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Art Politics Psychodrama Reheated

Reheated (21)

October 25, 2011 25 Comments

For newcomers, three more items from the archives.

Ambient Truth.

Made-up facts will do just as well.

A 19-year-old freshman ransacked her own room and scrawled racial slurs across its walls before curling into a foetal ball, supposedly in shock. When this “hate crime” was revealed as a hoax, Otis Smith, a regional president of the National Association for the Advancement of Coloured People, was remarkably untroubled. That the events had been staged and then lied about was, he said, “largely irrelevant.” He added, “It doesn’t matter to me whether she did it or not because of all the pressure these black students are under at these predominantly white schools. If this will highlight it, if it will bring it to the attention of the public, I have no problem with that.”

I’m Not Condoning Violence, But…

When “being heard” means being obeyed. A lesson in leftist euphemism.

Ms Allen tells us, “I was truly overwhelmed by the vast police presence… Feeling threatened in my own community is upsetting but the truth is people feel completely disempowered, and for some resorting to last night’s actions seems the only way people will listen.” Strangely, Ms Allen shows little concern for other local residents who had no choice but to listen and who may have been “upset” by the fruits of her campaign. Unless of course they found comfort in the smell of burning, the sound of windows being smashed and the territorial chant of “Whose street? Our street!” These things, presumably, are an acceptable cost – provided Ms Allen and her colleagues get what they want.

Meanwhile, in the Arts.

Liquidised carrots, moths and bras, and a fat, naked narcissist jumps around in talc.

Here’s Austrian artist and choreographer Doris Uhlich, whose “vigorous and critical” hour-long performance More Than Enough “takes ironic revenge on the standardisation of the body.” It’s a “bodily and textual discussion of flesh and opulence,” in which Uhlich “asks herself and her audience how the body can become a trademark and what this means.” This radical feat is achieved by reciting Baudelaire, throwing talcum powder around and making several phone calls: “I’m calling you because I’m fat…”

And by all means gorge yourselves on the updated greatest hits.














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In which we marvel at the mental contortions of our self-imagined betters.