Daniel Hannan on the socialist snobbery of François Hollande: 

As well as being a bore, a fornicator and a nincompoop, François Hollande stands accused of being a snob. His former mistress, Valérie Trierweiler, has revealed… that the man who publicly professes to loathe the rich privately despises the poor. The son of a solidly bourgeois home, Hollande apparently sneered at Miss Trierweiler’s humbler origins, and referred privately to the underprivileged as “les sans-dents”: the toothless. Miss Trierweiler finds this attitude incongruous in a leftist politician, which makes me wonder how many leftist politicians she can have spent time with. 

Snobbery and imperiousness being so rare among our egalitarian betters. 

Robert Tracinski on Amanda Marcotte’s latest fit of indignation: 

That there are angry, bitter misanthropes out there with a chip on their shoulder about having to cook is not significant. What is significant is that this outlook gets taken seriously and finds a home and a ready audience on the left. What’s significant is that there is a constituency out there that is ready to complain about each and every basic requirement of human life, to resent the effort of taking responsibility for it, and to denounce as tyranny any expectation that life is supposed to be about work, effort, and striving.

Darleen Click on the same:  

[According to Marcotte,] if person A is unable to access the ideal of a home-cooked meal, by circumstance or choice, then home-cooked meals are articles of privilege to be either provided by The State or shunned as a vestige of a bygone culture best left upon the heap of history.

Ms Marcotte’s deep and compassionate wisdom has been noted here before. 

And Jeremy Duns on the return of former Independent columnist and chronic fabricator Johann Hari: 

[Hari] has received some extremely impressive endorsements for his book, from Noam Chomsky, Naomi Klein and Elton John. Bloomsbury have big promotional plans for it in place. They have, it seems, decided not to inform potential readers of Hari’s troubled past. The Amazon page for the book lists all of Hari’s awards but for the returned Orwell Prize, and features a quote from the Daily Telegraph: “Perhaps the most influential journalist of his generation.” Yes, blurbs are often taken out of context, but this is one of the most extraordinarily dishonest examples I’ve seen. That quote is from a Telegraph article about his plagiarism.

As usual, feel free to share your own links and snippets in the comments. 

Menfolk, impress women with instant burliness. // How to make Möbius bacon. // Batman’s many enemies, from Condiment King to Killer Moth. // How a bean becomes a fart. // It was the Seventies, everyone was funky. // “Fuck patriarchy.” // The patriarchy in action. // Pornographic sound design. // Iris the piglet likes bounding and belly rubs. // Clouds over Kansas City. // Cloud shadows. // Origami crease patterns. // Ranking the Bond cars. (h/t, Ace) // Volvos in North Korea. // We need to see the return of anti-cheating hats. // In auction news. // Stone mosaics. // Mr Marvin Gaye. // Hardcore dog lover. // What ants do. // And finally, in thrilling lavatorial news, “Earliest known wooden toilet seat discovered.” 

Theodore Dalrymple on language and “austerity”: 

This is not a question of whether the economic policy followed by the government is the right one or not: perhaps it is and perhaps it isn’t. It is a question of the honest use of words. One would not say of a man who passed from smoking sixty cigarettes a day to fifty that he had given up smoking, or that he had exercised great self-denial. And one would not, or rather should not, say of an organisation that had balanced its budget once in fifty years (the British government) that it was practicing austerity merely because it had to borrow a slightly lower percentage of what it spent than it did the year before. This is to deprive words of their meaning… If reducing the rate at which you overspend and accumulate debt is called austerity, no one will dare go any further in that direction, though it were the right direction in which to go.

But all that “austerity” and all those “violent” “spending cuts” are, as Julia M notes, making our artists angry: 

Now a new group of British artists and musicians are hoping to use art, song, theatre and words, as well as social media, to combat the coalition’s austerity agenda.

No, you mustn’t. Remember how scared we were the last time our artists shook their fists at us. One of the protesting artists, the Occupier and “urban poet” Rob Montgomery, tells us, “My art is about what capitalism does to your heart, and the inner child in you.” His deep, visionary radicalism can be savoured here. He’s teaching us, you see. Because he knows so much.

And Jennifer Kabbany on yet another fake “hate crime” and its vain fabricator: 

I was trying to make a point… now everyone has ideas on what type of person I am. I am none of these things… I am myself, I am caring and kind.

One to add to the rapidly growing list of kind, caring psychodramas. 

As usual, feel free to share your own links and snippets in the comments. It’s what these posts are for.

I suppose the chap in the background keeps one with him just in case.

Dreadlock Truth is a vital resource for fans of countercultural hair and the generally hair-conscious. Among its nuggets are tips on upkeep, colouring and decoration, and where to find accommodating employers. (Book shops and health food markets are recommended.) There are of course photo galleries. Other subjects of interest include energy-channelling, mushroom use, coping with flashbacks, and mental health services.

Oh, and there’s a lovely section on lice: 

Pull your dreads up and try to bun them up if you can, or at least pull them into a high ponytail. Use about a half bottle of rubbing alcohol (70% or higher)… Tie a plastic bag tightly around your head for about 30 minutes. It’ll itch and it’s annoying and stinky, but it’ll kill the bugs. Rinse, and watch the bugs fall out.

The site also includes message boards devoted to “dance and object manipulation,” with subcategories covering stilt-walking, juggling and hoop-dancing, and a section in which dreadlocked adventurers share their tales of “injuries sustained in the pursuit of happiness.” One 230 lb gentleman explains how, “I once almost knocked myself out dancing at a local concert,” while another devotee relates the perils of poi, a form of performance art involving the spinning of tethered weights, sometimes enhanced with glow stick chemicals and/or fire: 

I extinguished a flaming poi with my eye once. Luckily it was burning low and about to go out anyways.

Much to learn, so little time. Via MeFi.