It isn’t easy to adequately summarise Fletcher Hanks’ comic book creations, or to convey their demented charm. Fletcher’s combination of weirdness and ineptitude has earned praise from Kurt Vonnegut and Robert Crumb and invited comparisons with the zero-budget film director Ed Wood. His characters – including Tabu, Wizard of the Jungle and a strapping lumberjack named Big Red McLane – spanned just three years of the Golden Age, from 1939 to 1941, and are among the most peculiar things I’ve found in a comic book. Which, all things considered, is saying something.
Imagine, for instance, a hero named Stardust the Super Wizard – a man with a crime-detecting laboratory on his own private star, and whose “vast knowledge of interplanetary science” makes him the “most remarkable man that ever lived.” In addition to these formidable attributes, our hero has other improbable talents. He changes size arbitrarily from one panel to the next; his limbs, head and torso swell and distend for no discernible reason beyond alarming lapses in draughtsmanship. When not racket-busting or camouflaging the Earth with a giant, sculpted cloud of steam, our hero operates his “violently vibrating crime-detectors” and tosses foreign-looking villains down the mouths of active volcanoes. He’s clearly quite a guy.
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