrefolds. (h/t, Andy.) // The mathematics of origami. // More wall-climbing robots of note. // Photographs of Iceland. // Britain, from above. With GPS ‘trails’. // A bubble map of Olympic medals. // The Hand Drawn Map Association. (h/t, Coudal.) // The Egyptian Unique Moustache Association. See if you can spot where it stops being funny. // An interview with Geert Wilders. Michael Buerk, aghast, repeats usual guff. // Calligraphy with light. // Lightmark. // Total solar eclipse, China. // Japanese sex museums. // When viruses get sick. // More ancient cities of colour. // Bug sculptures. How to make your own. (h/t, Drawn!) // One man and his dog. // Give yourself elf ears. // Martha Nussbaum kicks sand in the face of Judith Butler. // Then Peter Risdon swipes her towel. “It is always a pleasure to read a self-refuting argument.” // And, via The Thin Man, it’s Ms Marlene Dietrich.

Busy today, but here are a few ditties from the ephemera archives.

Kirstie MacColl: In These Shoes. (2000)

Greta Keller: Blue Moon. (1935)

Flanagan & Allen: Any Umbrellas. (1939)

Noise of Human Art: Balkan Hot Step. (2003)

Xiao-Peng Jiang and the Chinese Orchestra of Shanghai Conservatory: Tune for Chinese Opera. (2005)

The Reverend Robert Wilkins: That’s No Way to Get Along. (1929)

The Ink Spots: Pork Chops n’ Gravy. (1938)

Sun Ra and the Blues Project: Batman. (1966)

The Lovers: La Dégustation. (2005)

Scala and the Kolacny Brothers: Teenage Dirtbag. (2002)

Ah. Something for everyone.

Bizarre allegations of subtextual racism have been noted here before, but this one, spotted by Darleen at Protein Wisdom, is, well, stunning. A flip Wall Street Journal article by Amy Chozick on Barack Obama’s slight build has driven Slate’s Timothy Noah to heights of righteous umbrage:

…any discussion of Obama’s ‘skinniness’ and its impact on the typical American voter can’t avoid being interpreted as a coded discussion of race.

Can’t it be avoided, even among sane people?

Chozick insists that she didn’t intend her playful feature about Obama’s physique as potential electoral liability to carry any racial subtext. “I can’t even respond to that,” she told me. “That’s ridiculous.” […] Bob Christie, Dow Jones’ vice president of communications, phoned me in a flash to reaffirm that message. I believe Chozick and Christie when they say that the Journal never intended skinniness to serve as a proxy for race… But I firmly disagree that a racial reading of Chozick’s story is “ridiculous,” and I would counter that any failure on Chozick’s part to recognize such is just a wee bit clueless. […] 

When white people are invited to think about Obama’s physical appearance, the principal attribute they’re likely to dwell on is his dark skin. Consequently, any reference to Obama’s other physical attributes can’t help coming off as a coy walk around the barn. […] Chozick wasn’t asking (and, I feel sure, would never ask) whether Americans might think Obama’s hair was too kinky or his nose too broad. But it doesn’t matter. The sad fact is that any discussion of Obama’s physical appearance is going to remind white people of the physical characteristic that’s most on their minds.

Noah’s determination to detect some lurking racist intent is a tad convoluted and, it seems to me, positively neurotic. Notice how Noah has to insinuate what Chozick really meant, or what she would supposedly be taken to mean, even though he can’t find any of Chozick’s own words to support that insinuation: “Would you want a whole family of skinny people to move in next-door?” Those are Noah’s words, not Chozick’s, and this substitution is done repeatedly. In effect, he’s an indignant ventriloquist. It’s rather like slipping a whoopee cushion on someone’s chair and then looking shocked by the subsequent rasping noise. And, it has to be said, Obama is remarkably thin as presidential candidates go. In fact, the thinness of his neck (rather than its colour) was the thing that caught my attention when I first saw him on TV. It’s just a neck too thin for television. Whether thinness of neck has any relevance to being president, or indeed being black, I really couldn’t say.

