Finalists of the 2009 Nikon Small World Photomicrography Competition.
Above: Sonchus asper flower stem section, 150X. Photographed by Gerd A. Guenther, Düsseldorf, Germany.
Finalists of the 2009 Nikon Small World Photomicrography Competition.
Above: Sonchus asper flower stem section, 150X. Photographed by Gerd A. Guenther, Düsseldorf, Germany.
Here’s a product with no pressing need to exist. Wine… for gay men:
Spanish UO! Wines is a line of three wines created with homosexual men in mind, and its descriptions, packaging and website imagery were all tailored accordingly. UO! Ánima Blanca, for example, is a Sauvignon Blanc and Verdejo blend featuring earth tones and “wisps of flowers and fruit – the perfect accompaniment to a gathering of friends on a hot day, whether the heat comes from within or without.”
I swear I’m not making this up.
It smells of ripe, dark fruits, fragrant, a steamy jungle… Taste it. Raise the glass to your lips and you’ll notice deep and balanced flavours, they are sumptuous, you can almost chew on them, they fill you.
Oh, there’s more.
And Hadrian ordered that one thousand marble statues be built in his name… When you try it, shut your eyes and imagine that you are licking rivulets of syrup from his body.
100 examples of urban decay photography.
Above: Abandoned brewery-cum-bowling alley, Berlin. Photographed by Keith Thorne. [ Via.] Related: Residue and Ghost Baskets.
Mr Eugenides and Dr Westerhaus have both steered my attention to this piece of arts news.
Artist Tracey Emin has said she is thinking of leaving the UK in protest about being overtaxed. In a Sunday Times interview she said she was “very seriously considering leaving Britain,” adding: “I’m simply not willing to pay tax at 50%.” The government’s 50p tax rate for incomes of more than £150,000 will be introduced in April. Referring to the new tax, she said: “I reckon it would mean me paying about 65p in every pound with tax, National Insurance and so on.”
What’s interesting is that Ms Emin couches her objection in terms of philistinism:
Emin said the Labour government had no understanding for the arts. “At least in France their politicians have always understood the importance of culture and they have traditionally helped out artists with subsidy and some tax advantages.”
Typically unassuming, she appears to be suggesting that artists, and people who peddle tat masquerading as art, warrant some special dispensation. One not available to less elevated beings. The esteemed ambassador of the arts and creator of such mighty works as My Bed and Everyone I Have Ever Slept With could have been a little more to the point. She might, for instance, have argued that, “paying about 65p in every pound with tax” is objectionable – some would say immoral – artist or not. Readers may also note that while Ms Emin objects to her own indecent tax bill she also feels that artists should be subsidised by the government. Which generally entails subsidy by the taxpayer.
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