Granted, hanging up spoons in straight rows isn’t quite as impressive as the oeuvre of Rembrandt. But if we pretend hard enough, maybe it will seem as if it were?

Steve Sailer spies some farcically woke art-exhibition notes. 

Photographs of which can be found here. This one in particular is quite a feat. 

Update:

In the comments, Joan adds, “They want to spoil everything.” Indeed, the tone of the exhibition notes is reliably sour and anhedonic. Only the contrivance is amusing, albeit unwittingly. And it occurs to me that it would save a lot of time and rhetorical straining to simply stamp each artwork with the words “BAD WHITEY.” The effect would be much the same and with little loss of meaningful content. It’s also worth pondering the term “white degeneracy,” and whether any other racial demographic would be subject to similar usage in the official display notes of a mainstream art exhibition.

Update 2:

It seems to me that juxtaposing Rembrandt’s paintings with half-arsed tat by the ungifted-but-heroically-brown – an unremarkable frame, some spoons in rows – is not a great way to establish the implied artistic parity. But in order to be woke and right-thinking, we must somehow will the equivalence into being. Or at least pretend.

And this is why wokeness is corrupting. It eats away at realism, and at honesty.

Also, open thread.