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Academia Anthropology Politics Psychodrama

Elsewhere (118)

April 8, 2014 54 Comments

The Wall Street Journal reveals the unspeakable suffering of leftwing students at an Ivy League college:  

The demonstrators had a 72-point manifesto instructing the college to establish pre-set racial admission quotas and a mandatory ethnic studies curriculum for all students. Their other inspirations are for more “womyn or people of colour” faculty; covering sex change operations on the college health plan (“we demand body and gender self-determination”); censoring the library catalogue for offensive terms; and installing “gender-neutral bathrooms” in every campus facility, specifically including sports locker rooms. 

We rarely sympathise with college administrators but we’ll make an exception for Dartmouth President Phil Hanlon, an accomplished mathematician who for some reason took the job last year. The occupiers filmed their confrontation and uploaded the hostage video to the web, where Mr Hanlon can be seen agog as his charges berate him for his “micro-aggressions.” Those are bias infractions that can’t be identified without the right political training.

Mr. Hanlon left after an hour and told the little tyrants that he welcomed a “conversation” about their ultimatums. They responded in a statement that conversations – to be clear, talking – will lead to “further physical and emotional violence enacted against us by the racist, classist, sexist, heterosexist, transphobic, xenophobic, and ableist structures at Dartmouth.” They added: “Our bodies are already on the line, in danger, and under attack.”

The mighty student ‘occupiers’ were also rendered tearful and distressed on discovering that their behaviour had been described as “threatening.” You see, the students’ threats of further “physical action” should be heeded and obeyed but not recognised as threats. That too would be a “micro-aggression.” Dartmouth’s annual tuition of $65,133 has evidently failed to deter fits of delinquent psychodrama by checkers of privilege whose own colossal sense of entitlement somehow escapes detection.

As noted previously, this kind of obnoxious and narcissistic behaviour is regarded as a credential by many students on the left, as somehow self-validating, something to be proud of. It’s what elevates them within their own immediate peer group. They’re achieving their in-group status, their imagined radical chic, by imposing on others – people about whom they simply don’t care or for whom they show outright contempt. It’s more than a little symbolic that the disruption and clearing up are always at someone else’s expense. Despite the guff about “social justice,” their behaviour is fundamentally parasitic.

And hey, think of how well they’re using that $65,133 a year. Think of the message they’re sending to potential employers. Who wouldn’t want to hire someone who wants to abolish capitalism, who hallucinates “white supremacy,” who dismisses dialogue as “racialized and white” and “gendered and masculine” and therefore invalid, and who threatens “physical action” if their absurd demands aren’t met?

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Written by: David
Academia Politics Psychodrama

Elsewhere (116)

March 24, 2014 34 Comments

Roger Kimball roams the thought-corrected quarter of academia: 

Dr Miller-Young is a typical specimen of homo academicus (or perhaps I should say, mulier academica), circa 2014. The non-stop racial grievance mongering. The anaphrodisiac obsession with gutter sex. The bad prose. The cutesy nods to pop culture. The reflexive left-wing politics. The angry, intellectually nugatory posturing… Dr Miller-Young is as dreary and predictable a representative of the low-wattage, affirmative-action branch of that enterprise as any cultural pathologist could wish for. Would you let her loose on your delicately brought-up daughter? While you ponder that question, let me repeat that there is nothing out of the ordinary about Dr Miller-Young. She is exactly what you can expect when you sign up for a course in the “humanities” these days. 

Worth reading in full. And note Dr Miller-Young’s progressive approach to debate: “I’m stronger so I was able to take [and destroy] the poster.” More on the story at Ed Driscoll’s place. And somewhat related is FIRE’s latest video, in which a Dartmouth College student recounts how a fellow student destroyed his organisation’s pro-life display with a car. A car with a “Coexist” bumper sticker on the back.

KC Johnson probes the latest fashion in campus psychodrama: 

That little, if any, evidence exists to sustain either of these beliefs has not deterred the “rape culture” believers; if anything, the lack of evidence for their claims appears to have emboldened them… “Rape culture” activists generally steer clear of law enforcement, since police might demand evidence to substantiate their claims. 

And Karen Lewis, president of the Chicago Teachers Union, wants “social justice” shoehorned into primary school maths teaching. Because who could possibly want their children to learn arithmetic without some nakedly Marxoid indoctrination? 

As usual, feel free to share your own links and snippets in the comments. 

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Written by: David
Academia Anthropology Politics Psychodrama

The Roar of Enlightened Manhood

February 25, 2014 171 Comments

A troubled student writes:

As a proud male feminist,

Oh, go on. Guess where. 

As a proud male feminist, I believe it’s important for men to rally around the feminist movement to provide support and to act as an example for other men to follow. So it confuses me that at university a shockingly large number of male students I speak to refuse to apply the term to themselves, instead being evasive and avoiding such an empowering title.

Yes, dear readers, it’s both shocking and confusing that in the twenty-first century, in one of the most cosseting and politically corrected environments in all of the developed world, some male students feel no need to describe themselves as feminists. And calling oneself a feminist, announcing it proudly to the world – or at least to other, likeminded, equally proud students – is apparently the duty of all righteous beings, especially those with testicles. It’s empowering, you see. And never a sign of narcissism, credulity and pretentious moral grandstanding. 