Poking through the comments following this, I rediscovered a quote from an essay by Roger Scruton, first published in the New Criterion, February 2003. He’s talking about the Paris riots of 1968, but readers may spot some connection with the sentiment of this.

That evening a friend came round: she had been all day on the barricades with a troupe of theatre people, under the captainship of Armand Gatti. She was very excited by the events, which Gatti, a follower of Antonin Artaud, had taught her to regard as the high point of situationist theatre – the artistic transfiguration of an absurdity which is the day-to-day meaning of bourgeois life. Great victories had been scored: policemen injured, cars set alight, slogans chanted, graffiti daubed. The bourgeoisie were on the run and soon the Old Fascist and his régime would be begging for mercy…

What, I asked, do you propose to put in the place of this “bourgeoisie” whom you so despise, and to whom you owe the freedom and prosperity that enable you to play on your toy barricades? What vision of France and its culture compels you? And are you prepared to die for your beliefs, or merely to put others at risk in order to display them?

…She replied with a book: Foucault’s Les Mots et les Choses, the bible of the soixante-huitards, the text which seemed to justify every form of transgression, by showing that obedience is merely defeat. It is an artful book, composed with a satanic mendacity, selectively appropriating facts in order to show that culture and knowledge are nothing but the “discourses” of power. The book is not a work of philosophy but an exercise in rhetoric. Its goal is subversion, not truth, and it is careful to argue – by the old nominalist sleight of hand that was surely invented by the Father of Lies – that “truth” requires inverted commas, that it changes from epoch to epoch, and is tied to the form of consciousness, the “episteme,” imposed by the class which profits from its propagation. The revolutionary spirit, which searches the world for things to hate, has found in Foucault a new literary formula. Look everywhere for power, he tells his readers, and you will find it. Where there is power there is oppression. And where there is oppression there is the right to destroy. In the street below my window was the translation of that message into deeds.

Related: Rebellion, Foucault’s Suit, Foucault and the Ayatollah, A Romantic Hostility. (h/t, pst314)

12 Glowing Men. Still angry, but now glowing. (h/t, Coudal.) // The Microsoft Surface Sphere. // Unnecessary knowledge. // The musical Pikachu. Oh, you’ll never tire of that. // Social skills 101 for Japan’s hikikomori. // A keyboard without keys. // Meet Gore-Al. // When galaxies collide (2). // The 50 megaton Tsar Bomba. “Its enormous size made the bomb impractical for warfare purposes.” (h/t, Things.) // Soviet atomic weapons tests. // Filmed effects of atomic weapons. // Details of warp drive remain somewhat sketchy. Requires energy equivalent to entire mass of Jupiter. // At last, the jetpack. // Zoom with Motorola. They’re saving the world. // Fallen. A meteor’s tale. // Beluga whales and bubble rings. // Guardian hypocrisy shock #37. // The periodic table of videos. // The periodic coffee table. // The table is melting. (h/t, Artblog.) // An archive of magazine first issue covers. // Heather MacDonald on maths and gender. // The political correctness of academic disciplines. // And, via The Thin Man, it’s Mr Fats Waller.

Thanks to The Thin Man, here’s the 2007 documentary, In the Shadow of the Moon, in which the surviving Apollo crew members recount their remarkable, and at times moving, experiences. There’s previously unseen mission footage, an excellent score by Philip Sheppard, and keep an eye out for Kennedy’s extraordinary speech, about 13:20 in.

The film is also available in six parts here. Related: Freefall, Craters, Astronomical Odds. 

Eye magazine now has a blog. Readers with an interest in graphic design and visual culture should pay a visit. Items there include my review of the Advanced Beauty exhibition. 

Some time ago, I wrote: 

The more sceptical among us might suspect that the unintelligible nature of much postmodern ‘analysis’ is a convenient contrivance, if only because it’s difficult to determine exactly how wrong an unintelligible analysis is.

