Ashe Schow on attempts to exacerbate campus “rape” hysteria:
One of the best tactics so-called researchers have used to conclude that fully one-fifth of college women will be sexually assaulted is to vastly expand the definition of what [rape] is… Reason’s Elizabeth Nolan Brown dissects the [Rutgers University survey], noting the definition of “sexual assault” and “sexual violence” included everything from “remarks about physical appearance” and “persistent sexual advances that are undesired by the recipient” to “threats of force to get someone to engage in sexual behaviour, as well as unwanted touching and unwanted oral, anal, or vaginal penetration or attempted penetration.” There’s an ocean of difference between someone saying you look good today and someone physically pinning you down against your will. To include both under the category of “sexual assault” is just ludicrous, and certainly not a serious way of studying the issue.
These, though, are the standards of Rutgers’ School of Social Work.
And via Ace, Timothy Sandefur tracks the wildly changing politics of Star Trek:
At no point in the show’s history had Kirk or his colleagues treated the Klingons unjustly, whereas audiences for decades have watched the Klingons torment and subjugate the galaxy’s peaceful races. In “Errand of Mercy,” they attempt genocide to enslave the Organians. In “The Trouble with Tribbles,” they try to poison a planet’s entire food supply… Yet never does the Klingon leader, Gorkon, or any of his people, acknowledge — let alone apologise for — such injustices. Quite the contrary; his daughter tells a galactic conference, “We are a proud race. We are here because we intend to go on being proud.” Within the context of the original Star Trek, such pride is morally insane. Yet in service to Spock’s mission of elevating peace over right, the film [Undiscovered Country] portrays the Klingons not as thugs, but as misunderstood casualties of human bigotry. Kirk and his crew, says Gorkon’s daughter at the Enterprise banquet, represent a “homo sapiens-only club,” devoted to such chauvinistic values as “inalienable human rights.” “Why, the very name,” she quips, “is racist.”
The incoherent utopianism of many Trek episodes – “the pernicious ideal,” as dicentra called it – has been discussed here before, many times, along with the authoritarian types who imagine a similarly ‘progressive’ tomorrow.
Feel free to share your own links and snippets in the comments. It’s what these posts are for.
So when the button breaks, who fixes it and how much does he charge?
So when the button breaks, who fixes it and how much does he charge?
The amount charged would depend on the circumstances and the local economy, and doing the repair would be one of those skills . . .
The Antiques Roadshow is a microcosm of the class system. Who knew?
http://www.theguardian.com/commentisfree/2015/sep/09/i-wish-we-could-all-appraise-class-issues-like-antiques-roadshows-tweedy-experts
The Antiques Roadshow is a microcosm of the class system. Who knew?
Heh!!
If you’re a regular TV viewer, you’ve probably noticed the incremental dominance of what we might call antique broadcasting.
. . but enough about assorted politicians running for office . . .
The most prominent example currently screening in Australia is Auction Hunters, a program that chronicles the doings of Allen Haff and his partner Ton Jones,
. . . well, given futility shows and my ignoring them in general, that’s who I immediately thought of . . . .
So I see the “art” defenders of that piece of flooring thing say the point is that no one else had thought of doing it before, and that’s what makes the graphite floor thing “art.” That’s the criteria for art? DuChamp writing his name on a urinal and displaying it is the foundation of art? Well, no one thought of stranding 7 people on a tropical island and making one a professor, one a movie star, one a millionaire, one his wife…fucking Oscar winner, Gilligan’s Island.
Don’t forget the beta males searching forlornly for that sweet, sweet, feminist pussy.