The scandalised and bewildered author of this piece is Mr Lewis Merryweather, a first year student of comparative literature at the University of Warwick. “He is a proud feminist,” reads his Guardian profile, “and writes poetry.” And the sorrows of his life are there for all to see:

I often encounter negative reactions when declaring myself a male feminist at university.

Missionary work is hard. Bring handkerchiefs, quickly, a dozen at least. And possibly towels and a mop.

I find this attitude among male students worrying… Perhaps it stems from male panic, that, foolishly, male students worry they may lose power and opportunity in a world of feminism. Perhaps guy students are embarrassed to align themselves with a word that lexically alludes to female-centrism.

Yes, that must be it. Those lexical allusions are a real bugger.

Maybe they’re worried about feeling emasculated.

Says our fretful poet. A man agonised by the existence of peers who don’t think exactly as he does and won’t wear his badge. And to make matters worse, there’s the ever-present shadow of hegemonic oppression:

In the words of Colm Dempsy, a male feminist who spoke at the forum I attended: “I am a proud male feminist. I am willing to fight with you. If you let me.” This is a statement every man, inside university and outside, should be able to shout without fear of being silenced by society.

Silenced by society. In a national newspaper. 

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Academia Feminist Pornography Film Food and Drink Politics Psychodrama

Pearl-Clutching Pornographers

February 13, 2014 48 Comments

Further to the saga of the underpants statue and the subsequent swooning of Wellesley College’s liberated ladies, Fred Reed has more evidence of feminist fortitude: 

It seems that at Columbia University a rat pack of nursery feminists have got their skivvies in a knot because the library, Butler, is named for an, ugh!, man. Yes. It cannot be denied. In protest, these girls, apparently having nothing more important to do, have filmed “feminist pornography” in the library.

Indeed they have. It’s a “guerrilla action” response to “gender tension” and “male-centricity.” And “of course, it is a feminist statement.”  

Anyway, one of these drab libertines, a Sara Grace Powell, says, “Butler is an extremely charged space – the names emblazoned on the stone facade are, for me, a stimulant for resistance.” A stimulant to grow up might be more to the point. She means “stimulus,” of course, but why would a child at an Ivy university be expected to know English? To an extent I have to sympathise with Sara. I grant that seeing a horrible male name “emblazoned” would send me into a decline also. Wouldn’t it you? Never mind that if the man thus emblazoned had not made the money to donate the library, Sara wouldn’t have one in which to make pornography, presumably the purpose of libraries. 

As some readers may be intrigued by the notion of all-female feminist pornography, here’s a brief description:

It begins with a group of girls sitting around a library table taking their shirts off. As the film progresses, the girls engage in activities including kissing, rubbing eggs on their bodies and twerking around a chicken carcass.

The finished political opus, starring the aforementioned Ms Powell and titled Initiation, also features the somewhat lacklustre use of a riding crop, extended scenes of floor-wiping and what feels like an eternity of general aimlessness. It can be savoured at length here. Those hoping for red-blooded boi-oing fuel may, however, be disappointed. One of the film’s makers, Coco Young, has stressed the intent to transgress rather than titillate:

She was happy to see one commenter note that it was “hard to masturbate to this.” After all, the girls aimed to “create a repulsion”; there were naked women onscreen, but “they’re not there to make you sexually aroused.”

Despite dashed hopes and the sheer radicalness of it all, I trust readers will somehow get over it and get on with their lives. 

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Written by: David
Academia Anthropology Music Politics Psychodrama

Elsewhere (108)

January 5, 2014 58 Comments

Via Herb Deutsch, Heather Mac Donald on the self-destruction of the humanities: 

Until 2011, students majoring in English at UCLA had to take one course in Chaucer, two in Shakespeare, and one in Milton — the cornerstones of English literature. Following a revolt of the junior faculty, however, during which it was announced that Shakespeare was part of the “Empire,” UCLA junked these individual author requirements. It replaced them with a mandate that all English majors take a total of three courses in the following four areas: Gender, Race, Ethnicity, Disability and Sexuality Studies; Imperial, Transnational, and Postcolonial Studies; genre studies, interdisciplinary studies, and critical theory; or creative writing. In other words, the UCLA faculty was now officially indifferent to whether an English major had ever read a word of Chaucer, Milton or Shakespeare, but the department was determined to expose students, according to the course catalogue, to “alternative rubrics of gender, sexuality, race, and class.”

The UCLA coup represents the characteristic academic traits of our time: narcissism, an obsession with victimhood, and a relentless determination to reduce the stunning complexity of the past to the shallow categories of identity and class politics. Sitting atop an entire civilisation of aesthetic wonders, the contemporary academic wants only to study oppression, preferably his or her own, defined reductively according to gonads and melanin.[…] [Consider] the resentment of a Columbia University undergraduate, who had been required by the school’s core curriculum to study Mozart. She happens to be black, but her views are widely shared, to borrow a phrase, “across gender, sexuality, race and class.” “Why did I have to listen in music humanities to this Mozart?” she groused… “My problem with the core is that it upholds the premises of white supremacy and racism. It’s a racist core. Who is this Mozart, this Haydn, these superior white men? There are no women, no people of colour.” These are not the idiosyncratic thoughts of one disgruntled student; they represent the dominant ideology in the humanities today.

Yes, what could the music of Mozart possibly have to offer a black woman, any black woman? After all, he was a composer of pallor, and male, and therefore, apparently, in the service of evil. Mozart ain’t for dark folk. Nothing to learn or enjoy there.*

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In which we marvel at the mental contortions of our self-imagined betters.