With that in mind, a reader, Todd Lemmon, has steered my attention to this post by Rick Hills on obscurantism and being “anti-intellectual”:

I am most certainly an anti-intellectual… Being anti-intellectual is not the same as being anti-intellect. My beef is with a particular social class – the “intelligentsia” – and not with the practice of using one’s intellect to reflect on experience. In my experience, intellectuals (as a class) are ideologically intolerant, easily offended by ordinary humour, and pretentious in their prejudices, which they disguise as universal truths. Moreover, I find a direct relationship between the academic obscurity of self-consciously “intellectual” writer’s prose and the willingness of that writer to justify the unjustifiable.

It takes the convoluted abstractions of a Carl Schmitt or a Heidegger to offer apologetics for Hitler; a Sartre, to temporize about Stalin; a Foucault, to defend Khomeini. In this respect, I stand with George Orwell who spent the 1930s and 1940s denouncing the obscurity of intellectuals’ prose as a cloak for tyranny (and, incidentally, who was also accused of being an anti-intellectual). Intellectuals spray polysyllables like squid ink, to evade the democratic decencies of conversation. I’d like not to be one of their number.

I am aware of, but never have been persuaded by, various efforts to justify the deliberate obscurity of intellectuals. Pierre Bourdieu, for instance, offered a defence of academic obscurity in the introduction to his book, Distinction. Alas, it was too obscure for me to understand. Instead, I tended to think that the rest of Bourdieu’s book provided a better account of the social function of academic obscurity: Obscurity is what Bourdieu dubs “cultural capital”. It is akin to knowing to wear white shoes only before Labour Day or which jazz CDs to play at a Upper West Side academic party – a sort of union card that one can flash for admission to a privileged class.

Judith Butler offered a defence of her obscurity in the New York Times, in which she argued that obscure prose was necessary to get outside of the oppression built into ordinary language. But she gave no examples of instances in which her prose served such a function, and I remain sceptical. Her standard argument that gender bias is built into language can, I think, be communicated effectively without the name-dropping and byzantine insider jokes that are (again, my view or prejudice) the hallmarks of Butler’s style. I tend to think that simple questions simply asked a la Socrates can unveil much more incoherence and oppression in ordinary social conventions that any numbers of references to “hegemonic discourses” and the rest.

The whole thing.

For more on Judith Butler, see here and the comments following this.

Related: Derrida imparts his wisdom. And, of course, the extraordinary Professor Caroline Guertin.

I wasn’t going to comment on Christopher Nolan’s The Dark Knight, which I saw over the weekend, but the level of cooing and gushing among reviewers has been so extraordinary a note of dissent seems in order. Having been led to expect a work of profound genius and “one of the year’s most haunting cinematic experiences,” I was puzzled to find a serviceable popcorn movie, albeit one with pretensions and a serious lack of focus. There are, of course, some great set pieces, most notably one involving cables, improbable physics and a somersaulting truck. And the scene with Heath Ledger’s Joker dressed as a nurse is, for several seconds, positively surreal. In fact, taken individually, there are plenty of fine components. But the overall impression is of Nolan shovelling in as many plots and themes as possible in the hope that some of them would resonate, by chance, apparently.

There’s the rise of Gotham’s shining prosecutor, Harvey Dent, whose subsequent moral corruption and reinvention as Two-Face is erratic and unbelievable even on its own terms, based as it is on the demise of Maggie Gyllenhaal’s underwritten love interest (about whom we scarcely care) and the implausible misplacing of blame. There are several subplots involving the mob’s money, ferryboats and bombs, high-tech surveillance, copycat vigilantes and the attempted blackmail of Bruce Wayne, though none of these asides amounts to very much. A third deranged villain, the Scarecrow, makes a brief appearance for no discernible reason, and then inexplicably vanishes from the plot. There are some nods to contemporary terrorism, rendition and torture, and the age-old question of how to fight evil without becoming a monster. But a refusal to follow through with most of these ideas leads to a glib ambiguity. Nolan seems determined to have it all ways, while committing to none in particular. Batman is supposedly a creature of great purpose, but his moral logic is often unclear and confused, as when he’s repeatedly told that by “provoking” terrorists he’s responsible for the deaths of innocents – a lie which he apparently believes. Thus, for much of the film, we have something close to a Guardian-reading Batman, which is hardly the stuff of heroism, or indeed gripping cinema.

