Because victimhood is currency and status, and therefore terribly competitive.
The particulars of that “interconnected nature” are, sadly, not disclosed. Instead, the word “intersectionality” is deployed as some self-explanatory justification, both for the expansion of the museum and, one assumes, the additional funding.
The Museum of Sexist Objects is, it seems, a triumph in every possible way, according to those paid to curate its wonders, and to generally look busy while nobody cares. With Ferris State history professor Tracy Busch adding that the museum “has accomplished its vision by increasing awareness of the damage that sexism causes to not only women and girls, but also to men and the LGBTQ+ community.” Though, again, specifics on these points are not articulated.
Other priorities, however, are made clear:
Objects deemed sexist and reprehensible – sorry, “artefacts of intolerance” – include a child’s ironing playset, a set of false eyelashes, a joke sign about beer being better than women, a glamour calendar featuring pneumatic ladies in minimal lingerie, a “Hillary Sucks” poster, and, bizarrely, a signed publicity photograph of Dr Condoleezza Rice.
Other morally corrupting artefacts include a Condoleezza Rice promotional bobble-head doll – “Condi 2008” – which is somehow sexist and oppressive, unlike the near-identical promotional bobble-head dolls of male politicians.
Oh, and a 1997 novelty foodstuff by the name of Pasta Boobs.
Needless to say, the corresponding novelty pasta for ladies’ hen parties – shaped as you’d imagine – was not deemed worthy of inclusion.
Readers who feel an urge to tut about such things, and to generally disapprove, can do so, thanks to the museum’s website, which can be found here.
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