Further to Madeleine Bunting’s righteous agonising over ecological issues, perhaps this proposal will bring a fleeting smile to her sweet, sweet face.

Couples who have more than two children should be charged a lifelong tax to offset their extra offspring’s carbon dioxide emissions, a medical expert says. The report in an Australian medical journal called for parents to be charged $5000 a head for every child after their second, and an annual tax of up to $800. And couples who were sterilised would be eligible for carbon credits under the controversial proposal.

Perth specialist Professor Barry Walters was heavily critical of the $4000 baby bonus, saying that paying new parents extra for every baby fuelled more children, more emissions and “greenhouse-unfriendly behaviour.” Instead, it should be replaced with a “baby levy” in the form of a carbon tax in line with the “polluter pays” principle, he wrote in the latest Medical Journal of Australia… By the same reasoning, contraceptives like diaphragms and condoms, as well as sterilisation procedures, should attract carbon credits, the specialist said.

Related. And. Via Protein Wisdom, with thanks to The Thin Man.

With the latest Turner Prize triumph still fresh in our minds, here’s the Fallon agency’s new ad for Sony’s Bravia TVs. Like its predecessors, this one hints at why the notion of art as something aloof from, and critical of, commercial culture now seems mannered, rather creaky and, perhaps, obsolete.

More, including the making of.

Update:

As requested, here’s the making of the ‘Play Doh’ ad.

And, to complete the set, here’s the making of ‘balls’ and ‘paint’.   

Nick Cohen casts an eye over Brian Haw’s “peace” protest and Mark Wallinger’s “bold” copy.

Like so many others, Haw can’t ask who is killing whom in Iraq. There are no slogans expressing his disgust at the death squads of the Baathists and Iranian-backed Shia militias, nor of Abu Musab al-Zarqawi, the late leader of al-Qaeda in Iraq, who explained that he would murder Iraq’s Shias indiscriminately so that they would retaliate and “show the Sunnis their rabies and bare the teeth… and drag them into the arena of sectarian war.” The placards about Afghanistan continue the theme and don’t manage a word of criticism of the Taliban’s crimes and ideology. Western governments are responsible for the woes of humanity; no one else is worth mentioning…

Last week, Haw… became the darling of the art establishment. The Turner judges gave Mark Wallinger the 2007 prize for his recreation of Haw’s original line of banners denouncing “baby killers” and “B-liar”, displayed first at Tate Britain and now at Tate Liverpool. The judges praised Wallinger directly and Haw by implication for “the immediacy, visceral intensity and historic importance” of a work that “combines a bold political statement with art’s ability to articulate fundamental human truths.” Hyperbole at this intensity usually conceals insecurity. I wonder whether the Turner judges blustered because they knew in their hearts that in the current climate in liberal England Wallinger would have made a “bold political statement” if he had put a piece defending the government in the Tate.

Setting aside the issue of Haw’s right to protest, the nature of his protest – and its glib regurgitation – is what’s interesting. That a posture so inexcusably selective, deluded and drearily commonplace should be deemed admirable by Wallinger is almost funny. That Wallinger’s copy of it should in turn be hailed by the art establishment as “bold”, “visceral” and “intense” is practically tragicomic.

Related.

Warfare with nuts and ribbon. By PES.

The Making of KaBoom! can be seen here. And here’s a seasonal gift.

Related: Roof Sex. A tale of passion and upholstery.

Original Planet of the Apes trailer. (1968) “An upside-down civilisation!” // Worryingly detailed Planet of the Apes timeline. (h/t, Coudal.) // Jeff Wayne versus the Martians. Armed with lasers and a big string section. Oh, and a virtual Richard Burton. // War of the Worlds book jackets and illustrations, from 1898 to 2007. // Tom Cruise escapes being vaporised. // The Watchmen movie is coming. A fan starts to obsess. There’s more, of course. // Images of Europa. // George Monbiot makes belated bid for Turner Prize. “I am sitting on top of an excavator the size of a house, dressed as a polar bear.” // UN climate change conference has inadequate parking for delegates’ private jets. // Californian tree hippies. Hand me the gun. // Bruce Thornton on academic free speech. “The political prejudices of the professoriate start at liberal and end at radical leftist.” // Mary Jackson spots resonance in The Arsonists. // Aircraft silhouettes. // German educational charts. The innards of things. (Circa 1950s) // New York subway maps. (h/t, Things.) // A map of the apocalypse. // Tallest buildings of the Old World. // Unspeakable meats. // Places to hide things. // Volcano webcams. (h/t, 1+1=3.) // Photograph yourself. Because now it’s even easier. // Kraftwerk: Das Model. (1980) // And, via The Thin Man, it’s Miss LaVerne Baker.