That said, The Dark Knight is nothing if not busy, though it’s not always clear why. Even the repetitive fight scenes are framed so tightly and cut so quickly it’s difficult to tell who’s doing what to whom. There’s just lots of stuff… happening. And, after the first ninety minutes or so, the whole thing begins to lose focus badly and buckle under the weight of undeveloped ideas. With so much to plough through, there’s little room to establish the assumed poignancy on which the final act depends, which leaves the closing scenes oddly flat and undramatic. At the screening I attended, the last hour took its toll and glancing furtively at watches became an audience pastime. In an attempt to overwhelm the audience with sheer volume of characters and material (and a two-and-a-half-hour running time), Nolan fumbles the final payoff. Several reviewers have hailed the film as “primeval and exhilarating,” “the most intelligent blockbuster movie ever made,” and a dark epic that “leaves you wanting more.” But, for me, great films are the ones I want to see again. And I don’t want to see The Dark Knight again.

See Iron Man instead. Seriously. It’s funnier, better paced, and, mercifully, much shorter.

If you’ve followed the recent discussion about alleged “male privilege” and the “holding back” of women, this article by John Tierney may be of interest.

You’ll find sweeping assertions of discrimination in academia against female scientists if you read the executive summary of the National Academy of Sciences’ 2006 report, which was issued by a committee led by Donna Shalala. But if you look in the report for evidence of bias, you find studies showing that female graduate students in general (and those without children in particular) are as likely as men to finish their studies, and that they’re as likely to have mentors and assistantship support. According to the report, there were some differences in productivity — male graduate students published more than female students, and tenured male professors published about 8 percent more than female tenured professors — but when men and women were up for tenure, they received it at similar rates.

Tierney’s conclusion is that, contrary to some claims (and some dubious use of statistics), the data in question doesn’t actually demonstrate any widespread bias against women studying for Ph.D.s and faculty jobs. However,

[T]here are obstacles that keep women from wanting to study science in graduate school or pursue a career in academia… I suspect the chief one is the difficulty of balancing their careers with family responsibilities, particularly childrearing.

Which is, of course, a different issue.

What’s interesting is that Tierney still frames the question in terms of women being “underrepresented” in certain professions and areas of study. But this rather begs the question. How do we know that 1:1 gender parity is some natural, default state, from which any deviation must be construed as evidence of bias? On what basis – besides ideology – can we determine that there “ought” to be a particular ratio of male and female chemists, or mathematicians, or engineers? How can we assume that, were all cultural obstacles miraculously removed, men and women would be roughly equal in number in any given profession? Whether or not meritocratic selection has been achieved cannot be determined simply by whether or not gender parity results, since we have no solid basis on which to say that gender parity should be the meritocratic outcome.

Surely what matters is that suitably capable and motivated women who wish to become engineers, mathematicians or whatever can compete as fairly as possible? Whether that leads to a roughly 50/50 gender split in any given profession seems entirely beside the point. The gender bias, if any, of an academic department or a business cannot be determined by whether or not it employs an equal number of men and women in positions of comparable status. If there are other dispositional variables to consider, statistically, in who pursues a subject to advanced levels, or other factors regarding the availability of suitable female candidates or their persistence in the field, then a gender parity of employed engineers or mathematicians might just as plausibly indicate an anomaly, or a bias in favour of women. To assume that, magically stripped of all disagreeable influences, the male and female population “should” be perfectly symmetrical in interests, skills and dispositions is just that – an assumption. A prejudice, if you will.

And, following the logic of “representation,” couldn’t we also say that women are “underrepresented” in mining and construction, or in the military? Could similar claims be made regarding the “over-representation” of women in, say, healthcare or primary school teaching, or gay people in the arts?

Related. (h/t, The Thin Man.)