A while ago, I posted some extracts from Alvaro Vargas Llosa’s article on Ernesto “Che” Guevara:

In April 1967, speaking from experience, he summed up his homicidal idea of justice in his Message to the Tricontinental: “Hatred as an element of struggle; unbending hatred for the enemy, which pushes a human being beyond his natural limitations, making him into an effective, violent, selective and cold-blooded killing machine”… In a letter to his mother in 1954, written in Guatemala, where he witnessed the overthrow of the revolutionary government of Jacobo Arbenz, he wrote: “It was all a lot of fun, what with the bombs, speeches, and other distractions to break the monotony…”

With the above in mind, readers may be interested in Ted Balaker’s short film on the suckers who fellate this “social justice” icon.


“Rock and roll as well as jazz was what they called ‘imperialist music’… He hated artists, so how is it possible that artists still today support the image of Che Guevara?” Paquito D’Rivera.

Related: Harry’s Place versus defiant fellators, the chic of concentration camps.


(h/t, Daimnation!

















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